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What happens to the people who make documentaries? That's the question behind every conversation on Documentary First. In this trailer you'll hear Jonathan de Jong, Ken Burns, James L. Freedman, Susan Lacy and Nick Bruckman talk about the work and what it asked of them. New episodes every week on Apple Podcasts, Spotify and YouTube: documentaryfirst.com/pages/dโฆ #documentary #documentaryfilmmaking #podcast
DF Episode 288: Charles Grodin's line, as James L. Freedman tells it: don't have him picket the governor's office. Have him in it.
Would you have guessed that from Midnight Run?
Sponsored by @VirgilFilms #Documentary
Full conversation with @ChuckGrodinFilm director James L. Freedman and @christiansvoice: podfollow.com/documentary-fiโฆ
Watch: youtu.be/HqXFK6qZ81Y
"That's giving trust in the footage and trust in people." @realphilmaher of @stockfilmcom on keeping home movies 100 percent real.
If AI can fake a home movie, what happens to the real ones?
New Deep Dive with @christiansvoice
#VelveteenRabbit
Watch: youtu.be/BSjwnBLuQec
Full Deep Dive: pod.fo/e/6bcd99
DF Ep. 287 with Phil Maher: pod.fo/e/699995
"The flaws are what tell you this thing really happened."
That's @christiansvoice in the new Deep Dive, on the scratches @stockfilmcom keeps in its home movies and what The Velveteen Rabbit has to do with them. Would you leave them in?
#VelveteenRabbit #MerylStreep
"Real isn't how you are made." A children's book said that in 1922. Does it matter more now that AI can fake a home movie?
New Deep Dive with @christiansvoice out now, from DF Ep. 287 with @StockFilmcom
#VelveteenRabbit
Christian Taylor reads the Skin Horse's answer to "What is REAL?"
Watch: youtu.be/BSjwnBLuQec
Full Deep Dive: pod.fo/e/6bcd99
DF Ep. 287 with Phil Maher: pod.fo/e/699995
Full Deep Dive: pod.fo/e/6bcd99 "The Velveteen Rabbit and Old Home Movies: What Is Real?"
DF Ep. 287 with Phil Maher: pod.fo/e/699995 "Archival Footage: Why Use Home Movies?"
The scratches are the point. Phil Maher of @StockFilmcom on why home movies feel true, plus two more reasons they make the cut.
Clean archive clip or scratchy home movie? DF Ep. 287 with @ChristiansVoice, sponsored by @VirgilFilms
#ArchivalFootage
Where these reasons come from: pod.fo/e/699995
"There's AI talking to AI now." @stockfilmcom's Phil Maher built tools so AIs can license his footage directly. Real frames only.
Would you buy footage from a bot? DF Ep. 287 with @christiansvoice, sponsored by @VirgilFilms
#ArchivalFootage
Hear the whole conversation: pod.fo/e/699995
Would you put a stranger's home movie in your documentary?
@stockfilmcom's Phil Maher says it does what narration can't. DF Ep. 287 with @christiansvoice, sponsored by @VirgilFilms
#Documentary
A few seconds of a real place and time puts an audience right inside the moment. Full episode: pod.fo/e/699995
No film school. No contacts. No money. Andre Jackson finished the documentary anyway, and DF Episode 285 is the five things he learned doing it.
with @ChristiansVoice Sponsored by @VirgilFilms
#Documentary
X caps me at four cards. I've broken them up across two posts. OR The full set of eight is on our Instagram, and the conversation is here: pod.fo/e/562e4c













