
더 많은 아티스트가 더 나은 하루를 소비하도록 돕습니다. Founder of @redslippers_ent & @starglow_world
Joined September 2023
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I shared why Redslippers, a enter-tech startup that was already growing successfully, decided to step into the Web3. Right at this moment, I feel proud that we’re doing something that truly only we can do. Join us as Starglow shapes the new future of entertainment.
linkedin.com/posts/daniel-se…
Daniel Seonghwan LEE retweeted
[✨] #STARGLOW 💫 #EVENT
CLOSED BETA PRE-SEASON OPEN🔥
선착순 500명 유저만 참여 가능한
스타글로우 프리시즌에 함께하세요!
🎁참여 방법
✅ starglow.io/glow?bt=true 링크 접속
✅ 프리시즌 관련 트위터 인용 후 링크 첨부 및 개인 이메일 작성
✅ '베타 테스터로 등록하기' 버튼 클릭
✅ 선착순 500명 안에 들면 참여 완료
※ 위 안내된 절차를 모두 완료하지 않을 경우, 승인되지 않을 수 있습니다.
🌟 서비스 등록하는 법 ↓
🔗 starglow.io/glow?bt=true
💌베타 테스터 가이드 (KO) ↓
🔗 redslippers.notion.site/STAR…
- - - - - - - - - - - - - - - - - - - - - - - -
Only the first 500 users can join.
Be part of Starglow’s very pre-season!
🎁 How to Participate
✅ Visit the link: starglow.io/glow?bt=true
✅ Quote the Pre-Season Twitter post, attach the link, and enter your personal email address
✅ Click the “Register as a Beta Tester” button
✅ Participation is complete if you are among the first 500 users
※ If you do not complete all of the steps above, your registration may not be approved.
🌟 How to Sign Up for the Service ↓
🔗 starglow.io/glow?bt=true
📬Beta Tester Guide (EN) ↓
🔗 redslippers.notion.site/STAR…
#STARGLOW #스타글로우 #ClosedBeta #프리시즌
#한정오픈 #팬덤이코노미 #KPOP투자 #팬참여
#Web3 #EarlyAccess #InviteOnly #AlphaUser
After the meetup earlier in December, we took a group photo with the valuable team members from our investment department (StarGlow) after a long time.
On 12/20, we’ll be having a special meetup for the final stage in Seongsu! Make sure to join StarGlow in advance. :)
#STARGLOW #TheFirstGlow
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Re;ye is perfection! She does everything flawlessly! 💫 Every time she shows up, the standard moves a little higher—and I’m here for it.
#RE;YE #ETERNALDREAMER
#STARGLOW #TheFirstGlow #Redslippers
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A little while ago, I joined Hack Summit as a panelist to talk about the future of K-POP.
I wanted to share one of the perspectives from that discussion here on LinkedIn.
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As the entertainment industry continues to grow at an unprecedented pace,
I believe we are standing at the third major inflection point.
In the early 2000s, we were in an era where you could “create” a star simply by deciding to invest in them.
Traditional broadcasters and media infrastructure were driving the market,
and this was the first inflection point where the very concept of “K-POP” was born.
The second inflection point came in the late 2010s.
Major entertainment companies led a full-scale global expansion,
and K-POP moved into the mainstream of the global pop market.
It was a time when A&R and marketing capabilities largely determined who won in the industry.
The third wave that’s now emerging will be led by those who can
take already-established IP and global fandoms
and maximize their value through data and technology.
Platforms such as Musicow, Makestar, and b.stage,
which are experimenting with IP-driven business models,
are already clear signals of this shift.
I’m convinced that within the next three years,
this axis of innovation will reshape who the leading players in the industry are.
To stand at the center of this change,
I believe people with data and technology capabilities, strong IP,
and capital need to come together
to collaboratively design the next generation of the entertainment ecosystem.
----------------------
If this perspective resonates with you,
or if you’re exploring new forms of collaboration in this space,
I’d be very happy to connect.
Feel free to reach out to me anytime.
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Today, I had the chance to be part of a rather special moment –
the announcement of National Assembly Member Park Hong-geun’s candidacy for Mayor of Seoul.
I’m not someone who is deeply involved in politics, nor do I usually make political statements.
But I’ve known Mr. Park for some time, and when he shared his vision of building a global economic and cultural city powered by K-POP and blockchain, I found myself resonating with that dream and decided to support it on a personal level.
Regardless of who ultimately becomes Mayor of Seoul, I believe my role remains the same:
to help Seoul grow into a true mega-city for K-POP.
I’ll keep working from my position to build a model where artists, fans, and the city can grow together.
