
I write about education, AI, and building a Prototyping Mindset at https://nitter.cf/t.co/SuBJlnvt00. | Husband, Dad, Prof @harveymudd, Venture Partner @praxis_hq
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Joined June 2009
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Josh Brake retweeted
The future of #ArtificialIntelligence is not pre-determined. As a technology developed by human beings, its future depends on the choices we make. We therefore have the responsibility to guide, change and, when necessary, reject its applications. A reliable system that serves the human person is of greater value than one that is exceptionally powerful but whose consequences cannot be adequately foreseen or controlled.
Josh Brake retweeted
Hardware looks scary until you break it down into small steps. So I built an app that takes you through Arduino one circuit at a time.
Made with Opus 5.5
learn-arduino-red.vercel.app
Josh Brake retweeted
I have been a fan of @ezraklein's for so many years — a master of conversation. In this conversation, we got to the heart of our current dilemma: Chatbots offer the feeling of companionship without the demand for reciprocity, the illusion of empathy while deskilling our ability to deal with one another. I loved how Ezra pushed back on where companionate AI might actually offer relief — it sparked a sharp, necessary debate about the future of human community. nytimes.com/2026/10/14/opini…
Josh Brake retweeted
I’m in @asteriskmgzn this week, on virtue ethics and alignment, and what it would mean to make an AI model virtuous
Our newest issue, Flourishing, drops today! Join us as we try to untangle big questions around meaning, community, values, and the good life.
First up: @spaniel_bashir explains how AI alignment moved from optimizing outcomes to teaching our systems how to be "good" – and whether there is a place for virtue ethics in alignment science.
asteriskmag.com/issues/16/th…
Josh Brake retweeted
This is a great book, by the woman who has done more than anyone to illuminate how technology changes human relationships
Today is the publication day for Artificial Intimacy. There are so many moments in the life of a book. The day you finished the proposal. The day you settled on the right outline. The copyedit. The corrected pages. But there is nothing like the day that you see your book in a bookstore. All of those other landmarks fall away. In winter 1978, I stood outside Harvard Book Store, nose pressed to the window, and watched a young woman take Psychoanalytic Politics off the shelf. She looked at it and put it back. But I was content. My book, my first book, was in the hands of strangers. And now, these feelings rush back: Artificial Intimacy is in the world, and I feel humbled. hachettebookgroup.com/titles…
Josh Brake retweeted
Here I argue that the original sin of generative AI and its chatbots is using the first person, and that this is most harmful to young developing minds. It’s key to my argument in Artificial Intimacy. theatlantic.com/ideas/2026/0…
Josh Brake retweeted
I’ve been looking forward to today for 3 years
Today we’re announcing Foundation - Chroma’s solution to memory
Our research preview of this technology builds self-improving memory from your agent sessions. Try it out at trychroma.com/foundation
Introducing Foundation
Chroma's solution to agent memory
Josh Brake retweeted
Writing is the process by which you realize that you do not understand what you are talking about
Josh Brake retweeted
Someone asked me recently why I’ve become interested in aesthetics after having spent most of my life more interested in STEM-adjacent topics. I hadn’t really considered the question consciously before, but I’m certainly thinking about aesthetics more than I used to. I think it’s a confluence of things:
• Many things today are ugly and far uglier than they used to be or need to be. Once you see this, it’s kinda hard to stop perceiving it. (Early twentieth century phone boxes versus modern phone boxes; old water fountains versus new water fountains; etc.) As someone with a naively meliorist assumption that most things should be getting better rather than worse, it’s all a bit perplexing: why did we stop doing things nicely? Is it a choice? Was there a malevolent spell cast upon us? This vein led me to think more about modernism and why much of art became more intentionally "challenging", grotesque, opposed to prettiness, rebarbative, dissonant, etc. Can or should anything be done about this? Is this just how things ought to be?
• Relatedly, much of modernism involved a kind of explicit repudiation of cultural continuity and represented a schism with prior practices. This is maybe most evident in American architecture, where the International Style exhibition in 1932 initiated the displacement of a rich tapestry of prior styles. This cultural break seems important and interesting to me, and I suspect that the rejection had important consequences outside of the aesthetic domain. Samuel Hughes has been exploring this question in his recent writing at @WorksInProgMag; @RuxandraTeslo is also pulling on this thread. Elaine Scarry wrote about how beauty inspires creation. If so, the inverse may also be true: ugliness inhibits it.
