Elisabeth Grace Foley (@elisabethgfoley) header
Elisabeth Grace Foley (@elisabethgfoley) profile picture

Author of mysteries and westerns, enjoyer of history and literature. Autodidact. Usually to be found in another century. Occasional bewildering ⚽ tweets.

Joined August 2011
Photo by Elisabeth Grace Foley (@elisabethgfoley)Photo by Elisabeth Grace Foley (@elisabethgfoley)Photo by Elisabeth Grace Foley (@elisabethgfoley)Photo by Elisabeth Grace Foley (@elisabethgfoley)Photo by Elisabeth Grace Foley (@elisabethgfoley)Photo by Elisabeth Grace Foley (@elisabethgfoley)Photo by Elisabeth Grace Foley (@elisabethgfoley)Photo by Elisabeth Grace Foley (@elisabethgfoley)Photo by Elisabeth Grace Foley (@elisabethgfoley)Photo by Elisabeth Grace Foley (@elisabethgfoley)
WAGON TRAIN did an episode, "The Robert Harrison Clarke Story," with a finale clearly based on this incident. Curiously it was combined with a plotline seemingly inspired by another, totally different real-life event, the Fetterman Massacre.
A buffalo hunter knocked a warrior off his horse from nearly a mile away. It was June 1874 at Adobe Walls, a trading post in the Texas Panhandle. At dawn, about 700 Comanche, Cheyenne and Kiowa warriors charged the camp. Quanah Parker rode with them. They planned to catch the hunters asleep. But a cracked ridgepole had woken the camp early. 28 men and one woman held three buildings and fired heavy buffalo rifles through the walls. The charges broke by noon. The siege dragged on for days. Then a band of warriors gathered on a bluff to the east, far out of range. Or so they thought. Billy Dixon, 23, picked up a .50 Sharps and fired. A rider dropped from his horse. The others pulled back. According to legend, the shot was later measured at 1,538 yards. Dixon never bragged about it. He called it a scratch shot. Pictured: Billy Dixon, and the bluff east of Adobe Walls where the warrior fell.
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Elisabeth Grace Foley retweeted
To collect them all in one place, here's a thread of my #RewatchingRoyRogers adventures: nitter.cf/elisabethgfoley/status…
Replying to @elisabethgfoley
With those preliminaries out of the way, we begin with RED RIVER VALLEY (1941). #RewatchingRoyRogers
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Elisabeth Grace Foley retweeted
Happy Birthday to the great Roy Rogers, born Leonard Franklin Slye 115 years ago today
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My goodness, Como looking as magical as their lakefront scenery.
Um torcedor do Lens registrou a magia do Como de Fàbregas. A coordenação de movimentos, o timing perfeito dos passes... O gol de Nico Paz é só um detalhe em um futebol tão prazeroso de ser assistido
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Actually, I wrote this story. 😅 secondsentence.substack.com/…
The house reflects the sunlight from too many windows. The guest bedroom adjusts its position.
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Yeah, this is the only piece of news I was looking forward to seeing this morning. 😄 Honestly surprised Scally missed out after this last month's play, but overall, a great roster. That lineup of forwards. 🔥
Right back into it in Red White & Blue. 🇺🇸 Mauricio Pochettino has called in 25 players for our November camp and pair of @CNationsLeague quarterfinal matches against Haiti! #USMNT x @ouraring
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Elisabeth Grace Foley retweeted
One full minute of leaves, light, and waves at sunrise on the Hudson River. Blessings on your November, wherever and however it finds you.
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Elisabeth Grace Foley retweeted
Clear Waters, Martin Grelle, 1990
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The "if autumn was a dress" meme come to literal life here.
She is appropriately pumpkin-ish as befits the season, liberally swathed in ribbon & silk fringe. It is a late 1860s/early 1870s garment from the fashion house of Mme Depret, a lesser known name in late c19th couture who nonetheless produced some sartorial delights @metmuseum
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Elisabeth Grace Foley retweeted
Late Afternoon Colours. 9°C. Crows.
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"Autumn Glory" by Fred Swan
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Elisabeth Grace Foley retweeted
One hundred years ago. Could you publish this in America today?
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Elisabeth Grace Foley retweeted
These are some of the most beautiful days of the entire year, and that they only last so long makes them all the more beautiful.
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A young bison jumps for joy at the first snow of the season. Montana.
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Jane Austen: my heroines enjoy walking filmmakers: got it. they run everywhere at top speed.
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Elisabeth Grace Foley retweeted
85 years ago, How Green Was My Valley was released. Cinematographer Arthur C. Miller on filming this classic: “Only twice more in thirty years of photographing pictures did I experience this 'everything's perfect' feeling: Once was in 1941 while making How Green Was My Valley…”
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It's mind-boggling that selling half a dozen short stories was equivalent to a year's good wages.
Kurt Vonnegut writes to his dad about selling his first story, on this day in 1949: (Letters of Note)
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#westernwednesday A little thread 🧵on the great horse non-switcheroo of RIO GRANDE (1950). If you pay attention to horses, you'll have noticed that John Wayne as Colonel Yorke rides a handsome bay horse with a narrow, trickling stripe down its face. This is Banner.
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Oh, and this isn't even the most curious example of horse doubling in a John Wayne movie. Except here we have one horse as two: nitter.cf/elisabethgfoley/status…
Just noticed this yesterday: John Wayne & Henry Brandon ride the same horse in THE SEARCHERS. In the same scene. #classicfilm #western
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Another Banner sighting in Roy Rogers' IDAHO (1943): nitter.cf/elisabethgfoley/status…
Replying to @elisabethgfoley
It begins to develop that Roy's boss also suspects the Judge, but won't be as willing as Roy to accept his claims of innocence. And what do you know, it looks like Onslow Stevens is riding Banner! nitter.cf/elisabethgfoley/status…
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Elisabeth Grace Foley retweeted
#westernwednesday A little thread 🧵on the great horse non-switcheroo of RIO GRANDE (1950). If you pay attention to horses, you'll have noticed that John Wayne as Colonel Yorke rides a handsome bay horse with a narrow, trickling stripe down its face. This is Banner.
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How it feels when you finally get a banner with your picture on it for author events. #indieauthors #authorlife #authorsoftwitter
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