I hope Seoul can become the first city that comes to mind for K-POP fans all around the world – and I’ll do my best to contribute to that journey in my own way.
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Daniel Seonghwan LEE retweeted
Our meetup wrapped up beautifully ✨
From Jung Sang-soo’s live performance to inspiring session times, it was a night to remember!
We can’t wait for the next time we meet with all of you 💜
I’m Daniel LEE, Founder of REDSLIPPERS and starglow.
I’ve been interested in solving social problems through business from a young age. In college, that led me to join “Jaranda,” an edutech social venture, as a founding member.
Jaranda matches college student tutors with children in need of care, helping reduce career breaks for mothers. As a university student, I deeply resonated with the company’s mission and decided to fully commit.
There, I helped design the matching algorithm that connects tutors and children and saw firsthand how a small idea can rapidly scale in value when it is powered by data and execution. (Jaranda has since grown into a startup that has raised over 30M in funding.)
After exiting Jaranda to complete my military service, I was discharged and immediately started a new venture for artists.
The trigger was simple: on my way home from school one winter night,
I saw an artist singing in the freezing cold and asked myself, “Why does someone this talented have to be out here shivering on the street?”
There are over 200,000 artists in Korea, but far too few stages for them. To address this, I founded “Muksking,” a service that turns idle spaces like cafés, and building lobbies into performance venues and matches them with artists.
Muksking has since expanded into B2B and B2G, and to date, we’ve matched and produced more than 13,000 performances for over 5,000 artist teams.
The most important asset I gained through this journey was data. By directly collecting and accumulating rich datasets around artists, I began to see artists as a predictable asset class. At the same time, I realized that a core structural issue in the entertainment industry lies in the “opacity” created by its “unpredictability.”
I came to believe that this data could be used not only to support small, independent artists, but also to address systemic problems across the entire entertainment value chain.
Using this data, we started producing shows, investing in them based on data-driven decisions, and providing consulting to multiple entertainment companies. This is how REDSLIPPERS has grown to where it is today.
Over time, however, I realized that if we remained only as a direct operator in the ecosystem, truly transforming the industry would take far too long. Instead of just creating content ourselves, we decided to design and coordinate the capital and countless interactions that go into making content—and place all of that on top of a new financial structure.
That decision led to starglow: a web3-based entertainment fandom platform that aims to build a new entertainment finance infrastructure where fandom capital is more directly linked to an artist’s growth.
If you’re curious about me, REDSLIPPERS, or starglow, feel free to reach out anytime at [email protected]
.
I’m always looking to connect with people who want to help build the future of the entertainment industry.
lnkd.in/gTCv96Vg
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GOGOGOGOGOGOGOGOGOGOGOGOGOGOGOGOGOGOGOGO
✨🔥STAGE 2 GRAND OPEN!🔥✨
TOP 30 아티스트들의 여정이 지금 시작됩니다.
이번 STAGE2는 스타들의 "정체성", "색깔"
그리고 "음악적 방향성"에 초점을 맞췄습니다.
<새롭게 등장한 시스템>
- AI 기반의 유사 아티스트 상대평가
- 팬 커뮤니티 게시판
매 STAGE마다 업그레이드되는 THE FIRST GLOW와 함께
당신이 사랑하는 아티스트의 진짜 잠재력을 확인해보세요.
<JOIN STARGLOW>
🔗 starglow.io/glow
✨🔥STAGE 2 GRAND OPEN!🔥✨
The journey of our TOP 30 artists begins now.
This stage focuses on each star’s identity, color,
and musical direction.
<New Features>
- AI-powered comparative analysis with similar artists
- Fan community board
With THE FIRST GLOW evolving every stage,
discover the true potential of the artists you love.
#TheFirstGlow #StarGlow
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Daniel Seonghwan LEE retweeted
Bm Folks,
I wanted to put something out here to set the story straight in light of the recent hit piece. I also didn’t want to write a knee-jerk response without getting feedback from our legal team (given allegations made) and some of our largest stakeholders who have been exceptionally supportive, so my apologies for the lag time here.
To get straight to the point: the story’s framing is (A) incomplete and (B) inaccurate. We understand there is an appetite for dramatic narratives in a market where everyone is down bad, but this story in particular seems to be put together with the direct input of some bad faith actors, namely some very specific disgruntled ex-team members.
We first were made aware of Jack contacting tokenholders, former employees, and ecosystem projects several weeks ago, asking all sorts of leading questions (many entirely unrelated to the topics in the final article) about Berachain. During his brief tenure as an investigative reporter at Blockworks, he began asking tokenholders questions that were both misleading and factually wrong. Despite having never been contacted by Jack, our communications team decided to proactively reach out to him, and provided the following statement.
