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LLL777

Joined January 2025
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View of Dresden by Moonlight - Johan Christian Dahl, 1839
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Tinto Brass brought the sass, brought the… Roman of the Risqué, Dedicated Dreamer of the Day [and of Night], Senso 2000 in Eternity, Taken Flight!
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Amicus 1974
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A Taint on the Wind - Frederic Remington, 1906
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Hermann Hendrich
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OF COSMOGONIC EROS by Ludwig Klages Theion Publishing (2022 revised Ed)
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Pentimento runs under 90 minutes and spends every one of them making you uncomfortable. A Dutch exploitation curio from 1979 that uses its art-historical premise, hidden images beneath the surface, to do something genuinely unsettling with institutional dread and bodily autonomy
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Tríptico elemental de España: Fuego en Castilla (1960) dir. José Val del Omar
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Called Count Stenbock’s Lunatic Lover in apocalyptic love—looming, lost, lovelorn, lifeblood, longing, lost lest Luciferian Bright, made might, light of Life.
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Ran, not Rahn, reaping, riding, reading… left Lucifer’s Court, sort by sort and side-by-side, rampart, regaling, redeemed, ride, ruthlessly living doth dear, deer, dearest, dear, deer, dear.
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FRIENDS is probably a perfect TV litmus test for the seemingly nearly-extinct metropolitan hominid known as ‘normie.’
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Klages won Wotan’s wisdom in “the EYE is to the highest degree an organ of contemplation” as a Teuton teen Nietzsche in dithyramb doth “Thou unknown—God” is “Thou mocking eye that stares at me from the dark!”—Moby Dicked in oneiric Odinic ocular oneness of Wild Hunt + Wild Heart!
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MAD made such a major, albeit swift, impression on me like 20 years ago that I didn’t even realize it was one of Bowden’s pre-Rightist texts until after reading—there’s an air of audacious ambiguity Not seen In his later books as a philosophical novel made in titular triumph!
With his perversely platonic—and mightily metapolitical Nietzsche vs St. Thomas of Aquinas—APOCALYPSE TV, Jonathan Bowden most impressed me with, maybe somewhat ironically, his early pre-Right-Wing novels [posthumously published via Nine-Banded Books]; an interesting case study!
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With his perversely platonic—and mightily metapolitical Nietzsche vs St. Thomas of Aquinas—APOCALYPSE TV, Jonathan Bowden most impressed me with, maybe somewhat ironically, his early pre-Right-Wing novels [posthumously published via Nine-Banded Books]; an interesting case study!
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*Interesting* in how [meta]politics—even those one shares—can compromise an artist; or, at least, a clear change in the artist’s work with said artist later incorporating politics in projects clearly driven by the artist’s new path in also trying to create a new world.
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Tonight's cinematic quest: Jodorowsky's 𝘌𝘭 𝘛𝘰𝘱𝘰 (1970) Feeling like a mole with my head poking up from under the blankets to undertake this rewatch.
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Martin van Maële
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“Pessimism is always a weakness of old age—in races, nations, individuals. Hamlet thus is very close to Faust II; the weakness of old age, to be understood cum grano salis, created both works […] these products of the finest intellectual high taste […]
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…these fine products of the decline, these noble but neurotic old age figures and to a renewed, fresh, childlike life. One must honor one’s ancestors but progress beyond them.” —Julius Langbehn, REMBRANDT AS EDUCATOR
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