Pinned Tweet
One more promo of Koffe with karan Salman khan and Karishma kapoor
Salman - This is the longest living affair.
Karisma - Take it back
Manish Vaishnav retweeted
Sajid Wajid latest Instagram story 🫣
Salman khan MONSTER 🔥
Announcement Loading 🫣
Manish Vaishnav retweeted
Whether Maatrubhumi turns out good or bad, a hit or a disaster, depends purely on merit; every film has its own destiny.
As Salman Khan fans, our duty is to stand by the man who has given us countless memories over the past four decades.Never be disrespectful toward the man himself.
Manish Vaishnav retweeted
that million dollar smile, the happiness on his face, and the pure joy in his eyes! seeing salman bhai this happy genuinely makes our day. feeling blessed to witness this beautiful side of him even at 60.
Manish Vaishnav retweeted
Tubelight was Salman Khan's lowest grossing film in overseas since Bodyguard because of Panauti SRK's cameo.
#King thik thaak bhi nikli to OS mein $40mn+ kr legi araam se
Jo naye hai Unko nahi pta hoga SRK ka kya craze hau OS mein
France mein Tubelight SRK ke naam se promote kri thi Distributors ne 🤣🤣
24 Dec ko tufaan aane wala
Manish Vaishnav retweeted
Some stars entertain you, but Salman Khan is an emotion you carry forever. Salman bhai is love ❤️🫶
Manish Vaishnav retweeted
Iss venky reviews ke liye pusha2 jase chapri movie masterpiece thi usko rating zabardast diye but jis jis movie ko 2.5 diye vo yaa industry hit hui yaa blockbuster, latest #Jailer2 ko dekh lo
#Ramayana bhi ATBB hogi
#Ramayana Initial Impressions:
A hugely ambitious film mounted on a grand scale, and the effort behind it is clearly visible. The team largely stays true to the Ramayana, but the film leans more on spectacle and action than drama and emotion, leaving parts of the narration feeling flat and even serial like at times. The second half also drags in places because of where Part 1 chooses to end, with limited material stretched out through lengthy action blocks that don’t create much impact
Yash as Ravana is the biggest highlight and is superb, especially in his introduction portions. Ranbir Kapoor and Sai Pallavi are solid as Ram and Sita, though the divine aura and emotional weight don’t always fully translate on screen.
The visuals are stunning in parts and the money spent is clearly visible, but some scenes still have a noticeable studio/green screen feel with a few cartoonish asuras. The biggest negative, hands down, is the music. For a story like Ramayana, the score has to carry much of the divinity and emotion, but the Indian-Hollywood blend largely backfires and ends up feeling like neither apart from a few scenes.
The ambition and scale deserve a lot of applause. Definitely watchable and better than a few recent adaptations, but it falls short of the massive expectations and ultimately feels like a mixed bag with so much more potential.
Full review with rating later in my usual style (review embargo)



















