Manish Vaishnav (@ManishV215) header
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Kattar Bhai fan 😇 @BeingSalmanKhan

Joined October 2024
Photo by Manish Vaishnav (@ManishV215)Photo by Manish Vaishnav (@ManishV215)Photo by Manish Vaishnav (@ManishV215)Photo by Manish Vaishnav (@ManishV215)Photo by Manish Vaishnav (@ManishV215)Photo by Manish Vaishnav (@ManishV215)Photo by Manish Vaishnav (@ManishV215)
One more promo of Koffe with karan Salman khan and Karishma kapoor Salman - This is the longest living affair. Karisma - Take it back
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Manish Vaishnav retweeted
Beta Hamesha Baap Ko Hi Follow Karta Hai
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Manish Vaishnav retweeted
Sajid Wajid latest Instagram story 🫣 Salman khan MONSTER 🔥 Announcement Loading 🫣
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Sajid Wajid latest Instagram story 🫣 Salman khan MONSTER 🔥 Announcement Loading 🫣
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Manish Vaishnav retweeted
Whether Maatrubhumi turns out good or bad, a hit or a disaster, depends purely on merit; every film has its own destiny. ​As Salman Khan fans, our duty is to stand by the man who has given us countless memories over the past four decades.Never be disrespectful toward the man himself.
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Manish Vaishnav retweeted
Har Jagah Bezzati Karwa leta hu 😭
T 5900 - करना है तो करो, नहीं तेल लेने जाओ! .. SO ?
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Manish Vaishnav retweeted
Salman khan’s Aura in karan Arjun 🥶🔥>>
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Salman khan’s Aura in karan Arjun 🥶🔥>>
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Manish Vaishnav retweeted
that million dollar smile, the happiness on his face, and the pure joy in his eyes! seeing salman bhai this happy genuinely makes our day. feeling blessed to witness this beautiful side of him even at 60.
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Manish Vaishnav retweeted
Coming from a person whose whole Twitter life is a masterclass in ball sucking of politicians , sit this one out dude.
A person who eats cows and a person who worships cows can never be brothers.
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Manish Vaishnav retweeted
GOAT 🐐
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Manish Vaishnav retweeted
Tu politicians ka m00t pee bas bhai.
A person who eats cows and a person who worships cows can never be brothers.
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Manish Vaishnav retweeted
the disrespect to this all timer
Last good song in salman's film
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Tubelight was Salman Khan's lowest grossing film in overseas since Bodyguard because of Panauti SRK's cameo.
#King thik thaak bhi nikli to OS mein $40mn+ kr legi araam se Jo naye hai Unko nahi pta hoga SRK ka kya craze hau OS mein France mein Tubelight SRK ke naam se promote kri thi Distributors ne 🤣🤣 24 Dec ko tufaan aane wala
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Manish Vaishnav retweeted
This banger song was delivering a next-level experience in the theatres.
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But Bro LING BGM LEAKED @anirudhofficial Cooked Again 😭🔥💥
Bro thought he can ratio account like me with plug-in.🤣🤣
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Manish Vaishnav retweeted
Last good song in salman's film
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Manish Vaishnav retweeted
Some stars entertain you, but Salman Khan is an emotion you carry forever. Salman bhai is love ❤️🫶
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Some stars entertain you, but Salman Khan is an emotion you carry forever. Salman bhai is love ❤️🫶
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Manish Vaishnav retweeted
This AI-made poster looks more real than the real poster, which looks like AI. #King
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Manish Vaishnav retweeted
Iss venky reviews ke liye pusha2 jase chapri movie masterpiece thi usko rating zabardast diye but jis jis movie ko 2.5 diye vo yaa industry hit hui yaa blockbuster, latest #Jailer2 ko dekh lo #Ramayana bhi ATBB hogi
#Ramayana Initial Impressions: A hugely ambitious film mounted on a grand scale, and the effort behind it is clearly visible. The team largely stays true to the Ramayana, but the film leans more on spectacle and action than drama and emotion, leaving parts of the narration feeling flat and even serial like at times. The second half also drags in places because of where Part 1 chooses to end, with limited material stretched out through lengthy action blocks that don’t create much impact Yash as Ravana is the biggest highlight and is superb, especially in his introduction portions. Ranbir Kapoor and Sai Pallavi are solid as Ram and Sita, though the divine aura and emotional weight don’t always fully translate on screen. The visuals are stunning in parts and the money spent is clearly visible, but some scenes still have a noticeable studio/green screen feel with a few cartoonish asuras. The biggest negative, hands down, is the music. For a story like Ramayana, the score has to carry much of the divinity and emotion, but the Indian-Hollywood blend largely backfires and ends up feeling like neither apart from a few scenes. The ambition and scale deserve a lot of applause. Definitely watchable and better than a few recent adaptations, but it falls short of the massive expectations and ultimately feels like a mixed bag with so much more potential. Full review with rating later in my usual style (review embargo)
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