Books. Visual arts. Films. Those three, in different order, make life bearable. [email protected]
Joined January 2022
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Word on the street is that one Seyi Lasisi wrote, in the words of @IIIIHela, a "sizzling 🔥" review of @MamiWatamovie for @afrocritik. You know what to do, right? Watch the film. Read the review. Share your thoughts. Eseee.
afrocritik.com/mami-wata-rev…
again, one of the pleasures of being a Nigerian film critic is having the rare opportunity to watch a GREAT film and interview its director.
spoke with @ChuGailx about Her Daughters' Mother after watching it few weeks ago.
culturecustodian.com/for-chi…
"If we don’t preserve and make that history accessible, every generation will eventually have to rediscover it from scratch — and whoever remains most visible will inevitably be mistaken for whoever mattered most.”
@Ms_Ojo
culturecustodian.com/how-wel…
"But you are glaucoma-bound with no health insurance, your romantic prospects are long gone and Funke Akindele is extracting your soul like a Texan oil magnate with charred teeth."
✍️ by @trueroguejordan
indefinitejest.substack.com/…
"Tech enthusiasts and would-be Western literati keep screaming bloody murder. And BIPOC writers across the diaspora are left holding up ramparts in preparation for the river’s next wave."
✍️ by @iquivoid
culturecustodian.com/ai-accu…
"Dear Nigerian artist, you can evolve as a person while your work remains mid."
✍️ by @iquivoid
culturecustodian.com/dear-ar…
"If we don’t preserve and make that history accessible, every generation will eventually have to rediscover it from scratch — and whoever remains most visible will inevitably be mistaken for whoever mattered most.”
@Ms_Ojo
culturecustodian.com/how-wel…
my partner in this lonely journey, you all😎😎
I may not have a filmmaking collaborator (yet) but I have a film journalism buddy who’s so talented and makes working and ranting fun. Cheers to you, @SeyiVortex ✨
"The threat is therefore no longer confined to the men carrying rifles today but extends to the institutions, families, and children through which these networks may reproduce themselves tomorrow."
humanglemedia.com/nigeria-sa…
"Writing is a solitary business, but the truth is, we don’t like mothers to be alone, and we hate mothers who express the desire to be alone."
lovingsylviaplath.substack.c…
"Writing, for women especially, can be dangerous—socially and physically."
electricliterature.com/what-…
there was a conversation about the Nollywood Big 3 days ago. that convo prompted some questions: how well do we know Nollywood, how dangerous is historical and cultural amnesia to Nollywood, and how do we preserve Nollywood's history?
thanks to @molarawood , @Ms_Ojo , and
@DikaOfoma(who couldn't comment due to his heavy schedule), i wrote about these questions.
s/o, as ALWAYS, to the Supreme editor, @whereistoun
culturecustodian.com/how-wel…
"One of the unnerving fortunes of being an active film critic in Nigeria is being inventive."
culturecustodian.com/fatimah…
the street day brutal.
culturecustodian.com/fatimah…
"This review which has attempted civility in articulating its dislike of Black Market is another proof of how the average mainstream filmmaker disrespects its audience. "
"What if she, too, dies before I get a chance to see her again?” she asked, her voice breaking."
humanglemedia.com/finding-ha…
gosh!!!!
Nigeria is a shark's mouth!!!
"ChatGPT, again, functionally by virtue of the way it’s designed, is always an anti-originality technology, in that it’s always interested in the statistically probable perspective rather than the surprising or original perspective."
The author of the article in The Atlantic btw electricliterature.com/why-v…
