𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms) header
𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms) profile picture

Animation / Experimental Films / Ephemera. Handmade film studio. πŸ“½οΈπŸ’€πŸ–€ Latest work: https://nitter.cf/t.co/u0GGeO4ujg #SupportIndieFilm #NonFilms

New York, NY
Joined October 2013
Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)Photo by 𝖓𝖔𝖓 π–‹π–Žπ–‘π–’π–˜ (@NonFilms)
R.I.P. David Lynch. Forever in dreams.
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Japanese posters of La Bola Negra for the Latin Beat Film Festival in Tokyo.
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We’re no angels: join us in celebrating Ken Russell’s THE DEVILS in all its uncensored, NC-17 glory this weekend on heavenly 35mm 🎞️. 🎟️: filmlinc.org/devils
We just made a promise no Hollywood studio has ever made. No sex or nudity on screen, no F-word, and no misuse of God's name in Angel originals. And 3 million Guild members get a veto on everything before it ever lands on Angel. Parents shouldn't have to sift through a dozen movies to find one they can watch. That's why we made the Angel Promise. foxnews.com/media/angel-stud…
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claudette colbert in β€˜the sign of the cross’ (1932) 🫧
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Shot on 16mm and rephotographed frame by frame over four years, the new 4K restoration of BEGOTTEN presents the film in the complete photographic form it was always meant to possess. Now in theaters: knlor.com/begotten4k
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Tonight I am hosting a Q&A with Lloyd Kaufman at @AnthologyFilm This is a great full circle moment: as a sophomore at North Canton, OH's Hoover High School, I profiled Mr. Kaufman for the Viking Views newspaper
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Brief newsletter update, with upcoming screenings, film recs, and more πŸ’€ nonfilms.substack.com/p/i-wa…
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Shadow of a Doubt (1943) #Hitchcock
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nice little bit from a Deleuze conversation about JLG
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Brief newsletter update, with upcoming screenings, film recs, and more πŸ’€ nonfilms.substack.com/p/i-wa…
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New art for the next @NonFilms πƒπšπ«π€π‘π¨π¨π¦ screening πŸ–€. NOV 2: we return to @nitehawkcinema with an amazing lineup of short films (animation, documentaries, and more). Filmmakers in attendance + free zines! This will sell out. A few tickets left: nitehawkcinema.com/prospectp…
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Monday, November 2: πƒπšπ«π€π‘π¨π¨π¦ Screening & Salon returns to @nitehawkcinema! Q&As with filmmakers, free zines, and a salon to follow. Come for narrative works, animation, documentaries, and much more. ONE NIGHT ONLY. Tickets now available! 🎟️ nitehawkcinema.com/prospectp…
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!!!!!!!!!!
Big congratulations to @SophyRomvari and the entire BLUE HERON team for their Gotham Award nominations for BEST INTERNATIONAL FEATURE and BREAKTHROUGH DIRECTOR!
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Someone just sent me this prime example of an entirely vibe coded movie website that is fishing for press access. I hope people understand that just because something "looks legit" at a glance doesn't mean it is.
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A fabulous visit from Parker Posey! ✨ πŸ’–
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James Gray's New York Β· November 7-22 The acclaimed Queens-born filmmaker selects five titles that express the multifaceted character of the city, alongside THE IMMIGRANT and a special preview of PAPER TIGER. Tickets on sale now: movingimage.org/series/james…
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RIP Eric Bauza, one of the greatest of all time. Did almost every single one of those voices in Coyote vs Acme. Someone who clearly loved these characters so much that he wasn't just doing Mel Blanc, he made them his own. nitter.cf/TunesClips/status/1484…
This just might be Eric’s best performance of the whole series.
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Tues, Oct. 27: πƒπšπ«π€π‘π¨π¨π¦ returns to Freddy’s Brooklyn with an EXTRA SPECIAL SHOW! FREE + donations for visiting filmmakers. As always, artists should be paid. Q&As, free zines, and surprises await you at this October show. Witness an all-new secret showcase of films. ✨
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As someone who saw The Devils far too young on the BBC in the 1990s, the hype around this re-release is genuinely blowing my mind. Selling out cinemas everywhere. Huge lobby standees. It’s utterly crazy in the best way
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