filmmaker / designer. Currently finishing THE LONG F*** OFF for Channel4 and co-founder of Ruckus Visuals
Joined November 2019
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If Neon Meets Argon, written and directed by James Doherty and produced by Nicky Gogan for @PiranhaBar. A neon sign-maker has his solitude interrupted by an energetic young intruder. Can these men forge a kinship amidst the flickering of neon lights? #FocusShorts
big thanks to Philip for selecting MY TOTALLY PERFECT DEATH to be part of this. Amongst great company 😊
My free fortnightly #screenwriting newsletter - about new additions to my website script library script-consultant.co.uk/new-…
James Doherty retweeted
Shortlisted for Best Single Drama is: On The Edge: The Final Countdown, @BlackLightProds for @Channel4 bit.ly/BA25Shortlist #BA2025
Great first day 🤘
(1/2) 📣 @StoryhouseIre Lab Participants 📣
Joining us today are:
Anthony Keigher - @xnthony
Ayla Amano - @AmanoAyla
Cara Loftus - @CaraLoftus8
Caroline Harvey
Dorothy Duffy
Hannah Mamalis - @Hantmam
Hiram Harrington - @HiramHorror
👇
NEW: @Emily_S_Cooper on making a go of things as a writer.
“As far as I can tell you either get used to it, or you don’t – and it chews you up. I have learned to send out applications and then forget about them… Rejection becomes background noise.”
stingingfly.org/2024/03/13/t…
Had the pleasure of 2nd unit directing for the superb @megankfoxfilm & @Samson_Films - check it out on @channel5_tv TONIGHT at 9pm
It's out TONIGHT 😱 So excited for the world to see our show and the wonderful talents of @karatointon Allen Leech, Charlie Hodson-Prior and the rest of our brilliant cast and crew 🖤🔥
James Doherty retweeted
Our latest mini series, ‘Too Good To Be True’ airs on Channel 5 tomorrow!
Catch this thrilling drama at 9pm Feb 14!
Me, verbatim after my short film is rejected from any festival:
“…the U.S. A-list film festival circuit… is now mostly a self-reflexive bourgeois echo chamber of sanctimonious gatekeepers serving corporate interests and neoliberal logics.” Sophia Haid and Keisha Knight of @ArtSentient from our print issue. filmmakermagazine.com/121896…
