Literary journal publishing poetry, fiction, essays, and reviews. Published by @HoughtonLib at @Harvard University.
Harvard University
Joined April 2011
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Announcing our new Chapbook Contest: for translators!! Submit your prose works in translation (15-30K words) here by Dec. 15. harvardreview.org/hr-chapboo…
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"Thrown Voice has powerful reach beyond description and lament on behalf of the environment." @Harvard_Review writes about Isabel Neal's THROWN VOICE.
harvardreview.org/book-revie…
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My dear 'After Circe' is now live in Harvard Review @Harvard_Review . I’m very grateful to the editors, and deeply honoured that the poem has found its home there. #Odyssey #Dante #Inferno
harvardreview.org/content/af…
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I reviewed Tilsa Otta's feverish and thrilling bilingual collection 'The Hormone of Darkness' translated by Farid Matuk (@GraywolfPress) for @Harvard_Review, up now
harvardreview.org/book-revie…
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I reviewed Alan Hollinghurst's new novel Our Evenings (@penguinrandom) for @Harvard_Review. harvardreview.org/book-revie…
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I'm incredibly grateful to the editors of @Harvard_Review for publishing 2 of my poems, one in print & one online, alongside so many authors I admire. "Every Cut Has a Kerf" was written in memory of my brother-in-law's dear father. Thank you for reading. harvardreview.org/content/da…
ALT Issue 62 of the Harvard Review sitting on a faux wood table with sun shining on the upper corner. The issue is a deep crimson with vibrant green lettering.
ALT A somewhat blurry picture of my poem in the issue, "Every Cut Has a Kerf." My hand is holding the book open on the same faux wood table and there is a postcard featuring the cover of the issue placed on top of the second page of the poem.
The deadline is almost upon us! Last call for your languishing chapbook-length prose pieces! We're rearing to read them... 🚂🚂🚂
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Paywall, I know. But for those with a TLS subscription: a review of a new book about maps and tracks.
the-tls.co.uk/world/maps/tra…
Please share!
Harvard Review Chapbook Prize for Nonfiction (15k to 30k words). Submit your memoir, longform journalism, history, travelogue, whatever.
Submissions open now at Submittable.
Harvard Review retweeted
Please share!
Harvard Review Chapbook Prize for Nonfiction (15k to 30k words). Submit your memoir, longform journalism, history, travelogue, whatever.
Submissions open now at Submittable.
Open for Submissions! For nonfiction works of 15,0000 to 30,000 words.
harvardreview.org/hr-chapboo…
Harvard Review retweeted
Nothing was academic for him. War, hunger, captivity, exile; the death of a child, the ruin of a dynasty. He lived it all, body and soul.
—Brian Patrick Eha (@brianeha) on Tu Fu.
CW: violence bit.ly/43xhuJo
ALT An illustration of Tu Fu's face partially obscured by a tree and a small flock of birds in flight.
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"Whenever you don't know what you're doing, you should just read. I think people should read quite promiscuously." - @cathompsn
HM's interview with Christina Thompson, author of Sea People: The Puzzle of Polynesia, is live 👇
hungermtn.netlify.app/articl…
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There's a gorgeous new issue of @Harvard_Review & it includes two poems from contributor @akasomeguy! Check it out: buff.ly/3qiZV0l
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'River Spirit is beautifully complex ... The act of recording this story is revolutionary ...' Thank you Semmi for your kind words in @Harvard_Review! harvardreview.org/book-revie…
Announcing the WINNER of the Harvard Review Chapbook Prize: Novella Edition: "Rapture" by Reid Sherline @reidsh
Honorable Mention to "The Think Tank" by Nathan Curtis Roberts @BannedInUtah
Congratulations to you both! 🎉🥳🥂 And thank you to everyone who submitted💜💜
Harvard Review retweeted
if you are in the greater Boston area and would like to see some mighty fine woodcuts, pick up a ticket to "15 Woodcuts in 15 Minutes," a talk I'm giving about Jacques Hnizdovsky at @ksmallgallery on May 11th.
ticket proceeds will go to @forPEACE_news 🇺🇦
ksmallgallery.com/blogs/even…
ALT woodcut print of sheep in black and white on left, actual woodcut (and mirror image of sheep) on right. Left image from Smithsonian Museum, right image from MFA Boston.