J. Robert Oppenhiemer retweeted
LMFAOOO
Hello @_mrchaturvedi ,
Ramayana Real IMAX versus Digital IMAX screen
Ramayana is NOT presented in 1.43:1 IMAX format. Everyone knows Ramayana uses the 1.90:1 aspect ratio, but the difference in actual visible picture size between a giant Real IMAX screen and a standard Digital IMAX screen is still staggering!
Real IMAX theater(the one we watched) is 70 × 50 ft screen ; At 1.90:1 ratio its active projection area 70 × 37 ft = 2,590 sq ft
Digital IMAX theaters (50 × 26 ft screen): 50 × 26 ft = 1,300 sq ft
2,590 vs 1,300 sq ft nearly DOUBLE the picture area
Even at the same 1.90:1 aspect ratio, the sheer size of a giant Real IMAX screen makes a massive difference. That’s exactly what we’ve been emphasizing - we watched Ramayana on a Real IMAX screen, and the visual grandeur at that scale was simply mesmerizing!
#RamayanaPart1
J. Robert Oppenhiemer retweeted
Never thought I’d find myself defending Balayya, but why make such a huge fuss over things that happened a decade ago when you chose to work with him a second time?
And the roles you’re doing now are arguably even more regressive, bordering on soft porn. The same industry you’re criticising gave you an excellent debut,
soft launching with Dhoni (2012). She was even nominated for Best supporting actress for that role as far i remember.
Radhika Apte has opened up about her experience working in Telugu cinema, revealing that she was asked to marry her own cousin in a film.
She also spoke about being paired opposite a much older actor and how her character was killed off halfway through the movie.
The film in question is Legend (2014), starring Nandamuri Balakrishna. But if she had a problem with the storyline or romancing an older actor, wouldn't she have known about the script and the hero before signing the film?
She agreed to do the movie back then, yet is raising these issues years later while calling out patriarchy in the industry.
J. Robert Oppenhiemer retweeted
Ah erripukulu laki entha Chepina ardam kadu lyt
When someone commits a heinous crime, the first response should be empathy & an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema.
It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores.
This is especially directed at those failed frustrated jobless male/female actors, few directors, producers & parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work.
A tragedy deserves empathy 🙏, not opportunism. Learn the difference.
J. Robert Oppenhiemer retweeted
No, Mr. Vanga, you are totally wrong! Before films like Kabir Singh, Animal, and Dhurandhar, India had no misogyny or heinous crimes. It was a crime-free country. But ever since these films were released, crime in India has increased by 80%.
You and Aditya Dhar are responsible for every crime happening in the world today.
You should take Dhruv Rathee’s online AI course and learn how to make films.
When someone commits a heinous crime, the first response should be empathy & an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema.
It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores.
This is especially directed at those failed frustrated jobless male/female actors, few directors, producers & parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work.
A tragedy deserves empathy 🙏, not opportunism. Learn the difference.
J. Robert Oppenhiemer retweeted
When someone commits a heinous crime, the first response should be empathy & an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema.
It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores.
This is especially directed at those failed frustrated jobless male/female actors, few directors, producers & parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work.
A tragedy deserves empathy 🙏, not opportunism. Learn the difference.
J. Robert Oppenhiemer retweeted
Mythri Ranga Dolby Cinema
Open from December 1st 2026
Dolby Cinema with Dual Laser Projectors
Seating Capacity : 727
#Hyderabad
Jeedimetla Ranga Theater - Being upgraded to Dolby Cinema ( By @MythriTheatre ).
Closed for renovation from tomorrow - Reopening target May 2026.
#Hyderabad
J. Robert Oppenhiemer retweeted
The Most PowerFull Telangana Youth 🔥🔥
#Telangana RoB Flyovers 💥💥> Cockroaches
J. Robert Oppenhiemer retweeted
As far as I know, Congress won in Telangana solely because of @revanth_anumula. He didn't win because of Congress...
Then Why is he reducing himself to a Khera-level slave?
J. Robert Oppenhiemer retweeted
Telangana youth to @BJP4Telangana with flyover accounts and 69other 😂
J. Robert Oppenhiemer retweeted
BoB fans going to Ramayana only to watch Varanasi glimpse 😭
Superstar @urstrulymahesh & Master @ssrajamouli’s VARANASI TO WORLD glimpse will be attached to #Ramayana screenings across cinemark and regal. Catch it on BIG SCREENS...IMAX, XD, RPX & more 🔥 @Varanasimovie #Varanasi #Rudhra #GlobeTrotter
J. Robert Oppenhiemer retweeted
Local screens cannot fit whole of Godzilla like IMAX 70MM 😭
#GodzillaMinusZero is a film that absolutely deserves to be experienced in IMAX. The visuals are stunning, the score delivers that grand cinematic feel, and the CGI is impressive for the most part. The story itself is relatively straightforward for a Godzilla film, but I felt the ending lost some of its emotional impact because of certain moments earlier in the film that were clearly intended to set it up.
Compared to its predecessor, this sequel delivers significantly more action and raises the stakes in all the right ways. Godzilla fans should walk away satisfied, especially if they go in with reasonable expectations and embrace it for what it is: a fun, thrilling Japanese monster-action sequel that takes things up a notch.
