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Changes to Bachtrack.com
From today, 26th March, we have made a small but important change to Bachtrack: we are asking readers to register for free to read certain parts of our site. Full explanation of what is changing and why: bachtrack.com/bachtrack-regi…
Bottled lightning: Yunchan Lim's brings Rachmaninov 3 to Philadelphia @philorch
✍️ Cameron Kelsall
bachtrack.com/review-yunchan…
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Salvation, damnation and circus magic: Gounod’s *Faust* at the Teatro alla Scala @teatroallascala
bachtrack.com/review-faust-e… via @bachtrack
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"Miskimmon writes that her production “places Tosca at the centre of her own story.” Isn’t this exactly what Puccini and his librettists Luigi Illica and Giuseppe Giacosa already do very successfully?"
bachtrack.com/review-tosca-m…
Bachtrack retweeted
#NewConcertMc
November 2026
6 Concerts: 8 November to 16 November!
Discover next concerts with #Haydn works in #London!
#Londoners
@wigmore_hall @ThisIsLondonmag
@BBCRadio3 @ClassicFM @theartsdesk
@radioclasica @WPR @SinfoniaSmithSq
@bachtrack
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A Messiaen epic launches the London Piano Festival at @KingsPlace
✍️ Christopher Woodley
bachtrack.com/review-apekish…
A village hall Tosca at English National Opera
✍️ Mark Pullinger
bachtrack.com/review-tosca-m…
BK Opera’s Tristan and Isolde impresses in outer Melbourne
✍️ Sandra Bowdler
bachtrack.com/review-tristan…
A Messiaen epic launches the London Piano Festival at @KingsPlace
✍️ Christopher Woodley
bachtrack.com/review-apekish…
Emotionally compelling: Anna Netrebko in Verdi’s Requiem at @teatroallascala
✍️ Monique ten Boske
bachtrack.com/review-verdi-r…
Ekmeles invokes centuries of seasonal songs and spells
✍️ Kurt Gottschalk
bachtrack.com/review-ekmeles…
Brahms takes the honours as Tugan Sokhiev and the @Vienna_Phil visit Seoul
✍️ SangKwon Lee
bachtrack.com/review-sokhiev…
Pianist Stephen Kovacevich died yesterday, aged 86. We interviewed him just ahead of his 75th birthday, when he discussed his early musical experiences, the stroke he suffered and pertinent advice for young pianists. bachtrack.com/interview-step…
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City Lights: Charlie Chaplin’s world brought brilliantly to life by National Ballet of Japan @nntt_ballet
✍️ Naomi Mori
bachtrack.com/review-city-li…
Karen Gomyo scores in Samuel Adams’ new violin concerto at Disney Hall @LAPhil
✍️ Laurence Vittes
bachtrack.com/review-elim-ch…
Lukáš Vondráček: a strong showing from a maverick soloist in Prague
✍️ Frank Kuznik
bachtrack.com/review-grandy-…
City Lights: Charlie Chaplin’s world brought brilliantly to life by National Ballet of Japan @nntt_ballet
✍️ Naomi Mori
bachtrack.com/review-city-li…
In Lyric Opera of Chicago’s Omar, a strong score clashes with its undirected storytelling
✍️ Graham Meyer
bachtrack.com/review-giddens…
Compelling Rachmaninov from Karina Canellakis in Pittsburgh Symphony debut @pghsymphony
✍️ Sam Jacobson
bachtrack.com/review-canella…
4.48 Psychosis: Philip Venables’ visceral operatic expression of Sarah Kane’s final work revived
✍️ Nick Boston
bachtrack.com/review-4-48-ps…
Ludovic Morlot brings renewal to Seattle in spring-inspired program @seattlesymphony
✍️ Erica Miner
bachtrack.com/review-morlot-…





