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✍ Illustration | Textiles | Design 🌹 they/them 👽 Creator @scifipunks // 👩🏻‍💻 Designer @atari

Chicago
Joined August 2011
Photo by pattern (@patternbase)Photo by pattern (@patternbase)Photo by pattern (@patternbase)Photo by pattern (@patternbase)Photo by pattern (@patternbase)Photo by pattern (@patternbase)Photo by pattern (@patternbase)Photo by pattern (@patternbase)Photo by pattern (@patternbase)Photo by pattern (@patternbase)
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lacrimosa luna.
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Aegis by artist A. Shipwright
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halloween ✅
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gang’s all here
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Happy ghost-in-the-machine day. 👻 Installation view of A LIVING POEM: ZKM EDITION, 2026. @zkm_collections
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Pink mango Bat
New Halloween Bat Wip
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WHEN WILL I GET A JOB I finally found a scene from my favorite lost media “A I’m, Unemployed!” This is my favorite scene/song “When Will I Get a Job?” It’s literally about me. I’ve been open to work for several months now. I’ve put out hundreds of applications. I had this song playing in my head after the first 100 applications, and I wanted to make it “real”. I’m sure a lot of you feel the same way. I collaborated with AI, like rwx says in the song “since that skill is in demand”. I wrote the song, built stems in Suno / ElevenLabs, directed the scenes, leveraged several video models to generate them. I probably ran too many generations, but I really wanted it to match the vision and direction in my head. Dice rolling gens can be a process. I edited and produced the video, and built out the soundscape. I primarily edited with Adobe Premiere and Audition (yeah, I know a lot of you are moving away from it - but I’ve been using Adobe since like 2002). A lot of us have feelings about AI. I know I do, but I also think the core of anything we make with it should be human driven creativity. I have huge respect for human-made art and content. I can build real footage and campaigns as well and have made more briefs/quarterly strategies than I can count. If you’re looking for a creative director or marketing director, I’ve got over 15+ years across the roles. Shoot me a message if you wanna check out my portfolio. I’ve done major campaigns for huge companies in fintech and frontier tech. I’m looking for a full-time role that’s Remote, Hybrid in Denver Metropolitan / Boulder area, or on-site in Greeley, Loveland, and Fort Collins. big love, rwx
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Eva Lisa (Pipsan) Saarinen Swanson, Spelunking (From a Curtain). c. 1952.
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Old #wip visuals expressing collapse; below, calldata from transaction that depleted wallet in 2022. And now, who knows for how long, way too much fresh material...
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first time painting in almost a year 🦝
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painting cardboard is so freeing 📦
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Diela Maharanie’s work is immediately recognizable: bright colors, saturated patterns, and dreamlike characters that carry a quiet sense of mystery. She is part of Kento Season 01: Web Nostalgia. @dielamaharanie 🧵
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still here, overthinking...
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ascii furniture objects.
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GM ☕️ GIF by @patternbase
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Because replacement god doesn't take days off, 5 new works (editions of 10) by @LindaDouniaR now LIVE Pictured: pslam 29 Available on @objktcom for @objktone 'Stories We Tell Online', curated by @micolmicolmicol showing in Linz during @ArsElectronica
replacement god, by @LindaDouniaR five animations exploring Serer cosmology, spirituality + the cultural assumptions embedded in AI. Curated by @micolmicolmicol for Stories We Tell Online. Exhibited in Linz during @ArsElectronica September 10 ↓
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What a treat to hear Alice Bucknell talk about their game, Coyote Time 💜
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0 - The Fool - Le Mat auction is LIVE!!! 0.22 ETH bid by dear friend @miboso Incredible human being, leading with light! This is the time for you to step up as well, go there and bid! Start auctions, buy editions! Celebrate the artist and the art. ✨♣️♦️♠️♥️✨
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