Upstream Gallery (@GalleryUpstream) header
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With a focus on radical, engaged, conceptual and digital art Upstream Gallery Amsterdam brings pioneering and critical works from international artists.

Amsterdam, Nederland
Joined March 2021
OPENING TOMORROW: TOKYO JAZZ CLUB From today until 8 November, Upstream Gallery takes part in Tokyo Jazz Club during Tokyo Art Week, where we'll be showing works by @constantdull @_joid, @TaborRobak, @newafaël. ARTWORK HIGHLIGHT: OXO (2028) by JODI
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In a medium-specific way, they (de)construct and analyze the languages of new media: from visual aesthetics to interface elements, from codes and features to errors and viruses.
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They challenge the relationship between technology and users by subverting our expectations about the functionalities and conventions of the systems that we depend upon every day.
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Once upon a time at Upstream Gallery: Exhibition Complex Computational Compositions by Rafaël Rozendaal (@newrafael). Artwork highlight: Abstract Browsing (2016) Read more information below in the reactions.
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Internet art and the loom are less far apart than one might think. Rozendaal: ‘It feels natural to work with this technique. The loom stood at the beginning of the industrial revolution; the punch card for mechanical looms was the first form of digital image storage.
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The websites that served as the basis for the tapestries are still recognizable. The Google homepage, the Twitter feed. The floor sculpture that is also on show is constructed in the same way: the composition consists of mirrors, based on the layout of Pinterest.
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Once upon a time at Upstream Gallery: Exhibition Deep Epoch (2016) by Constant Dullaart (@constantdull). Artwork highlight: ConvNet paintings (2016). Read more information below in the reactions.
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Dullaart translated these early machine visions into oil paintings through the human painting factories of Dafen Village, extending the chain of automation through outsourced labour. The surfaces were finished with automotive clear coats and "ghost pearls."
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The result reflects how machines learned to read our image culture, and how human labour remains embedded, often invisibly, within automated processes.
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