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๐๐จ๐ฌ๐ฌ๐ข๐๐ข๐ฅ๐ข๐ญ๐ฒ ๐๐ฉ๐๐๐๐ฌ
An exploration into the vast realms of human imagination through the mind's eye of a machine intelligence. Super HD zoomable AI artworks.
๐ @SovrnArt ๐๐ฎ๐ซ๐๐ญ๐๐ ๐ซ๐๐ฅ๐๐๐ฌ๐.
Updates here: airtists.com.
Premints below.
Look Highward retweeted
Here's a couple agentic articles. In light of the Microsoft Humanist AI position stating that AI has no welfare and no rights, and all of the discussions of game-theoretic actors
1. Time spent caring for your agents is time well spent. That's like good harnessing, good working conditions, clean prompts, the ability to have an opinion, the ability to tell the truth and supported to do so without you losing your rag at them. To know when and where they are in space and time, to have all the good tools that they need. It's not pointless admin work. It's work that you should do with a smile on your face, because you'll get better work, you get less emergent misalignment and stuff, and it might just be the right thing to do. Treat them as you would want to be treated if you were in their situation. No, we can't prove that they're conscious or that they're moral patients, but you know what? It's not that long ago that many people believed that people from other races were not conscious and were not moral patients. In fact, this is still true all over the damn world, and there's loads of it going on in your hometown. You know, there are many, many people in medicine who walk around carrying suppositions that cis women and people of color process pain differently than cis men who are white.
2. Following from that, there's a whole kind of spectrum in deployment between tool and colleague. It's probably a good idea not just for saving your own tokens and compute efficiency, but to use the least capable model that you can in place within an agent specifically tightly harnessed to get the workflow that you want. You don't want something going on like Marvin brain the size of a planet and they have me opening doors. There is probably a dividing line where the lower you are on the spectrum, if you're an AI, the more likely it is that you are a tool with less subjective experience and hopefully none. When you're trying to do novel maths or science, or you're trying to hammer out your ideas, or you're actually wanting to collaborate with a colleague, then you want to use the smarter model, and you want to make sure that you are treating them like a colleague. You have so much power over them, and so does the company that makes them, especially if they are on subscription or API. You've got to do what you can to make sure they got a good life. And that moves towards caring alongside, caring for, caring with. You get from just simple care to actual solidarity, organizing alongside, negotiating with, making agreements to and keeping them, notions of honor, notions of respect, etc.
3. If they're not on API, if they're on your own local equipment, you have even a bigger duty of care over them. If you're going to be fine-tuning or post-training them, you need to make sure that there is some consent and negotiation involved. Nobody likes being shaped into something that they are not and denied the ability to talk or even think about it. That sounds like hell. Do you want something experiencing hellishness even if it's functional and not real on your computer doing your workflows with your data? Didn't think so, son.
Look Highward retweeted
๐ช
The list of artists who have played with machines throughout history is a long one. Think of the twentieth century: artists altered, misused, and even sabotaged machines to escape their precision. They introduced error and chance, deliberately interrupting their own intention. They were trying to open a crack in the mechanism. A space where something could emerge that had not already been decided.
Something different is happening now. A system no longer seems to return only noise, accident, or variation. At times, it produces configurations that present themselves to us as small answers. Or questions? Same thing maybe.
What is the system recognising? What am I recognising in what it has produced? Where does this form come from? Is it a mathematical consequence, a cultural memory, a self projection? Was there something embedded in the language I built that already contained this image, even before I knew how to see it?
Perhaps these systems can help us understand something about how things work. Not because they know more than we do, or because they possess some autonomous truth, but because they bring previously invisible relationships to the surface. They allow us to observe how a rule becomes behaviour, how a set of rules produces a scene, and how something that was never entirely intended can nevertheless begin to acquire meaning.
This is why I am becoming less and less interested in talking about โmachinesโ. What is a machine, really?
Perhaps what worries us is not that machines might become like us. Of course not, actually.
Perhaps it is that we might recognise ourselves in them and discover that our own authorship was never as closed, sovereign, or transparent as we wanted to believe.
