Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface) header
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Scholar Translator JpLit☦;UTokyo PhD;associate prof;隠士; 3kids DSadvocate;useless but sovereign。東京大学現代文芸論研究室博士。名外大世教学部准教授。regimepilled。vids:https://nitter.cf/t.co/uI0AL2D4Df

Nagoya, Hardworking Arizonan
Joined May 2010
Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)Photo by Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 (@Swarthyface)
nippon-life stadium, osaka castle in background, 1960, via baseball in pics.
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Today's Japanese tip→ The humble suffix verb samurau 侍, which follows the ren'youkei 連用形, is the female-coded iteration ❨女性語❩ of the male-coded suffix-verb sourou 候. In short, ladies should say 有り難く存じ侍 in their emails, while men should say 有り難く存じ候。
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Source: NKBT 日本古典文学大系 44 (謡曲集 上), Annotated by Yokomichi Mario. Iwanami Shoten, 1988 [1960]. Page 53, note 24.
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At the same moment, the man with the teetotum predilection, set himself to spinning around the apartment, w immense energy, & w arms outstretched at right angles w his body; so that he had all the air of a teetotum in fact,& knocked everybody down that happened to get in his way.
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Every epoch has its parameters of discourse. Soviet academics had to toe the line. Today, left-liberal frameworks dominate. All I ask is for some tolerance of a handful of enfants terribles, Daoist eccentrics, & literati recluses who are concerned with older, higher things.
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Good thing I went through all these Japanese literature anthologies & compendiums gathering up all the volume-titles only to end up removing them from the bibliography entries. I must say, tho, the Bibliography looks much cleaner with just the compendium-abbreviation + volume #.
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For example: I have changed my monumental-humble tome title to *The Last Bunjin: Ishikawa Jun & the Case Against Modern Japanese Literature in an Age of AI*. Further, Chapter 7 title is now "Ishikawa’s Foray into Edo Literature: Haikai as Antidote to Shajitsushugi in Age of AI."
Pro tip for fellow academics, worshipers of twin idols Relevance and The Present: To stay in hot demand & land lots of speaking gigs, be sure to add "... in an Age of AI" to all your tome & article titles.
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Fascinating discussion about Edward Said & both the insights & deficiencies of the "decolonial" Gestalt of consciousness. One of the things I like about Apostolic Majesty, world-history savant, is that he will always steelman those he critiques. Link below.
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Note: A good chunk of the discussion focuses on Louis Massignon (1883 – 1962), someone I know little about. This is a reminder to myself to look into him.
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Professor R Shaldjian Morrison,διδάσκαλος,夏炉冬扇, 散人 retweeted
Yo tambien no tengo palabras.
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Trevor Megill is a beast. This is the last thing Roman legionaries saw in the forests of Germania. And the last thing the Tampa Bay Rays saw in the 2026 World Series.
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Note: I started off rooting for the Brewers, but took such a liking to Simpson, Martinez, et al. that I switched to the Rays during Game 1. Happy for Milwaukee though. Hell of a team, hell of a coach.
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Pro tip for fellow academics, worshipers of twin idols Relevance and The Present: To stay in hot demand & land lots of speaking gigs, be sure to add "... in an Age of AI" to all your tome & article titles.
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Just realized that the Neapolitan Sixth chord is in essence just the VI of the iv, whether it's Bach doing it in his E flat minor Prelude Book 1 or Nirvana doing it with the jarring B flat major chord (VI/iv) in the A minor key in "Penny Royal Tea." I'm a slow learner.
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The only problem with this view (in context of the Bach example) is that Bach treats the Neapolitan Sixth chord (F flat major) as the temporary key, hence the double-b-flat [rather than b-flat] in the passage I posted. Discuss.
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The Spaniard peoples have always understood this, what with all their Malagueña stuff.
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Many of Akutagawa's storiesーKonjaku monogatarishū-derived "Yabu no naka" (In a Grove, 1922) includedーcan be understood in terms of sekai-shukō 世界 / 趣向: “world” and “conceit,” the conceptual binary central to the art & literature of the Edo period. Sekai refers to the...
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... established historical or literary framework that serves as the starting point for a new work, while shukō denotes the innovation or variation by which a writer revitalizes that familiar foundation.
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The dynamic interplay between sekai & shukō is the subject of Ishikawa’s 1943 essay “On the Thought Patterns of the People of Edo” (see my forthcoming monumental-humble tome).
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