뭐라는거야

Don’t you think every frame of Barry Lyndon (1975) looks like a painting? Adapted from William Makepeace Thackeray’s novel The Luck of Barry Lyndon, the film is renowned for its painterly visual style. Many scenes are composed with lighting, colors, and framing reminiscent of 18th-century European portraits and landscapes. To recreate the look of the period, Stanley Kubrick and cinematographer John Alcott used natural light for many daytime scenes and real candlelight for nighttime interiors. Remarkably, the crew adapted Zeiss f/0.7 lenses originally developed for NASA’s Apollo program, allowing them to film scenes lit only by candlelight without adding direct electric lighting.