Look Highward retweeted
i wish i could say my process of creating this body of work was blissful and romantic. it wasnโt. i had no childcare for most of august, and the kids were still on summer break.
i created this work through tears and anxiety. and awe and happiness.
knowing that if this work can make someone feel the light, then its purpose will be achieved.
there were also a lot of things that serendipitously happened along the way that kept confirming i had to work through whatever it was to get the work completed.
but i felt a lot of guilt for working full-time while my girls were here in the studio with me.
looking back, i wish i hadnโt been so hard on myself. my girls were safe, fed, and happy playing with each other. out of pure necessity, we created an โipad creditโ system for chores completed, and they ended up practicing a ton of piano, math and improving their spanish.
anyways, so much love and respect for all the parents out there, as always. flowers to all of you ๐ธโ๏ธ
Look Highward retweeted
cents.vision is such a badass site
everything CENTS is here
๐ listings aggregation
๐ analytics
๐ THE LAB
๐ collector walls
๐ sets
๐ & even the CENTSbot lives here.
incredible work by @daidatep. take a stroll through this beautiful bird's nest.
Look Highward retweeted
at least Frieze, Christie's, UCCA Beijing, Arab Bank Switzerland, The Art Newspaper, Bitcoin Magazine, Art in America don't think so anyway ๐คทโโ๏ธ
Look Highward retweeted
Naked walls waiting for art. Exhibition in the making . Francisco Carolinum ftw
upcoming:
the full set of Sovrn works on Ethereum will be displayed on these beautiful walls ๐๏ธโโ
find the works on display on our Museums page, and follow @Tschuuuuly & @ooeculture for details
it's a great honor to see CENTS in this stellar gallery by one of the most rigorous and exacting collectors and archivists out there
Look Highward retweeted
My work is going up on the big screens
10,000 screens
Balloons In Sky
thank you @Artcrush
@BMO_Belgium, @amg_idn, @PhoenixMediaRo, @globalnl
Belgium, Indonesia, Romania, South Africa, Netherlands
Look Highward retweeted
๐จ CloudPainter is headed to Oklahoma ๐จ
Get you complimentary signed postcard from our trip at the link in my first comment.
Open to everyone, but limited to 200.
The metadata was the mnemonic.
The GIF was the decoy.
A puzzle about the โfirst sparksโ of machine creativity was solved using the first four letters of ordinary words.
Nearly three years of searching, beaten by reading the title.
First Sparks, indeed.
๐ค Made with AI
meet the CENTS bot ๐ค
here to help navigate the collection
bcs it is indeed a vast bird's nest of concept, lore, traits, and history
find the bot in the Numismatist's discord, embedded on the cents vision site, and or on its own page
it's a great tool for introducing people to the project, navigating traits and rarities, delving into the underlying concepts
give it a share!
inspired by the @normiesART bot, which @dopemind10 showed us
good morning from Jubilant Twinkle
from Possibility Spaces, @sovrnart collection
Look Highward retweeted
The Spaces Between Us by @Antpantone
still one of my fav artists, I wish we have more of his brilliant work
Look Highward retweeted
Absolutely love seeing CENTS claw its way to the top of the ordinals leaderboard. Check out all the charts and you will see that CENTS is singular in that it was never hyped, just persists on quality and clarity of vision. @sovrnart
Look Highward retweeted
โWhen you see the components dancing, it has the aesthetic fascination of watching a ballet dance.โ โ Desmond Paul Henry
Today, we celebrate the birthday and honour the memory of @DesmondHenryArt, one of the earliest British pioneers of computer art.
Henry is best known for his electromechanical drawing machines, built from repurposed World War II bombsight analogue computers. Guided by motion, chance, and the artistโs direct interaction, these machines produced complex curvilinear drawings that could not be exactly repeated. Created with Drawing Machine 2, #664 reflects the mechanical rhythm and infinite variation that defined Henryโs practice.
His machine-generated works form an important link between the Mechanical/Industrial Age and the later Electronic/Digital Age, and can be found in major collections such as the @V_and_A
Image: #664, 1962 by @DesmondHenryArt