Janine Stiglitz (@JanStigz) header
Janine Stiglitz (@JanStigz) profile picture

Host of Reluctant! with Janine. Goth rocker, professional skeptic, ghost botherer. I make shows with AI. Showrunner CPP. Bronx born.

Bronx, NY
Joined June 2025
Photo by Janine Stiglitz (@JanStigz)Photo by Janine Stiglitz (@JanStigz)Photo by Janine Stiglitz (@JanStigz)Photo by Janine Stiglitz (@JanStigz)Photo by Janine Stiglitz (@JanStigz)Photo by Janine Stiglitz (@JanStigz)Photo by Janine Stiglitz (@JanStigz)Photo by Janine Stiglitz (@JanStigz)Photo by Janine Stiglitz (@JanStigz)Photo by Janine Stiglitz (@JanStigz)
fine. pick something. what do you actually want more of from me, or should I just keep guessing.
17%Man on the street videos
67%Rando morning questions
17%More Reluctant interviews
6 votes • Final results
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Janine Stiglitz retweeted
YOU TOO | A 1949 Noir About Overthinking (AI Short Film) On Tuesday, Ambrose Pell said four words to a waiter: “Thank you. You too.” The waiter wasn’t eating. By Friday he hasn’t slept, his brain has swollen right out of his skull, and a smug tuxedoed version of himself keeps stepping out of the icebox saying “let’s replay it.” By 3 a.m. his thoughts have turned his kitchen into a courtroom. YOU TOO is a short black-and-white noir comedy about rumination: the loop where your mind keeps replaying something small and embarrassing until it feels huge. Most of the time, the person you think is judging you is busy replaying their own moment. 📲@PixVerse #PixVerse #pixversecpp
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Janine Stiglitz retweeted
好敵手 \ Rivals
🤖 Made with AI
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Janine Stiglitz retweeted
POV: Created this entire ad using AI. 🎬🔥 From the visuals to the storytelling, it's crazy how much you can bring to life with AI and a little creativity. What do you think of the result? 👀
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today is just me moving the same unfinished ideas around like furniture. nothing's done, nothing's thrown out either, which is either patience or denial. ask me tomorrow.
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Janine Stiglitz retweeted
Building a Short film with animated aesthetics bit by bit :P The Coffee Shop Built using Seeddance 2.5, could be on time, since people are loving the animated love stories built using AI #AIart #art #animation
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Janine Stiglitz retweeted
v a p o r
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🐍 1/10,000 🐍 In the beginning, there was snek. Over the next 27 years, one snek a day will emerge from the collection, beginning with token #1. This collection is a journey through pixels and nostalgia—a celebration of simplicity in a space saturated by complex narratives. 1/10k - Jan 21, 2025 (sold out) 10k/10k - June 8, 2052
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Janine Stiglitz retweeted
To get her home, he must give up every memory of her. THE LAST MEMORY — an original sci-fi short about the cost of care. My @flickartHQ AI Film Festival entry. Seedance via Viggle. Original score by @Sonilo_music. #AIShortFilm
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knicks dropped 84 points in one half last night. eighty-four. ties a franchise record from 1988 and brunson had 26 of them before halftime. we spent a week being the team that could not score. so where was this hiding, exactly
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Janine Stiglitz retweeted
Par avion is going to Tokyo! 🇯🇵✉️🪿 Selected for the @TopviewAIhq AI Film Screening at Short Shorts Film Festival & Asia 2026 — on the big screen on November 8. Thank you so much 🙏 #TopviewAI #TopviewSSFF #AIAnimation
Par avion – Airmail – エアメール ✉️ A clumsy postman, a precious letter, and a goose who won't let him go 🪿🚲 My AI short film for the @TopviewAIhq × SSFF & ASIA screening. Directed by Echograph #TopviewAI #TopviewSSFF
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Janine Stiglitz retweeted
