Flagship journal of the American Anthropological Association. Retweets are not endorsements.
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![This article lays out the work of Costs of War, a project of scholars creating public-facing knowledge toward the goal of challenging US militarism. Emerging from literature that critiques US imperial violence and deconstructs the commonplace understandings that support it, our efforts identify and confront pillars of belief about war that are shaped by the powerful military-industrial complex and rooted in an underlying devaluation of the lives of Muslims, people of color, women, and oppressed groups who bear the brunt of militarization both at home and abroad. We use our research and associated website (costsofwar.org) to reach out to journalists, editors, Congress, policymakers, civic groups, social movements, and the US public. [continued at link]](https://pbs.twimg.com/media/HT94pYqWUAEV-Eo.png?name=orig)
ALT This article lays out the work of Costs of War, a project of scholars creating public-facing knowledge toward the goal of challenging US militarism. Emerging from literature that critiques US imperial violence and deconstructs the commonplace understandings that support it, our efforts identify and confront pillars of belief about war that are shaped by the powerful military-industrial complex and rooted in an underlying devaluation of the lives of Muslims, people of color, women, and oppressed groups who bear the brunt of militarization both at home and abroad. We use our research and associated website (costsofwar.org) to reach out to journalists, editors, Congress, policymakers, civic groups, social movements, and the US public. [continued at link]
![This article examines how tours of an industrial pig slaughterhouse reinforce the continued enfoldment of Danish pigs into the fabrication of Danish national identity, an enfoldment that underpins the formulation of subjects, human as well as more-than-human. A discourse analysis that weaves ethnographic moments from the tours and tour narratives along with historical and literary influences on Danish national identity and current debates on “Danishness” explores how narrativizing industrial slaughter is a means of formulating subjects that are sustained by agricultural histories, existential texts, and fairy tales. Through “humanizing” slaughterhouse conditions, tour guides are performing a kind of affective and pedagogical labor that produces modernist subjects, from the citizen-consumer to that of the happy pig. In consuming happy Danish pigs, citizen-consumers consolidate what it means to be Danish as they tacitly accept the industrial sacrifice of pigs [continued at link]](https://pbs.twimg.com/media/HPIrypAW4AAqoE7.png?name=orig)
ALT This article examines how tours of an industrial pig slaughterhouse reinforce the continued enfoldment of Danish pigs into the fabrication of Danish national identity, an enfoldment that underpins the formulation of subjects, human as well as more-than-human. A discourse analysis that weaves ethnographic moments from the tours and tour narratives along with historical and literary influences on Danish national identity and current debates on “Danishness” explores how narrativizing industrial slaughter is a means of formulating subjects that are sustained by agricultural histories, existential texts, and fairy tales. Through “humanizing” slaughterhouse conditions, tour guides are performing a kind of affective and pedagogical labor that produces modernist subjects, from the citizen-consumer to that of the happy pig. In consuming happy Danish pigs, citizen-consumers consolidate what it means to be Danish as they tacitly accept the industrial sacrifice of pigs [continued at link]
