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Shot Zero

@_shotzero

We talk about shot design - because shot design isn’t just how it looks and feels, it’s how it works. || Produced by @stuwillis & @mehlsbells and @draft_zero

 Melbourne / Naarm
shot-zero.com
Joined July 2022
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In TOYKO DRIFTER, a yellow piano, yellow set wall, yellow staircase, and yellow lights, make the green dress and red lamp fixture pop that much more. When another character walks into the yellow room, his red suit stands out starkly.
Image from Shot Zero (@_shotzero)
Image from Shot Zero (@_shotzero)
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What a Way to Go really does COLOUR! Like this extended gag where an entire house is painted pink, only for Louisa May Foster (Shirley MacLaine) to swan into it in stark skin-and-bikini contrast . . . and then soon after, widows weeds.
A pink lawn chair and pink table sit on a pink slab of concrete surrounded by pink bushes, a pink statue, and pink trees. On the pink lawn chair lies a woman in a little black bikini.

ALT A pink lawn chair and pink table sit on a pink slab of concrete surrounded by pink bushes, a pink statue, and pink trees. On the pink lawn chair lies a woman in a little black bikini.

A wide shot of a pink-painted palacial place, with pink stairs, a pink railing, pink decor, and pink wallpaper. Down the stairs walks a small figure entire clothed in black widows weeds.

ALT A wide shot of a pink-painted palacial place, with pink stairs, a pink railing, pink decor, and pink wallpaper. Down the stairs walks a small figure entire clothed in black widows weeds.

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As every year, we are celebrating #Noirvember! Starting with a closer look at twin sisters, a gun, and a piñata in this Mexican fairy tale noir La Otra. shotzero.substack.com/p/how-…
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#Noirvember Character Introductions 2/2 This scene from The Postman Always Rings Twice clearly foreshadows the fate of John Garfield's protagonist within the first few seconds of sighting his femme fatale. buff.ly/tX0dWHL
Image from Shot Zero (@_shotzero)
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Happy #Noirvember to all who celebrate! We've got plenty of murder and sleaze and Detectives With Their Own Code and such coming up, but here's a throwback: 1/2
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If I Had Legs I'd Kick You 2/2 The juxtaposition visually represents the way Linda is trying to carve out her own time and place. (further breakdown and photos on the substack)
Image from Shot Zero (@_shotzero)
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If I Had Legs I’d Kick You uses a red colour wash in several scenes where Linda (Rose Byrne) is with her daughter, and blue and green washes in several scenes when Linda is alone, usually smoking outside. 1/2
medium shot of a woman in a small bedroom adjusting medical equipment; the room is dim, entirely lit and coloured in red except for a couple tiny green lights on the equipment.

ALT medium shot of a woman in a small bedroom adjusting medical equipment; the room is dim, entirely lit and coloured in red except for a couple tiny green lights on the equipment.

closeup of a woman adjusting medical equipment; the shot is entirely lit and coloured in red

ALT closeup of a woman adjusting medical equipment; the shot is entirely lit and coloured in red

medium closeup of a woman sitting outside in the dark, talking on a cell phone; the left side of screen is lit in a sickly green, and on the far right the trees are the dark blue of a moonlit night

ALT medium closeup of a woman sitting outside in the dark, talking on a cell phone; the left side of screen is lit in a sickly green, and on the far right the trees are the dark blue of a moonlit night

medium closeup of a woman sitting in the dark, the entire scene is lit and coloured in green

ALT medium closeup of a woman sitting in the dark, the entire scene is lit and coloured in green

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The crux of these two distinct colour washes is how the entire tone of the scene shifts in a split second - just as Jacob hits his angry note, the colour wash changes from cool blue to HOT PINK!
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Spooktober continues with a funny, weird blend of physical comedy and visual effects in this Beetlejuice gag! buff.ly/vTAPgdO
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The entirety of this spinning oner from Blow Out is over two minutes, so the full thing will be up on Substack along with further breakdown, but take a moment to appreciate how effective the spinning sensation is at disorienting us along with Jack's (John Travolta) growing panic!
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