“Blockworks' reporting on this matter is both inaccurate and incomplete. Brevan Howard remains one of the largest investors in Berachain. Their investments involve several complex commercial agreements, but they participated in the series B fundraise on the same paperwork as all investors.” — Smokey the Bera
Jack was then terminated from Blockworks as their editorial business was wound down, and we’ve had no further discussion before this piece was released in Unchained today.
Let’s set some facts straight:
- Brevan Howard co-led our Series B a year ago, out of their Abu Dhabi office, via Nova, a new liquid-only vehicle on the same terms as all other investors. Nova had approached Berachain to lead the round some months prior to this.
- Nova’s compliance team required a provision to guard for a scenario in which Berachain failed to TGE and get listed, and thus the LOCKED BERA purchased in the financing would not be an eligible investment via Nova’s liquid strategy. Thus, we entered into the side letter posted in the article and committed Nova to additional commercial arrangements including an agreement to provide liquidity on the network, which was only possible upon launch. The side letter wasn’t created to close the deal with a party who otherwise would not have been interested, or to prevent against post-launch losses, as the article implies, and generally has precedent, as noted by external counsel mentioned in the reporting.
- In contrast to everything implied in this piece, Nova is still one of, if not THE, largest tokenholder in Berachain. They are a liquidity provider, a holder of both LOCKED BERA acquired in the Series B, and liquid BERA purchased on the open markets, and have continued to be supportive through highs and lows. If anything, they have increased their BERA exposure over time, despite running a liquid fund in a harsh alt environment.
There are several other claims in the story that are flatly untrue. No other purchasers were issued MFNs in the Series B, despite claims in the article. Nova remains a locked tokenholder in Berachain despite allusions to the contrary etc.
To any of our community members, friends, tokenholders etc who might be reading this, I’d like to apologize in advance for all of the messages that you’ll have to deal with as a result of this media cycle. People love an opportunity to dunk on Berachain, Bera PA etc and the combination of half-truths and excluded information here has provided a great opportunity for some to do so. In a perfect world, I could speak even more explicitly about some of the topics mentioned, but I’ve also got an obligation to respect the confidentiality and compliance restrictions that we’re accountable to, with the best interests of our tokenholders in mind.
Will do my very best to respond to DMs and comments while staying on top of my responsibilities to our team and ecosystem. And thank you to those folks who reached out and offered their kind words or support as opposed to blindly doubling down on the article.
Revenge arc remains on, even if we’re taking a few sucker punches.
I’ve just posted a brief introduction about myself on LinkedIn!
linkedin.com/posts/daniel-se…
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Daniel Seonghwan LEE retweeted
2025 YOO SEUNGHO FANMEETING <YOO&I>
✨ D-1 ✨
🗓️ 2025.08.17(SUN) 5PM(KST)
📍 GABIN ARTHALL
🎫 YES24 TICKET
KR🔗 buly.kr/7x6nvPB
GL🔗 buly.kr/15PFfbE
#YOOSEUNGHO #유승호 #팬미팅
Daniel Seonghwan LEE retweeted
2025 HAN SEON HWA FANMEETING <어트랙티브 선화 log>
✨ 오늘 저녁 8시 선예매 OPEN! ✨
🗓️ 2025. 09. 21(SUN) 2PM(KST) / 6PM(KST)
📍H-STAGE B2
🎫 YES24 TICKET
KR🔗buly.kr/6XmqvAJ
GL🔗buly.kr/DPUPAzD
@officialkeyeast
트위터를 시작했어요. ^_^
저는 레드슬리퍼스와 스타글로우를 운영하면서,
기술과 데이터가 어떻게 컨텐츠 산업을 바꿔나가는 지에 대한 관심이 아주 많습니다.
여기서는 회사 이야기뿐 아니라 제가 보고 느끼는 생각들도 편하게 나눠보려 합니다.
앞으로 잘부탁드려요! :)
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Daniel Seonghwan LEE retweeted
📢 StarGlow partners with NH NongHyup Bank!
Together with Korea’s largest commercial bank,
we’re exploring new financial models based on artist IP
and bridging Web3 technology with traditional finance.
This collaboration brings us one step closer
to a world where fans become real investors.
RedSlippers' tech × NH Bank’s infrastructure
→ A new wave of artist IP entering the financial world begins!
🔗 Read more: [medium.com/@Starglow/redslip…]
Daniel Seonghwan LEE retweeted
70,000 users already?? What a sweet deal! 😻🍯
Absolute purr-fection. Let’s keep glowing! 🌟
#StarGlow #GlowingCat #KPOP #Web3 #ThankYou





















