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The AI video platform for serious creatives.

Joined December 2018
Photo by Invideo (@invideoOfficial)Photo by Invideo (@invideoOfficial)Photo by Invideo (@invideoOfficial)Photo by Invideo (@invideoOfficial)Photo by Invideo (@invideoOfficial)Photo by Invideo (@invideoOfficial)Photo by Invideo (@invideoOfficial)Photo by Invideo (@invideoOfficial)Photo by Invideo (@invideoOfficial)Photo by Invideo (@invideoOfficial)
Limited time offer: you now get up to 50% off on purchase of any invideo annual plan. If you're a serious creator or editor, this one's for you. Go crazy.
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GPT-6 Astra via the invideo MCP just built the Galaxy Effect directly inside the editor. It rotoscoped the subject, mapped the shaders onto them, and synced the whole thing to the beat. All through conversation, all on a real editing timeline.
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Try the invideo Editor here: invideo.io Try invideo MCP here: invideo.io/mcp
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Ideogram Vector 1 is now on invideo. Describe what you want, and it generates fully editable SVG vector artwork. Change the colors, reshape the nodes, swap elements mid-prompt. All inside the editor, all through conversation.
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Is star power dead? The panel gets into AI performance preservation, why IP now matters more than the actor attached to it, and why even the biggest name may only really guarantee you a Friday. The Next Frame: India Edition is live on YouTube.
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Hosted by @NishantTahill , Chief Creative Technologist at invideo Panelists: @RajkumarHirani , Director of 3 Idiots @Shakunbatra , Director of Kapoor & Sons @RamKMadhvani , Director of Neerja @vikramix , Founder & CEO of Abundantia Entertainment @Im_Rohitjain , Founder of Lionsgate Play @HridayeN , Filmmaker & Global Creative Lead at invideo
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/sketch is live on invideo. Draw your shot and Agent Two renders it. From complex framing to camera motion, the sketch is often the better brief.
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No directors were harmed in the making of this previs. Okay, one. 🪦 In his defence, he saw it coming. That’s the whole point. Our actors shoot inside an empty grey box, so before any scene gets shot, they watch it happen first, and know exactly where to look and what’s about to hit them. This is EP 12 of Building a Feature Film in Public, where we document every step of the AI hybrid feature film we’re building at invideo. Don’t worry, he respawns next episode. What’s the one thing about shooting in a grey box that still doesn’t make sense to you? Ask us below.
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