
ALT Cover of Afromodernism: Six Turning Points by Kobena Mercer. The cover has an abstract painting with bold black brustrokes over shades of blue and white. The texture of the cover art is painterly and mottled. The title, subtitle, and author's name are spaced out across the top. The title and subtitle are in white, with the title bolded. The author's name is in bolded blue.

ALT Cover of Making Peace with Property: Traces of Post-Conflict Colombia by Meghan L. Morris. The cover features a layered, double-exposed photograph of a misty green and blue mountainside with dense forest and tall palms, fading to dark brown and black at the bottom. The title is in large cream serif capitals, with “with” in italics. The subtitle is smaller, to the right. The author’s name is in cream at the top left.

ALT Cover of Smut & Sandwiches: A History of Stag Film by Russell Sheaffer. The cover features a cream-colored, speckled background with overlapping rectangular blocks of muted colors. The title is in bold black and white typography across the center, with “SMUT” in large black letters and a large white ampersand above “SANDWICHES.” A vintage black-and-white illustration of a reclining figure is on the right side.

ALT Cover of Asylum: The Concept and the Practice by Ranjana Khanna. The cover features a pale gray-white background with a three-dimensional shape of thin, vertical black lines of varying heights, forming a cage-like structure. The title appears in large, red serif capitals across the center. The subtitle is in black italic text at the lower right, and the author's name appears in black capitals at the bottom left.
























