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refreshed my site ⚔️
i make story-led music for film, tv + games - mostly in the fantasy realm…
“music for worlds yet to exist”
demos up now
got a world or story that needs sound? hit me up!
charlieparkin.co.uk/
New video exploring what the Elder Scrolls IV: Sentinel might sound like... Including writing a tune of my own to go with it!
youtube.com/watch?v=3eyBW4XF…
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Made a short film about what happens when you trust an AI to plan your second date.
Spoiler: it goes horribly.
youtu.be/MjzhJkQdQhE?is=tJ3L…
my triumphant return to youtube...
sorry got lost on a 10 year journey home from the trojan war, my bad
youtu.be/E3icjO-gt98
New blog post breaking down Nolan’s #TheOdyssey Soundtrack:
How Göransson collides prehistoric instrumentation with the hyper-modern, baking sound into the script and the composer-director relationship (with a side rant about marketing...)
charliepark.in/goranssonsody…
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With Christopher Nolan’s The Odyssey on the horizon, I found myself revisiting a project I made years ago: imagining what Homer’s The Iliad might sound like as a Hollywood blockbuster score.
charliepark.in/hollywood-ili…
The #Werwulf trailer got me thinking about The Northman again...
I took a closer look at how its score blurs the line between music composition and sound design, and why that approach feels so effective for the piece.
charlieparkin.co.uk/post/why…
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How do you make an ambulance siren feel like a natural part of a film score?
I’ve written a new article breaking down the music and sound design of our short film ‘Night Shift’: from bowing saws to building a dystopian world through sound.
charlieparkin.co.uk/post/sco…
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When a story spans kingdoms and centuries, music becomes infrastructure.
New blog post exploring how The Rings of Power uses leitmotifs to make a vast fantasy world feel emotionally coherent.
charlieparkin.co.uk/post/rin…
Charlie Parkin retweeted
How is it the season finale already?
What a thrill to be part of the #Rivals #Rivals2 family.
Did I mention that I had a cameo in episode one?! All thanks to an email that I first thought was a joke…
simonparkin.tv/rivals
Film music works in two ways: composed for the image, or borrowed with history attached.
I've written a new blog post comparing Schindler’s List and Inglourious Basterds, what this means for filmmakers and creators - and when a composer makes sense!
charlieparkin.co.uk/post/sch…
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possibly the worst YouTube experimental feature ever conceived
surely this is only being pursued to squeeze extra watch time out of viewers?
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Pre-save "Echoes of Eibrall: Volume I (Original Soundtrack)" on Spotify & Bandcamp: distrokid.com/hyperfollow/ec…
Rep Night Shift at the London Lift-Off Film Festival by voting for it!
You’ll find our film (and some other great ones!) in the Judges Select Programme.
Direct Link: Checkout.liftoff.network/jud…
#LiftOffGlobalNetwork
#LiftOffFilmFestivals
#LiftOffOnline
#SupportIndieFilm
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Better yet, if you don’t want to throw money at a random festival and haven’t seen the film yet - you can support us by watching and sharing the film if you like it!
youtu.be/NRe-sQpU7uE?si=t2RC…
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If you’re a psycho and enjoyed my screeching cyberpunk tunes in Night Shift, you can pre-save the album here on Spotify when the album drops November 1st @ 9PM
distrokid.com/hyperfollow/ch…
NIGHT SHIFT drops @ 9PM TODAY!
Ring the Bell and Get Notified
youtube.com/watch?v=NRe-sQpU…







