Flamenco Express

My acting career is 65 years old today. It began at the Belgrade Theatre in Coventry, which then had a year-round company of actors presenting a new production every two weeks. My first, fresh from my graduation from Cambridge University, was a revival of “A Man for All Seasons”, Robert Bolt’s popular re-telling of Thomas More’s fatal political battle with King Henry 8th. My part was the hero’s son-in-law young Will Roper. My début was inglorious. After the excitement of my first scene, I went upstairs to my dressing-room to recover, only to hear the stage manager's urgent message on the backstage tannoy system: “Mr. McKellen you are off”, meaning I had missed my entrance for Roper's second appearance. I made it down to the stage level only to discover that my colleagues had completed the scene, effortlessly covering my absence  with an imrovisation or two, I sat disconsolate in the green room after the show. The leading lady Sheila Keith approached the  dejected, newest member of the troupe: "Don’t worry, dear. A professional actor is off only once in their career. Aren’t you lucky to have got it over with, so early?"