musician, music producer & marketer - I run a creative production house @Fabyl
London
Joined January 2009
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Nick Faber retweeted
Imagine putting together an entire halftime show based off of one woman doing a cover of Thunderstruck on xylophone……and having it KICK TOTAL ASS!
You’re invited to The Forge Salon 001
Hear me talking candidly about my 36+ years working in the music industry
Places strictly limited, registration only
luma.com/h69ui33m
Nick Faber retweeted
Just because he popped into my mind a quick shout out for the hugely talented JIM DALE — still with us at the ripe old age of 91.
Nick Faber retweeted
Watching an old Doctor Who the other night, I cheered when I heard my favourite ubiquitous 1970s BBC sound effect. It' was almost the Beeb's equivalent of 'The Wilhelm Scream', as it would turn up regularly in stuff from kid's shows to sitcoms to serious TV dramas.
Smashing!
Nick Faber retweeted
The time Dolly Parton and Kermit jammed to Sly and the Family Stone.
This is always how I will remember her.
Nick Faber retweeted
The hypnotic guitar figure in “A Forest” emerged from a song The Cure had been experimenting with long before they recorded its definitive version. Producer Mike Hedges helped strip the arrangement down, creating the cold, spacious atmosphere that became central to the band’s developing sound. Released in 1980, “A Forest” came from their second album, Seventeen Seconds, and gave The Cure their first UK Top 40 single. Its repetitive structure also allowed the band to stretch it far beyond the studio recording onstage. At Belgium’s Werchter Festival on 5 July 1981, that darker, increasingly intense live approach was already transforming the song into a Cure concert staple.
Nick Faber retweeted
New Order’s “Blue Monday” played entirely on vintage Casio instruments.
Polaroids of the Pyramids cooked this one. Insanely good!
via: youtube.com/watch?v=h9mm0YlM…