• It’s clearly the case that changes in the aesthetic domain can at least inspire progress in other places. Petrarch helped set some of the preconditions for the Renaissance which in turn fostered the scientific revolution and Enlightenment. Things like World Fairs (the 1851 Fair at the Crystal Palace recorded 6 million admissions when the population was 21 million) reflect the popular interdependency that used to exist between aesthetics and material development.
• @tedgioia and others have written about stuck culture and how so many domains seem to have ceased to straightforwardly advance in the way that they did up until the nineties or thereabouts. This is obviously peculiar and interesting. What changed, and what does it mean? Is it about the internet and fragmentation? Is it about a loss of supply? Is it just about having reached the zenith of various mediums?
• I’m generally interested in markets and the dynamics of creation. In aesthetics broadly, I find the reflexivity between supply- and demand-side factors to be very thought-provoking. There’s a natural desire to view satisfaction of individual preferences as the yardstick to measure market success, but things get interesting and even a bit unsettling when we start to think about how the supply might start to shape the demand. I often think about this in the context of food. Why is food so much worse in Germany than many of its neighbors? Germany certainly doesn’t have less material ability to produce good food; indeed, Germany is richer than the countries around it. There’s probably something about German food supply chains that is impoverished relative to France and Italy, but the Germans themselves don’t seem too upset about it. It just seems that the Germans are stuck in an objectively worse market equilibrium than their neighbors: the food is bad and they’ve gotten used to it. The obvious question then is where else these kinds of reflexive patterns apply, and where else we’re stuck in some objectively inferior equilibrium, even if preferences are in some superficial sense being sated.
• While this is an extremely banal and obvious point, I hadn’t until recently thought much about or internalized how much one can study reasonably objective things ("the status of women in society", say) through artwork. (Thanks to @_alice_evans for opening my eyes here.) In this vein, I’m pretty excited about the possibilities over the coming years in computational art analysis. I want something that’s conceptually similar to Google Ngram timelines but for the visual arts.
• We've always tried to do things well at Stripe. I've come to see that attempting to do them beautifully is often a helpful way to break out of standard practices and to do something with greater novelty and in a way that might have other benefits besides. (Also, excellent people want to do great work because it is intrinsically satisfying. Explicitly allowing aesthetic considerations to carry weight avoids having to justify every assessment with some kind of torturous empiricism.)
• In his Nobel Lecture, Solzhenitsyn said that, among the Platonic virtues of goodness, truth, and beauty, that beauty is special, for it possesses a unique kind of irrefutability. He notes that arguments, writing, and philosophical systems can all be predicated on misapprehensions, but that “a true work of art carries its verification within itself.” He proceeds to observe that when goodness and truth are threatened, the “ever surprising shoots of beauty will still force their way through.” There is a lot of specious and motivated reasoning in the world today and plenty of questionable value systems. I don’t think that beauty directly reflects any definitive trait, but I’m intrigued by the idea that it can be a marker of deeper metaphysical coherence.
Josh Brake retweeted
A huge amount of the Anti-AI code sentiment massively overestimates the quality of human code outside of a very small set of open source and high quality company codebases. Human Slop is everywhere and can trivially be improved on by any opus level model.
Josh Brake retweeted
70k words, 600+ illustrations, and 1000s of hours (so far).
Making Software is now available in early access.
makingsoftware.com/early-acc…
Josh Brake retweeted
We shouldn't destroy ourselves in arguments about AI. campuses need to focus on conversations that allow faculty to form shared values and shape what role, if any, AI should have in education.
Josh Brake retweeted
A post about Pope Leo XIV's encyclical on AI. Why the Pope is right, but perhaps not right enough.
Artificial intelligence is reshaping the world in front of our eyes: how we communicate, how we access information, how we work, how income and status are distributed among us, and soon how we fight and kill each other. Yet the public conversation about AI remains stuck on the minutiae of competition between labs, or on a false dichotomy between AI as a “stochastic parrot” with no real capabilities and AI as an alien superintelligence poised to take command of humanity.
