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“no, the masses were not innocent dupes; at a certain point, under a certain set of conditions, they wanted fascism” - Deleuze and Guattari, Anti-Oedipus, p.38. I’m not going to use this piece of shit platform anymore. Fuck Elon Musk and fuck Trump.
After a long break over the summer we are very much back in action. On Sinofuturism: Cosmotechnics and dis-orient-ation bluelabyrinths.com/2024/08/3…
“…inherently tied to, and reflective of, the global. … Overcoming modernity through modernity recognizes the same philosophical imperative that underlies anti-hauntology. Localized aesthetics are not enough to counter the aesthetics of the apocalypse. In order to…” 4/
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Becoming-insect through Clarice Lispector’s "The passion according to G.H." bluelabyrinths.com/2020/02/2… via @bluelabyrinths
A new review of the latest album by Japanese hip-hop trio Dos Monos (@dosmonostres) with a critical reevaluation of Fredric Jameson's notion of pastiche in late capitalist culture by our Editor Alessandro Sbordoni (@A_Sbordoni).
bluelabyrinths.com/2024/06/1…
"On the 31st of May 2024, Dos Monos, the experimental hip-hop group formed by Zo Zhit, Taitan, and NGS, returns to the music of the past in order to plunder it..."
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Replying to @sanjanasjokes @BlueLabyrinths
This piece absolutely rocks. Sometimes amazes me how much some blog/mag I've never heard of can make the whole world of offical intellectualdom seem like a pyramid scheme. What is it about big-name outlets which so rigorously precludes this/any degree of soul? Anyway, thx
A manifesto for a new conceptualization of the meaning of desire, subjectivity, and technology. Be careful: "Performing Organ Multiplication without critical thinking is a dangerous activity." bluelabyrinths.com/2024/06/0…
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Is the music of the future a global phenomenon? From the "Semiotics of the End" London book launch, BL editors Matt Bluemink and Alessandro Sbordoni discuss SOPHIE, sinofuturism, and the end of the world. youtu.be/8c9LwmbDhIo?si=KS0k…
Is the music of the future a global phenomenon? From the "Semiotics of the End" London book launch, BL editors Matt Bluemink and Alessandro Sbordoni discuss SOPHIE, sinofuturism, and the end of the world. youtu.be/8c9LwmbDhIo?si=KS0k…
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Reflections on the Death of Music Journalism bluelabyrinths.com/2024/04/0… vía @bluelabyrinths
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An excerpt from my book on the anti-hauntology debate hosted on @BlueLabyrinths and @xenogothic in 2021, where I talk about the electronic music of Chinese artists like 33EMYBW and Gooooose, and why hyperpop was never really anti-hauntological...
tripleampersand.org/anti-hau…
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Descent into the Maelstrom: A Note on Deterritorialization and Anti-Hauntology xenogothic.com/2024/04/29/de…
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thank you @BlueLabyrinths for publishing this piece on taylor swift and totalitarianism! bluelabyrinths.com/2024/04/1…
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Music journalists alone aren't going to save us, but they are one of the last points of friction between music and total commodification.
my first essay for .@BlueLabyrinths 👇
bluelabyrinths.com/2024/04/0…









