Summer Jaeger

Last week Allie Beth Stuckey attacked horror films, and anything that was scary...like true crime. Saying things like this prevents studios that cater to specific conservative audiences to not want to take the financial risk to discover new talent, who create new things. This damages the entire new artist pipeline. If studios release a horror film, or a suspense film and it offends the stay at home mother like Allie, they risk alienating the entire female fan base. Which is their primary market, leftover from the Christian Bookstores days. This means we never get to see micro budget thrillers or emerging artists. Those story tellers are forced to either make hallmark slop to appease conservative female audiences or go and try to gain attention from major studios. Good luck. So there's a problem that I set out to solve. How can narrative film makers, get their micro budget projects seen and funded? How can we push the boundaries of entertainment without begging for Hollywood's scraps? Last week we began opening up pitches for artists. Of all the submissions we got, one really stood out. I'm Fine. I'm Fine is the story of a reclusive woman who refuses to accept the world has moved on from a pandemic is forced to decide if the greatest danger lies outside her locked doors... or within. The film is made by Husband and Wife team Andew and Jae Huff, and stars Jae Huff. The goal is simple. The film has already been shot. But it doesn't stream unless the audience funds it. If the audience likes it, they fund it. If it reaches its goal in 30 days it streams for everyone. No gatekeepers. No Hollywood studios. No focus groups. Just the creators and the fan. Here's a clip from I'm Fine. If it peaks your interest, visit LOOR, and give a bit to produce it. Top producers get their name in the credits. The winner takes the top spot. This is just the beginning as we sort through all the other submissions. So stay tuned.