The more important questions are about what we want from AI, and whether our current mindset, institutions, and control mechanisms are equal to the task of steering it toward our welfare.
It is refreshing, then, that a bold and powerful voice has weighed into this debate: Pope Leo XIV. As an economist who has long argued that technology is a matter of choice rather than fate, I find Leo’s intervention welcome and, on most points, on target. But on the most consequential question of what AI should actually be designed to do, Leo stops short.
Secular readers may bristle at the encyclical’s opening invocation of the Tower of Babel. They would be mistaken to stop reading there. Leo goes much further than most pundits, journalists and policymakers in the United States by recognizing that what happens to AI, and hence to humanity, is a under our control. There are multiple possible paths for AI, and which one we take will have sweeping consequences. He is also ahead of many commentators when he writes forcefully and unequivocally that “technology is never neutral, because it takes on the characteristics of those who devise, finance, regulate, and use it.”
These were the central themes of the book I wrote with Simon Johnson, Power and Progress: Our Thousand-Year Struggle over Technology and Prosperity. It is heartening to hear them taken up by a voice with Leo's reach.
The Pope is also right to question the current trajectory of AI in warfare and law enforcement. What was taboo only a few years ago – AI-driven mass surveillance, algorithms selecting targets for killing – has become routine. Many in Silicon Valley are now calling openly for a new military-algorithmic complex centered on AI as an instrument of American hard power. Leo captures something deep and too often ignored: “Any technology that facilitates attacks without seeing the face of human beings lowers the moral threshold of conflict.”
His call for the “disarmament of AI” follows directly from these observations. As he explains, disarming AI means “freeing it from the mentality of ‘armed’ competition, which today is not limited simply to the military context, but is also an economic and cognitive phenomenon.” His moral clarity in stating that “there is no algorithm that can make war morally acceptable” should be a warning to technologists rushing to design new weapons of mass destruction.
Underneath these specific concerns lies a more fundamental claim: that what is technically feasible is not the same as what is good for humanity, and that the difference depends on who controls the technology and what ideology and interests guide them.
Leo edges toward what I take to be the most important point about AI's future when he observes that “while AI promises to boost productivity by taking over mundane tasks, it frequently forces workers to adapt to the speed and demands of machines, rather than designing machines to work with those who work.”
But here he does not go far enough. He stops short of questioning the prevailing design philosophy of AI itself: a philosophy centered on mimicking human capabilities and automating human tasks, with the ultimate goal of artificial general intelligence (AGI) that can do everything a person can.
This philosophy rests on a mistake. It assumes that artificial intelligence and humanintelligence are fundamentally similar, and therefore machines should naturally take over whatever humans currently do. Yet these intelligences are fundamentally different.
Humans are “one-shot” learners. We form hypotheses from a few examples, mentally simulate possibilities, and refine our understanding through a social process of trial and error. This is how children learn language - imitating a few words, generalizing, and adjusting based on how others respond. We are not, however, very good at absorbing massive volumes of information or sifting through unstructured data for relevant patterns.
AI models are almost the opposite. They thrive on enormous training sets and excel at pattern recognition at scale. But they have, as yet, no genuine creativity, no real-world embodiment, and no capacity for trial-and-error learning grounded in interaction with the physical and social world.
When two things are different – you shouldn’t, and typically you couldn’t – use one to mimic the other. If you did, you would end up with suboptimal, disappointing results. It would have been a colossal mistake, and the Chicago Bulls’s legendary coach Phil Jackson would have gone down in the annals of basketball as one of the worst coaches in history, if he decided in the 1990s that because Michael Jordan was the better player, Jordan should mimic everything that Scottie Pippen and Dennis Rodman were doing in the team. The team went from championship to championship because these players worked together and complemented each other.
The same applies to AI and human skills.
The more productive path is complementarity – using AI to do what humans cannot, so that humans can do what they do best. An electrician aided by AI diagnostics, a nurse supported by AI in interpreting symptoms, a teacher using AI to personalize instruction for each student; these are the contours of a different AI future, one that raises rather than displaces human capability.
