A Music Publishing Administration Platform for Independent Artists, Songwriters, Producers, Publishers, Managers. Administered, by YOU.
Los Angeles, CA
Joined March 2015
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TuneRegistry retweeted
Vandals cut multiple fiber cables, causing mobile and internet disruptions in parts of Southern California. Repairs are underway, and we expect service to be restored in the next couple of hours. Law enforcement is engaged.
We appreciate your patience as our teams work quickly to restore service.
Please visit our Check Network Status page for updates on service in your area: verizon.com/support/check-ne…
TuneRegistry retweeted
Drake used multiple beats on ICEMAN from producers he discovered online, providing them an incredible platform. The album was then released to DSPs without credits in the metadata, so none of them are earning any recognition. Always credit your producers.
TuneRegistry retweeted
When entertainment attorneys recommend TuneRegistry to their own clients, that means something.
Randy Ojeda, Esq. uses our platform for his practice and points clients here for one reason: we turn reactive scrambling into proactive protection.
Pty Audio went from scattered spreadsheets to reconciling 300–400 new records effortlessly.
The shift: centralization. Audit trails, internal notes, linked documents. When you're scaling with a team, that infrastructure isn't optional.
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SoundExchange has distributed $13 billion in digital performance royalties since 2003. That money went to registered artists, labels, and rights holders. Digital performance royalties represent substantial income, but only if you're registered to collect it. @SoundExchange
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Bandcamp expands publishing tools to ensure songwriters get paid properly.
The platform now allows artists to register publishing splits and songwriter credits directly, helping route mechanical and performance royalties to the right people.
Artist representatives launch "Say No To Suno" campaign against AI music platform.
The campaign argues AI-generated music dilutes royalty pools for legitimate artists - especially when AI is trained on those same artists' copyrighted work.
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Wixen Music Publishing sues Meta, alleging the platform plans to "drastically cut payments to human songwriters" and replace them with free AI-generated music.
Claims Meta used 1,000+ copyrighted works without license after deal expired.
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Miranda Lambert sells her music catalog to Sony Music Publishing.
The deal includes publishing rights to her entire songwriting catalog. Financial terms weren't disclosed, but adds Lambert to the growing list of artists monetizing catalogs.
Wixen Music Publishing sues Meta, alleging the platform plans to "drastically cut payments to human songwriters" and replace them with free AI-generated music.
Claims Meta used 1,000+ copyrighted works without license after deal expired.
Drew Barrymore sued over unlicensed music in Instagram Reel promoting her cosmetics brand.
Music publisher alleges she used a copyrighted track without sync license for commercial use. Personal use rights don't cover product promotion.
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Sony Music Publishing Nashville and Domain Capital Group acquired Miranda Lambert's complete song catalog, including "White Liar," "Bluebird," and songs she wrote for Morgan Wallen and others. Includes go-forward deal for future works.
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The MLC distributed $775.5M in mechanical royalties in 2025 with 90% match rate. The 10% gap represents recordings not matching to registered works. $167.6M pending distribution. Registration accuracy directly impacts whether mechanical royalties reach you. @MLC_US
Sony develops tech to track original music used in AI-generated songs. The technology aims to identify when AI models have been trained on copyrighted works, potentially enabling rightsholders to prove infringement and claim compensation.
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A2IM session April 9, 1pm EST: The MLC Explained for independent labels and distributors. How MLC collects mechanical streaming royalties, proper catalog registration, fitting into the broader royalty ecosystem. For indie music businesses. @a2im
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Artist-owned independent labels wear every hat, A&R, marketing, distribution, rights administration.
Nothing But Dope was losing hours to registration workflows. Now their process runs efficiently backed by human support that understands rights administration and our platform.
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Most independent music businesses don't complain about their systems. They just build workarounds. If that's your workflow, you've outgrown your tools. TuneRegistry centralizes U.S. collection society registration. One system. Administered, by YOU.
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You're a business owner, not just a creative. Your U.S. publishing rights shouldn't cost you 15-20% in commission to manage. Administered, by YOU.
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SoundExchange has distributed $13 billion in digital performance royalties since 2003. That money went to registered artists, labels, and rights holders. If you're not registered with SoundExchange, you're not in that number. @SoundExchange
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