South Australia’s leading independent source of social, cultural and political analysis and review.
Adelaide
Joined November 2010
- Tweets3.2K
- Following1.1K
- Followers9.3K
- Likes346
Pinned Tweet
"When Mark Jamieson began publishing The Adelaide Review from 13 Hindley Street in 1984 it is unlikely he envisaged a legacy lasting 488 editions and nearly four decades."
Farewell to The Adelaide Review, 1984-2020:
adelaidereview.com.au/latest…
Our 488th and final edition hits the streets today, and it’s one we’re very proud of. It’s a little retrospective, a little reflective, and full of South Australian stories.
Read online: bit.ly/3ikqNTY
North Adelaide’s Piccadilly Cinemas has lived through times of war, recession, home video and Netflix. It has now spent much of its 80th year closed or half-empty, but not even a pandemic can dim the magic.
adelaidereview.com.au/form/a…
For his final #DrawnToTheCity column, Leo Greenfield decided to profile the small team that puts our magazine together each month:
adelaidereview.com.au/latest…
As questions around sustainability, native plants and knowledge intersect with broader conversations around sovereignty and decolonisation, a small farming start-up in the north of Kaurna Yerta is putting people and soil first.
adelaidereview.com.au/food-d…
"So what now? Are we condemned to an eternity of intercol football, mega-utes and shiny new petrol stations? Endless photo ops for the Suits? The unholy communion of politics and populist media. People need proper dreams, visions, alternatives, analysis."
adelaidereview.com.au/latest…
Warrick Duthy and Nicola Palmer have just re-opened the historic Watervale Hotel, using their strong Clare Valley pedigrees to imbue the place with all that is good from the region.
adelaidereview.com.au/food-d…
"The status of ‘informed opinion’ or the ‘art critic’ is increasingly questioned in an era where one opinion looks as good as another."
adelaidereview.com.au/arts/v…
The Adelaide Review retweeted
Little-known fact: @AdelaideReview was actually the first professional publication to ever feature my work. A short story, when I was 21. It was a huge thrill and I believe I was paid $150. Which was also a thrill.
The Adelaide Review retweeted
My last ever column for @TheAdelaideReview is now online. Beer and Other Sins began as a study of people, drinking culture and the neighbourhoods around Adelaide. It ends, perhaps appropriately, with a toast to the publication that made it possible.
adelaidereview.com.au/latest…
The Adelaide Review retweeted
And for anyone interested, The @AdelaideReview is carrying my first stab at literary criticism with a review of Out of Copley Street by poet and Adelaide icon Geoff Goodfellow -- online only.
adelaidereview.com.au/arts/b…
“It’s an act of reclamation, an act of preservation.”
In a poignant and expansive new book of stories and recipes, @Durkhanai Ayubi shows how each dish at Parwana Afghan Kitchen is steeped in centuries of history and exchange: adelaidereview.com.au/food-d…
The Adelaide Review retweeted
"Strange Ways highlights Anne Wallace’s contribution to contemporary Australian art and helps mark her place in its history."
@AdelaideReview on @UniversitySA Samstag Scholar ahead of Anne Wallace: Strange Ways opening at Samstag on 16 October.
adelaidereview.com.au/arts/v…
The Adelaide Review retweeted
This was absolutely a labour of love: everyone knew 90s Adelaide guitar-wrangling indie kids the Mandelbrot Set should have been huge, so why weren't they? I attempt to find out in my last feature for the @AdelaideReview
adelaidereview.com.au/arts/m…
Some news from us – after nearly 37 years The Adelaide Review will publish its final, 488th edition at the end of September.
adelaidereview.com.au/latest…
The Adelaide Review retweeted
i spoke to @victorialhannan for the @AdelaideReview and the resulting piece is one of my favourite features to date. we spoke about writing, friendship and home through the lens of her beautiful novel, kokomo (@HachetteAus) adelaidereview.com.au/arts/b…
“We can’t change the past, but we can certainly shift our relationship to it.”
adelaidereview.com.au/arts/v…