Optimists and industry insiders will respond that automation-first AI can still benefit everyone, provided redistributive policy keeps pace. But this argument has a poor track record. Forty years of digital automation have already concentrated gains at the top, hollowed out middle-skill work, and produced disappointing aggregate productivity growth. There is little reason to expect that an even more powerful round of automation, deployed by even more concentrated firms, will end differently. We can and must demand a different design.
The global stakes from the future of AI are even larger than those we can see around us in the United States. For the developing world, where billions still depend on the prospect of decent jobs as a path out of poverty, an automation-centric AI agenda is not merely suboptimal. It is simply transferring to foreclose the most important route to broad-based prosperity.
The biggest failing of today's AI industry is its refusal to recognize any of this. It is guided instead by an ideology of control (the industry’s own over humanity) and by a conviction that machines are uniformly better than humans.
As Leo rightly notes, this failure is enabled by the fact that a handful of companies now command the future of AI.
What we need is a combination of moral clarity and a serious, society-wide debate about what AI can do and what we want it to do. That debate must move beyond exhortation toward concrete choices: antitrust action against the dominant platforms, public investment in human-complementary AI, regulation of surveillance and autonomous weapons, and meaningful rights for workers and citizens over the data on which these systems are built.
The Pope's intervention makes such a debate a little more likely today than it was before.
It is now up to the rest of us to carry it further than he was willing to go.
Josh Brake retweeted
The Sam Altman and @miramurati texts from the day he got fired from @OpenAI in 2023 just became evidence in the @elonmusk v. @sama trial.
It felt like a meaningful moment in AI history, so I turned it into a musical.
The lyrics are the texts.
Josh Brake retweeted
Adopting Claude speak in my regular life, episode 1:
Partner: Did you do the dishes tonight?
Me: Yes they're done.
Partner: Why are they still dirty?
Me: You're right to push back. I didn't actually do them.
Josh Brake retweeted
The Montreal Expos are exiting the baseball space. During Q2 and Q3 2026, we will transition to acquiring high-performance GPU assets. This is all part of our long-term vision to become a fully integrated GPU-as-a-Service (GPUaaS) and AI-native cloud solutions provider.
Josh Brake retweeted
After decades of working with leaders at companies like Apple, Salesforce, and Cisco, we've identified 4 storytelling techniques that consistently work to deliver important messages in high-stakes settings:
1. Start with the unexpected
Don’t begin your presentation with context. Instead, begin with the moment that makes people think, “Wait…what?”
Instead of something like:
“Here’s an update on our September campaign…”
Try starting with the most interesting detail:
“I broke our biggest marketing rule last month, and it worked.”
Lead with the surprise. You can add context later.
2. Let people feel the tension
After the surprise, don’t rewind to the beginning. Take your audience to the moment where things weren’t working.
Flat numbers.
Missed goals.
Stalled progress.
Instead of:
“The campaign was underperforming, and our team went back to the drawing board.”
Try:
"We were two weeks out from the end of the quarter. The campaign wasn’t producing results, and the team was out of ideas. That’s when I decided to take a risk...”
You don’t need to explain the problem. You need to make people feel it.
3. Use real dialogue
When your audience hears what was actually said, they stop listening to you and start visualizing the moment. This helps them connect emotionally with what you’re saying.
Instead of:
“The campaign manager said team morale was low and they were struggling to find a solution.”
Try:
“My campaign manager pulled me aside in the hallway and said, ‘We’ve tried everything. The team has been working overtime, and we don’t know what else to do.’”
Dialogue brings listeners into the moment with you. It makes the story real.
4. Share the lesson
Never assume people will infer the meaning you intended.
End your story by answering:
- What does this mean?
- How should someone act differently now?
Example:
“Breaking our biggest marketing rule helped us turn this campaign around and hit our numbers. I strongly suggest we revisit our marketing guidelines. We could be leaving a ton of revenue on the table.”
Without the lesson being clear, even a good story feels unfinished.
These are the same techniques we teach to our clients at Duarte. Try them out during your next presentation and watch how people lean forward and tune in to your message




























