Ven 𓅢 (@VenandrVT) header
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I watch too much animation and have too many opinions about it. Also KPop, movies and comics. 28k on YouTube.

Joined February 2021
Photo by Ven 𓅢 (@VenandrVT)Photo by Ven 𓅢 (@VenandrVT)Photo by Ven 𓅢 (@VenandrVT)Photo by Ven 𓅢 (@VenandrVT)Photo by Ven 𓅢 (@VenandrVT)Photo by Ven 𓅢 (@VenandrVT)Photo by Ven 𓅢 (@VenandrVT)Photo by Ven 𓅢 (@VenandrVT)Photo by Ven 𓅢 (@VenandrVT)Photo by Ven 𓅢 (@VenandrVT)
Ven 𓅢 retweeted
Fernando Alonso did Oshikatsu for years so there's no need to be embarrassed
how do ppl do oshikatsu, i always feel embarrassed when i pull my plushies out in public but i wanna take cute photos of them at restaurants too aaaaa
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Ven 𓅢 retweeted
Qual tá sendo o problema aqui? 🧐 ‘O Bosque Selvagem’ (Wildwood) é talvez a animação mais aclamada da década e depois de 3 semanas não passou de 50 milhões de dólares na bilheteria mundial. A Dreamworks faz um original excelente com ‘A Ilha Esquecida’ e o filme tá com 76 milhões, números tipo de ‘Mundo Estranho’. A Warner começa uma nova era de animação com um clássico do Dr. Seuss e estreou com números próximos dos de ‘Elio’. A Sony Animation fez um filme super dinâmico e criativo misturando esportes e animais e ele ficou entre as mais baixas da história do estúdio. 2026 tá sendo um baita ano pra animação, com praticamente todos os estúdios grandes investindo em histórias novas, com uma variedade de estilos, visuais e abordagens e parece que mesmo assim nenhum conseguiu chamar atenção do grande público. O único ponto fora da curva é o ‘Hoppers’ da Pixar que encostou nos 400 milhões, mas ainda assim tá longe dos dias de glória do estúdio. Muito se fala do público estar cansado das mesmas coisas mas aqui a gente tem exemplos e mais exemplos de coisas diferentes. Por que nenhum conseguiu se sair bem?
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These series of images created a terrible start to my day. I cannot stop sobbing and I just woke up
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if I were dating an artsy film girl I would send this to her, captioned "us." but I'm not. so what's even the point.
Snoopy & Miffy’s shared film diary.
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Ven 𓅢 retweeted
image collage char design 1
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a lot of people ask what evangelion is about and it’s about a lot of things but this is really one of the main things evangelion is about even if it didn’t have the data at the time just the vibe
BRAIN SCANS HAVE REVEALED CHILDREN LIVING WITH UNSTABLE FAMILIES HAVE BRAIN CHANGES SIMILAR TO COMBAT SOLDIERS AFTER ACTIVE DUTY
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Ven 𓅢 retweeted
every time indie projects get big and they decide to go down the live-action movie route i remember tamaki saito’s words
A movie based on the ‘MOUTHWASHING’ video game is in the works. Karyn Kusama is set to direct with Scott Derrickson set to produce. (Source: hollywoodreporter.com/movies…)
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Ven 𓅢 retweeted
Going to get a lot of use out of this
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‘COYOTE VS ACME’ has passed ‘SUPERGIRL’ to become the highest-grossing movie produced by Warner Bros this Summer. The film was almost permanently deleted by Warner Bros for a tax write-off.
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A movie they tried to throw into a vault, delete for a tax write off that was less than what the budget for the movie was and sold to a third party distributor who now has made more money with it than what they sold it for.
‘COYOTE VS ACME’ has passed ‘SUPERGIRL’ to become the highest-grossing movie produced by Warner Bros this Summer. The film was almost permanently deleted by Warner Bros for a tax write-off.
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Back to back
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Ven 𓅢 retweeted
CAPSULE • Space Station No.9 [2005]
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Snow by Claude Monet He painted his first snowscapes completely broke and unknown, freezing for hours outdoors. The Master of Light on White?
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Purchased.
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Ven 𓅢 retweeted
Tom Cruise Looking at Eren Yeager's Rumbling at MAPPA's 15th Anniversary Exhibition.
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Taiyo Matsumoto illustrated the cover of the upcoming issue of the Japanese literary magazine Monkey. It will be released on October 15.
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TED app in my iPhone.
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Tom Lovell
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COYOTE VS. ACME ya es oficialmente un éxito rentable para Ketchup Entertainment 🎉 La empresa que salvó la película.
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