ErrantX

He is absolutely right. In Buddhism, the idea of retribution or karma is central. In my view, however, karma is better understood in practical terms. It is the result of planning, strategy, and analytics working together. Karma is not mystical or religious. It is the consequence of decisions made after careful analysis, thoughtful planning and strategic execution, followed by a conscious choice to act. Outcomes do not arise by fate, they are produced by decision making processes. A well-designed plan, supported by sound strategy and data driven analysis, reduces uncertainty and narrows poor choices. This increases the probability of achieving the best possible result, what people often label as “good karma.” Conversely, weak planning and poor strategy naturally lead to unfavorable outcomes, commonly described as “bad karma.” This principle applies universally: to individuals, families, organizations, companies, nations and even the world as a whole. Karma itself has nothing to do with religion. Religions are human creations, not to define how cause and effect truly operate in reality.

CAN ANCIENT CATHEDRALS AND PIPE ORGANS TRIGGER AN OUT OF BODY EXPERIENCE? Dollard is a legend. Probably knows more about Nikola Tesla than anyone alive today. A child protégé and electrical engineering genius who felt the full weight of the system as he pushed firmly against the institutional grain. The following is an expert from Eric Dollard himself where he states : The Substation of God “This is an analogy between church architecture and electrical substations. This converts very dangerous potentials into a safe and manageable form. The impedance of the transformer at a substation performs this transformation just like the pipe organ performs this transformation in the church. They can only couple so much energy before destroying themselves. In the church, the equal temperament scale is what tames the energy. The roof of the church is metal, which becomes radioactive with a very tall antenna, which becomes a capacitor that polarizes the aether inside the building. The church becomes highly electrified during cosmic events, which is not a daily phenomena. The electrification is channelled through dielectric induction into the substance of the building and this allows people listening to this music to experience supernatural phenomena. The entire process is modulated by the pipe organ so that the sound interacts with the dielectric induction and consequently the aether. The formative forces take control during these events and produce the subjective sensation that the church is literally going to explode. The individuals experiencing these processes become separated from their bodies and become one with the form and field within the church. This is something that cannot be called upon at will but is made possible during times of cosmic convergences.

There are Ancient Sound Tones, that can activate all of your 12 DNA Strands... You can also look into "the gateway process" from the freedom of information act. They have some of the tones in there for astral projecting. Look into the tones that church bells from before the 1876 were tuned to.

ON THE IDEA OF NOTHING Alan Watts reveals the ancient secret that the universe is not merely observed by consciousness but is consciousness awakening through every form and that the very “nothing” we fear is the fertile ground from which all something arises. You cannot see the seer, kiss the lips that kiss or observe the act of observing because the deepest you is not an object within experience but the luminous emptiness that makes experience possible—the off that births the on, the yin that balances the yang, the trough that shapes the wave, the space that allows every star to shine. This unknown, impenetrable side of being is not absence or death but the living source itself—the crystal clear nothingness that brings all forms into focus, the unborn awareness that has never been separate from the galaxies it perceives. To rest in this nothing is to discover that what we call “I” is simply the universe looking out through a temporary aperture, and that the terror of emptiness dissolves the moment we recognize it as our own original face, the silent womb from which every world, every breath and every moment of light is ceaselessly born.