Chris Cardoza (@DozaVisuals) header
Chris Cardoza (@DozaVisuals) profile picture

Director / Photographer šŸŽ„ šŸ“ø working with brands, artists, athletes and nonprofits to tell their stories. Building @DozaAssist. Luma AI Creative Partner

Boston, MA
Joined October 2009
Photo by Chris Cardoza (@DozaVisuals)Photo by Chris Cardoza (@DozaVisuals)Photo by Chris Cardoza (@DozaVisuals)Photo by Chris Cardoza (@DozaVisuals)Photo by Chris Cardoza (@DozaVisuals)Photo by Chris Cardoza (@DozaVisuals)Photo by Chris Cardoza (@DozaVisuals)Photo by Chris Cardoza (@DozaVisuals)
Chris Cardoza retweeted
Someone asked Matt Damon why teachers need job security. His answer is still the best one anybody's given.
179
1,059
68
8,788
948,885
Chris Cardoza retweeted
This is undoubtedly one of the greatest takedowns and commentaries of any product in history. Thank you for your service, @ZacksJerryRig.
55
538
42
2,655
87,291
Chris Cardoza retweeted
A few thoughts on agentic video editing I’ve had over the last few days: 1. 99% of ads should be edited agentically now. If your editors are still editing in the timeline, they’re falling behind. I got a message from my senior VE saying that he’s putting out 5x edits/day now at the same quality he was before. 2. The conversation with video editors will be uncomfortable because the timeline is all they’ve ever known. Some will be hesitant and some will be fearful for their job. I think the best way to address this is head on. The tech is inevitable, but having taste is still going to be incredibly valuable to train and give feedback to agents. Those who have this will become more valuable, those who don’t will struggle. 3. Opus 5.5 can natively edit all of your ads without needing any MCPs or plugins. I’ve tried the alternatives and couldn’t find anything that was significantly better than doing everything inside of Claude. 4. Have your senior editor(s) build skills for each style of edit (e.g. mashups, UGC, AI animations…). You can build these by feeding 4-5 inspo edits to Claude and tell it to make a skill out of it. I prefer building lots of mini-skills to one big video editing skill, so that the context stays as relevant as possible. 5. Once you have a base skill (e.g. ugly ads edits), the best way to train it is through feedback loops. Have the skill re-edit the last 25 ads each senior edited then put them in an artifact, and have the senior VE give feedback on each. Keep doing this until the skill is refined and it understands what a good edit is. 6. If you do this, there’s no reason why you shouldn’t be able to make edits that need little/no feedback. Most of ours are approved after v1 or v2, sometimes v3. 7. Only A-player editors should be training the skills. 8. Re adoption in the team, the AI champion builds the v1. Then get out of the way. I’m not the best editor on my team, so my job is to build the harness that lets the best editors train the skills, not build the skills myself. 9. If you want to supercharge this process, have your top editors record their screen as they edit. Turn on Gmeet or loom and get them to narrate the reasoning behind their process. E.g. why they chose this cut, pacing or b-roll clip…this is all context that gets fed into your skills. 10. It takes time to build, train and refine these skills. You have to go through the dip to get out the other side. Budget time in for senior VEs to work on this - otherwise you’ll end up with skills that put out subpar edits and don’t save you much/any time. 11. Operate under the assumption that this is the worst video editing is ever going to be. Opus 5.5 can do most of our editing today…what will Opus 6/Fable 6 be able to do? The editing skills you build are only going to become more valuable as the tech evolves. I still don’t think people realise how big video editing being unblocked is. Things that I thought were 3-6 months away are now on the table. Will continue to share more as I learn. CRAZY, crazy times.
199
130
108
2,513
530,064
Bucha. It was a genocide, recognized by everyone. They buried hundreds of people. They tortured people. We found the grave. There were, I believe, around 500 people. When we liberated those towns near Kyiv, there emerged this, you know, this kind of hatred for the Russians, right at that moment. Not even at the moment when they started the full-scale war. Back then nobody understood what it really was yet. People understood what this war was and what Putin did personally when we found those mass graves of tortured adults, children. I mean they didn't just kill them, they tortured and killed them. When we liberated Bucha, I said, bring every journalist here. Don't touch anything, just bring the journalists. The whole world simply has to see this. Imagine finding a mass grave in the U.S. or in Britain, God forbid, with 500 tortured people, adults, kids, dogs, animals shot dead. I mean, they held hunting sprees there from military vehicles. People were running, they were shooting, just hunting, playing games. They literally just played with people, like slavery. So how, after this, can you listen to Putin? And how, after this, can you forgive? From The Diary of a CEO podcast with Steven Bartlett. (2/3)
1,954
12,598
384
58,571
1,959,498
Chris Cardoza retweeted
Goodbye Davinci, goodbye Premiere. We don't need you anymore... You should be editing entirely in Codex or Claude Code. Here's exactly how to do it.
132
122
36
2,054
218,377
Chris Cardoza retweeted
Editing is changing. Story isn't. Doc editor Chris Cardoza @DozaVisuals on his edit bay today: Claude Code for on-brand motion graphics, Doza Assist to find the story in interviews, MCP to connect them, and Final Cut Pro for the part no one automates. fxfactory.com/news/editing-i…
2
1
4
339
Chris Cardoza retweeted
in the united states, opposition to ai isn’t fear of technology. americans haven’t suddenly become a nation of luddites. it’s a well founded belief that those with power are not going to use ai in ways that benefit the average american. this is not a comms problem. it’s a trust problem.
