for the love of music
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Joined July 2012
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“It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms
🎤 @Medium_Build
✍️ @MitchMosk
Read our September cover story:
👑 atwoodmagazine.com/khvf 👑
“I’m Leaning Into the Off-Kilter”: total tommy Embraces Imperfection and Her Darker Side on ‘Trapezoid,’ a Blistering Indie Rock Portrait of Love, Chaos, & Self-Sabotage
🎤 @totaltommyy
✍️ @MitchMosk
⏢ atwoodmagazine.com/trapezoid ⏢
Two years after baring her scars on ‘bruises,’ Jess Holt plunges into heavier, darker territory across eleven fiercely melodic songs about love, self-sabotage, and the freedom of letting go of perfection.
atwoodmagazine.com/trapezoid…
Speaking with Atwood Magazine, she reveals the creative breakthroughs behind her most fearless music yet and takes us track by track through the stories that give ‘Trapezoid’ its wonderfully crooked shape.
atwoodmagazine.com/trapezoid…
.@atwoodmagazine's weekly roundup
ft. @hashtagcatie, @avalfranks + @youngrisingsons, @PavebandUK, @joshottum, @katevoegele, @Gim_Kordon, @themouthculture, @macy_neill, @MishaFair, and more!
atwoodmagazine.com/wr-roundu…
“These Songs Have Been Lived In”: Convinced Friend Keeps a Disappearing Hometown Alive on ‘Nowhere Songs,’ a Spellbinding Ode to All We Leave Behind
✍️ @MitchMosk
Read our interview:
🌴 atwoodmagazine.com/cfns 🌴
Convinced Friend holds on to a disappearing Louisiana hometown on ‘Nowhere Songs,’ a spellbinding sophomore album whose roaring guitars and aching alt-country melodies give extraordinary life to the people and memories that time threatens to erase.
atwoodmagazine.com/cfns-conv…
In an intimate conversation with Atwood Magazine, songwriter Austin Wilson reflects on fatherhood, the complicated pull of home, and the creative freedom he found in making music that feels as fiercely alive as the stories it preserves.
atwoodmagazine.com/cfns-conv…
“Like 100 Shots of Espresso”: Sebastian Schub Throws Himself Headfirst into Joy on “kiss of life.” and His Most Magical Music Yet
✍️ @MitchMosk
Read our interview:
💋 atwoodmagazine.com/sskl 💋
Speaking with Atwood Magazine, Schub reflects on the emotional range of his recent music – from dizzying euphoria to urban loneliness and hard-won self-reassurance – as he embraces a more organic, live-wire approach to songwriting.
atwoodmagazine.com/sskl-seba…
An undeniable artist-to-watch, Schub has never sounded freer, more open-hearted, or more alive.
atwoodmagazine.com/sskl-seba…
King Gizzard & the Lizard Wizard Dive into a Brand New World of Beats & Synths on ‘Alien Metal’
🎤 @KingGizzard
✍️ @Pavlovlore
Read our album review:
👽 atwoodmagazine.com/kgzam 👽
Casting off their guitar-based set-up, Australian psychonauts King Gizzard & the Lizard Wizard turn a new page on ‘Alien Metal’ with a full-on rave set, breaking new ground and delivering pounding beats to add to their burgeoning list of albums and genres.
atwoodmagazine.com/kgzam-kin…
“It Was All a Mistake… But We Liked It”: MLEKO on Happy Accidents, ‘The Feast of St. Perpetua,’ & the Beautiful Absurdity of “Gub Rock”
✍️ Esther Akinborewa
Read our feature:
✨ atwoodmagazine.com/mfsp ✨
From a patron-saint typo to a synth player who kept showing up with a guitar, MLEKO reflect on the happy accidents and unlikely chemistry behind debut EP ‘The Feast of St. Perpetua’ – and the self-described “gub rock” sound they’re continuing to grow into.
atwoodmagazine.com/mfsp-mlek…
“It’s a Beautiful Night Somewhere”: U2’s “The Greatest Show on Earth” Is an Infinite Gesture of Hope
🎤 @U2
✍️ @BuyzeDavid
Read more:
🎡 atwoodmagazine.com/ugse 🎡
U2’s transcendent single “The Greatest Show on Earth” reveals us in our broken state, dreaming of love while encapsulating our beauty, frailty, and vulnerability in an infinite gesture that might just reclaim our faith in humanity.
atwoodmagazine.com/ugse-u2-t…
“I’m Sick of Everything Evil”: Montreal’s Elephant Stone Search for Hope Amid Grief & Political Turmoil on ‘ASHA,’ a Soul-Stirring Psychedelic Reckoning
🎤 @ElephantStoneHQ
✍️ @MitchMosk
Read our conversation:
🐘 atwoodmagazine.com/esgp 🪨
Montreal psych-rock band Elephant Stone confront personal grief and political fury on ‘ASHA,’ a tender and restless album that reckons with fear, disillusionment, and the pain of letting go without ever surrendering its belief in hope.
atwoodmagazine.com/esgp-elep…
Frontman Rishi Dhir sits down with Atwood Magazine to discuss the losses that shaped the music, the dangerous allure of easy answers, and the love that keeps him searching for light in a darkening world.
atwoodmagazine.com/esgp-elep…