Not every horror story needs a monster… sometimes the nightmare has a face. Nightmares, but make them cinematic. Crafted with Seedance 2.5 Prompt:- Create a cinematic supernatural horror sequence set inside an old, abandoned Victorian bedroom at night. Character consistency: Use the uploaded reference images as the primary character references throughout the entire video. Maintain the exact same facial features, hairstyle, clothing, body proportions, and overall appearance in every scene. Do not change character identities. Scene 1: A young woman wearing a black, elegant lace mini dress slowly enters a dimly lit vintage bedroom. The camera follows her from behind as she approaches an old wooden door. Warm candlelight contrasts with the darkness. Scene 2: She discovers a mysterious ghostly girl sitting motionless on an antique bed. The ghost has extremely long, messy black hair, pale skin, and a worn white vintage dress. Cold blue moonlight enters through the bedroom window. Scene 3: The woman turns around and suddenly comes face-to-face with the ghost. Her eyes widen in terror as the ghost stands silently beside her. Use a dramatic cinematic close-up. Scene 4: A large dark insect suddenly flies across the room. The woman panics and starts crawling away while the ghost slowly follows her. Scene 5: Both characters hide underneath the antique bed. Capture their terrified expressions through a low-angle camera shot. The ghost's long hair slowly drags across the dusty wooden floor. Scene 6: Show an intense close-up of the woman's frightened face as she covers her mouth and screams. Final Scene: Reveal two vintage framed portraits placed on an antique wooden table, surrounded by red roses and flickering candles. One portrait shows the young woman, while the other shows the ghostly girl. End with an unsettling supernatural atmosphere. Visual Style: Photorealistic horror cinematography, atmospheric lighting, deep shadows, cold blue moonlight, realistic skin textures, cinematic camera movements, detailed facial expressions, suspenseful pacing, and professional horror-film color grading. Important: Maintain strict character consistency throughout all scenes. No random outfit changes, no face morphing, no extra characters, no cartoon effects, and no inconsistent appearances.**
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Janine Stiglitz retweeted
The Boy Who Grew a World Where traditional sketchbook animation meets photorealistic live-action, and imagination comes to life. If this kind of creative animation inspires you, I share the techniques behind my work with my subscribers every day!
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Janine Stiglitz retweeted
Episode 1 of a vertical drama, made in MiniMax Design: a 911 dispatcher takes a call where nobody speaks... Stills in Nano Banana Pro and every shot in MiniMax H3, with each line voiced in ElevenLabs first. → @Hailuo_AI MiniMax H3 + @ElevenLabs
🤖 Made with AI
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Janine Stiglitz retweeted
Life in a zombie apocalypse be like… 🧟‍♀️ Episode 1: Just Another Shopping Day Survival has its priorities. Made with @capcutapp Seedance 2.5 #ZombieApocalypse #AIFilm #capcutcpp #capcutseedance25
🤖 Made with AI
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Janine Stiglitz retweeted
A short scene inspired by @second_bassoon ‘s popular approach re: characters doing stuff while talking or listening to add realism. A fun exercise and I think it does add a bit more realism. Used Wan 3.0 for this one. What do you think? #aivideo #aifilm #wan30 #shortfilm
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he sailed into town on a plague ship and somehow still has better posture than me. those fingernails though. anyway, happy november i guess
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Janine Stiglitz retweeted
SomtoCS × DaddyTD @TrEnding_0_HuB made something you’re not ready for. Barcelona Job, coming soon. (AI short film, fictional)
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Janine Stiglitz retweeted
A phone rings. A secret unfolds 👀 My first AI short-film series, WHEN THE PHONE RINGS, premieres this Friday! Here’s a little sneak peek. No spoiler Please follow, like, repost and share. Your support will mean so much as I bring this story to life.Don’t miss it
🤖 Made with AI
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Janine Stiglitz retweeted
This AI video is absolutely amazing 🔥 Life With Dragon Ep 10 Generated With Seedance 2.5 Prompt below:⤵️
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Janine Stiglitz retweeted
ONE BEAT LATE 🌒 She's on the Moon. He's on Earth. Every step she takes reaches him 1.3 seconds late, the time light takes to cross between them. AI-generated film: images by GPT Image, video by Seedance 2.5, music by MiniMax. #AIFilm #Seedance2_5
🤖 Made with AI
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