79
242
23
1,459
72,861
Chris Cardoza retweeted
Ben Affleck says the day will come when someone can order up an episode of Succession with a plot they have in mind. He says that could create an extra revenue stream to replace lost DVD revenue. Affleck says AI isn’t going to end the film and TV business, but certain parts of the industry will be dramatically affected: ā€œI wouldn’t like to be in the visual effects business. They’re in trouble because what costs a lot of money is now gonna cost a lot less….And maybe it shouldn’t take a thousand people to render something.ā€ But he says the cost savings will mean more television programming, not less: ā€œYou might be able to get two seasons of House of the Dragon in a year instead of one.ā€
77
76
71
618
275,236
Chris Cardoza retweeted
ā€œLet me die,ā€ American photojournalist Heidi Levine repeats to journalists Jasper Nathaniel as they try to outrun masked Israeli settlers who attacked her on Friday while she covered the olive harvest in the West Bank village of Abu Falah, near Ramallah. Around 80 settlers attacked Palestinian olive harvesters in the village, AP reported. The Palestinian Red Crescent said it treated six people injured in two attacks in Abu Falah. Levine, a freelancer for the Washington Post, told the Committee to Protect Journalists that the settlers knocked her down and kicked her for at least 10 minutes, even after she identified herself as an American journalist. They stole her camera, phone and bag. She was eventually taken to a hospital in Ramallah. "The IDF provided cover, with tear gas and machine guns, while the settlers beat" Levine "nearly to death," Nathaniel wrote, adding that soldiers then shot a Palestinian bystander and aimed their guns at and shoved paramedics trying to treat him. AP photos and circulating videos show Israeli soldiers standing over a wounded Palestinian man after they shot him. Andrey X, an activist also at the scene, said a Palestinian man "saved our lives from the settler-terrorists who attacked the olive harvesters and journalistsā€ armed only with a slingshot.
To be clear, the only reason I was able to reach Heidi was because young Palestinians provided cover with rocks against machine-gun- and tear-gas-wielding settlers and soldiers. It’s those kids, not the settler terrorists, who the IDF was hunting after the attack.
1,584
16,034
1,107
42,511
2,606,598
Chris Cardoza retweeted
Succession Doomer Themed Ep. 2: Sam And Dario Clear The Air
Audio and minor visual glitches are fixed now Visual glitches just required retakes via mage.space mcp Audio fixes required Seed-VC restoration with the correct reference voice. Can run locally, but used @modal for speed Enjoy. Ep. 2 is loading
61
142
61
1,181
321,546
Chris Cardoza retweeted
Doza Assist update šŸš€ šŸ”Œ Use Doza right inside ChatGPT or Claude ⚔ Blazing fast Parakeet v3 transcription in 25 languages (was English only) šŸŽÆ New project prompt (top left): tell Doza what you're working on and it focuses on your goal fxfactory.com/info/dozaassis…
1
2
449
Un-Friggan believable @UMassFootball
4
1
35
3,379
Chris Cardoza retweeted
We just released a short film on our investigation into the U.S. bombing of the Minab school in Iran in the opening hours of the war on February 28,2026. The stories survivors, parents, first responders and others shared with us will forever haunt me. youtu.be/9OmK0oeq5fc?si=UuIU…
64
2,341
72
5,367
324,725
Chris Cardoza retweeted
For more than two months, I have been working on a truly horrific story about one of the gravest war crimes committed by the United States since Vietnam: The bombing of the Shajareh Tayyebeh school in Minab, Iran. It was one of the first targets struck in the opening hours of the war on February 28, 2026. At least 156 people were killed in the U.S. cruise missile strikes—120 of them were children and 26 were teachers. We spoke to survivors, first responders, parents, doctors, teachers, psychologists, and other witnesses. Some of them had never before shared their experiences of that day. It would be impossible to do justice to what happened in Minab that day with words alone. In more than 25 years in journalism and reporting on war, I do not believe I have reported on a more heinous single crime. Massacre at Minab: The School That Became a Grave dropsitenews.com/p/minab-sch… Please share this story with as many people as you can.
485
12,957
571
28,117
1,876,235
Chris Cardoza retweeted
I appreciated the opportunity to speak with @ezraklein at length about the state of AI. I believe the world isn't awake to the dangers of this technology and the choices humanity has to make. AI will either be the greatest tool for opportunity and equality we've ever seen—or the cause of immense, unprecedented harm. Which way things go is up to us. b-gat.es/4AFZZqC
657
203
3,417
667,268
Chris Cardoza retweeted
Ezra Klein asked Bill Gates whether normal corporate incentives are enough to handle AI risks. Gates doesn’t mince words:
...very interesting & somewhat troubling deep dive look at AI, its potential dangers without control and its potential benefits. Keeping AI out of the hands of people with bad intentions will be the big challenge. nytimes.com/2026/09/29/opini…
127
658
75
4,948
573,600
Chris Cardoza retweeted
Game 1 in the Bronx
5
115
4
1,249
46,675
Vampire Weekend + Notorious Big.
17
17
3
315
62,559