Luciana Pellegrino retweeted
Mollie Maggia's jaw came away in pieces in her dentist's hands in 1922, and when she died that September, aged 24, her death certificate said syphilis.
She had been a dial painter at the United States Radium Corporation in Orange, New Jersey, one of hundreds of young women, most in their teens and early twenties, painting glowing numbers onto watch faces with a paint called Undark. To keep a fine point on the camel-hair brush they were taught to shape it between their lips. Lip, dip, paint, hundreds of dials a day. The supervisors told them radium was harmless, good for them even. The girls painted their nails and teeth with it for fun and walked home glowing in the dark.
Then their teeth began falling out. Jaws rotted and snapped. Spines crumbled. Doctors had no name for it, and the company did not offer one.
It had one. In 1924, under pressure, it paid Harvard specialists to study the factory, and they reported that radium was the cause. The company sat on the report and let it be known that its workers were in good health. Its own examiner told sick women they were well. When the deaths kept coming, the whispering started that dial painters were loose girls, and that it was syphilis.
Grace Fryer began losing her teeth in 1922 and spent two years looking for a lawyer brave enough to take on the company. In 1927 she sued, with four other women, and the papers named them the Radium Girls. That autumn Mollie was dug up to settle the syphilis question. Her bones were radioactive. The company stalled, knowing its accusers were dying, and by the first hearing in January 1928 two of the five could not raise their arms to take the oath.
They settled that June for $10,000 each and $600 a year. The judge who brokered the deal turned out to own shares in the company. The man who had invented the paint died of radium poisoning that November.
In Illinois, at the Radium Dial Company, Catherine Donohue gave her evidence in 1938 from her sickbed, weighing about five stone, and was dead within months. Her case helped win American workers the right to sue over the diseases their jobs gave them.
The women were told they were young and healthy and had nothing to fear, and when they started dying, the company found it easier to attack their virtue than admit what was in its paint.
Their graves in New Jersey still set off a Geiger counter.
Luciana Pellegrino retweeted
It's the Feast Day of Saint Martin of Tours
In this fresco by Simone Martini, the dream Martin has after sharing his cloak with a beggar is depicted: Christ appears to him, wearing the very half of the cloak Martin had given away.
Love how Martin's feet stick up under his blanket
Luciana Pellegrino retweeted
La expo más grande ever de Piero della Francesca en Londres el año que viene (2 de Octubre 2027 a 30 de enero 2028)... well well well nationalgallery.org.uk/exhib…
Luciana Pellegrino retweeted
Raphael at his most Michelangelesque: Isaiah in the church of Sant’Agostino (1511-12); he was clearly looking at the Sistine ceiling. The magic of Rome: despite the masses of tourists, it is possible to spend twenty minutes in relative quiet with such a masterpiece.
Luciana Pellegrino retweeted
In 1924, an Italian engineer built a port halfway up a cliff, with ships waiting in the Mediterranean Sea below.
This is Porto Flavia, one of Sardinia’s most extraordinary engineering achievements.
Before its construction, miners had to transport heavy loads of lead and zinc ore using small boats, an expensive and labor-intensive process.
Engineer Cesare Vecelli came up with an ingenious solution.
He designed two tunnels inside the limestone cliff, connected by nine enormous storage silos capable of holding 10,000 tons of minerals. A conveyor system carried the ore directly into the holds of cargo ships waiting below.
What once took days could now be accomplished in hours.
Yet Vecelli also gave this industrial facility an elegant, medieval-inspired entrance overlooking the sea.
He named it after his daughter, Flavia.
Porto Flavia is a reminder that engineering and architecture can achieve something extraordinary when practical ingenuity is matched by the ambition to build beautifully.
Luciana Pellegrino retweeted
Voula Papaioannou
Πάρος, 1950-55.
(Paros island, 1950-55)
Benaki Museum
(Μουσείο Μπενάκη)
Luciana Pellegrino retweeted
Conosciamo noi stessi solo fin dove
siamo stati messi alla prova.
Ve lo dico
dal mio cuore sconosciuto.
W. Szymborska
#ScrivoQuelCheSento @ScrivoArte
Daniel Castonguay #photography
Luciana Pellegrino retweeted
Lo so, parlo pochissimo ultimamente. Ma spero che le foto continuino comunque a dire parole per me.
Luciana Pellegrino retweeted
Santa Maria del Carmine Firenze Cappella Brancacci Masaccio e Masolino da Panicale 1424 - 1428 terminata da Filippino Lippi 50 anni dopo
Luciana Pellegrino retweeted
It is truly precious that they have managed to preserve such traditional crafts.
Tall-Loom Weaving Workshop
(Wooden Jacquard and Punch Cards)
Silk Fabric
Amane Tatsumura, Nishiki-ori Artist
Luciana Pellegrino retweeted
...se gli anni stanno dietro ad una tenda, corpo, ferita e dono, stanza d'azzurro, muri, il volto del ritratto, quando, intatta, la verità del vero li consegna alla pietà degli occhi, al loro abisso.


































