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#AtTheGallery Art ART #art ... a gallery and more

24 Hazelton Avenue, Toronto
Joined May 2009
Photo by Ingram Gallery (@TorontoART)Photo by Ingram Gallery (@TorontoART)Photo by Ingram Gallery (@TorontoART)Photo by Ingram Gallery (@TorontoART)Photo by Ingram Gallery (@TorontoART)Photo by Ingram Gallery (@TorontoART)Photo by Ingram Gallery (@TorontoART)Photo by Ingram Gallery (@TorontoART)Photo by Ingram Gallery (@TorontoART)Photo by Ingram Gallery (@TorontoART)
Welcoming and devoted to the love of art, Ingram Gallery offers an arena for artists, art appreciators, and the curious to share in the expression of human experience. ingramgallery.com #creativity #curiosity #beauty #appreciation #connections #AtTheGallery
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Art turned toward nature, and nature turned back toward art. The largest canvas in this exhibition, at over five by seven and a half feet, is a glorious blend of nature and structure. Sunnylands Garden began with a Monet, now in the National Gallery in Washington, and was planted only in indigenous desert plants. The pools there inspired Everett. JANE EVERETT - Long Road Home myemail.constantcontact.com/…
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Claude Monet’s Iris, a late view of his Giverny water garden painted around 1924–25, sold for $56 million at Sotheby’s Paris after forty-five minutes of phone bidding. The canvas had never been exhibited, having stayed in the home of energy heiress Jeanne Schlumberger since 1957. The sale lands in the centenary year of Monet’s death. -ARTFORUM
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Emily Carr in her studio in BC in 1939
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before you came back
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"This year’s Venice Biennale is a recession indicator. The festival feels off. The cultural relevance is much less obvious, as it veers towards edutainment and brazen tax evasion" Is the Venice Biennale a Recession Indicator? Has it Jumped the Shark? artlust.substack.com/p/is-th…
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Nestled in the heart of Toronto's vibrant Yorkville, Ingram Gallery is a home away from home for artists, collectors, and art enthusiasts alike. Since 1988, we have celebrated the ingenuity and brilliance of contemporary and historical Canadian art, fostering open dialogue and inspiring connections. Step into a world where creativity and curiosity know no bounds. Welcome to Ingram Gallery
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Ingram Gallery retweeted
Unpacking an icon. Welcome, Mother 👑 Now on view 🖼️ James McNeill Whistler, ‘Arrangement in Grey and Black No. 1’, 1871. Part of the exhibition ‘Whistler. Dandy and Disruptor’, on view from 16 October 2026 until 10 January 2027. #whistler #mother #art #arthistory #vangoghmuseum
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TRAVIS SHILLING New from Studio #AtTheGallery How the Beaver Remembers the River (2026) 60 x 48 inches, oil on canvas // ingramgallery.com/artists/tr…
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JANE EVERETT on Opening Day ART and everything good #AtTheGallery // ingramgallery.com/artists/ja…
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Ingram Art News: Jane Everett - Long Road Home myemail.constantcontact.com/…
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Nothing gets the rulers of institutional culture more worried than an intense passion beyond their control—that’s why they avoid the word beauty. That’s why they pretend it doesn’t exist. They have no authority over it, and never will. Their dominion ends at precisely the point where beauty begins. honest-broker.com/p/the-most…
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Ingram Gallery retweeted
It was a clash of the bidders in the #SothebysNewYork saleroom tonight. This Roman marble torso carved a new world record for an ancient classical sculpture sold at auction. After 14 minutes of fiery bidding, it triumphed to $34.3 million in the Magnum Opus Evening Auction. This marble torso hails from the 1st century A.D., the earliest days of the Roman Empire. With its exceptional carvings and commanding scale, the torso would have projected the supremacy of Rome to all who encountered it 2,000 years ago. The landmark evening auction saw white-glove results, with 100% of lots sold. The Magnum Opus sale series continues tomorrow with Act II: Figure & Form and Act III: Darkness & Light. Register to bid at the link in bio.
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JANE EVERETT Long Road Home #OnNow #AtTheGallery Due East, 6am III (2026) 42 x 64 inches, oil on canvas #Kelowna #Toronto #Shuswap #SoCal #art #light #beauty
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JOHANNES VERMEER The Glass of Wine, c. 1659-61 oil on canvas In conversation #AtTheGallery
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