Working on @trello for @atlassian • Almost always with headphones • Forever a Jersey kid with dreams to remember
Chicago, IL
Joined November 2009
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bradley fields retweeted
Can’t stop thinking about how even harder Mitchell’s Vs. The Machines would have hit in theaters. Glad it’s out but man would have been next level in a group setting.
The Mitchells vs. The Machines is just such a legit good time at the movies vulture.com/article/review-t…
bradley fields retweeted
The unique look of "The Mitchells vs. The Machines" owes a lot to production designer and lead character designer Lindsey Olivares (@lindseydraws). We spoke with her about how the visual language of the film was developed: cartoonbrew.com/interviews/l…
bradley fields retweeted
this has been a truly incredible thing to witness unfolding theverge.com/2021/4/27/22406…
It’s as if there’s some closed-loop presumption of The Sanctity of Work operating at the center of this.
"We all have our own red lines. Positions we find so beyond the pale that they're instant deal breakers. Good, fine, break those deals. But the more lines you accumulate, the more cross you're going to get." world.hey.com/dhh/mosaics-of…
DHH’s examples aren’t helping him avoid critiques along either of those lines. I mean, look how decidely human the harms are in the list of “left” concerns vs. those other three
“I can’t possibly be the first person who wrote a movie like this. I’m just one of the first people to get it through the gatekeepers.” vox.com/22396269/together-to…
Watched with noise cancelling headphones on and it was fantastic (and also terrifying when I couldn’t tell whether I was hearing Ruben’s tinnitus or my own) vox.com/22364083/sound-of-me…
If only it made me feel safer—let my mom wake up tomorrow or the next day without worrying she might’ve already seen me or my brother for the last time.
We got consequences today, not safety. And I know we couldn’t expect safety. But that reality is the sadness, is the point.
“There was a bad man and this good woman is going to stop him. You don’t admire the bad man. You admire her.” nytimes.com/2021/04/16/arts/…
(for longer than just last year, but yes)
In the past year, Black women have been creating a space for themselves in the world of country music, an industry that has long kept them on the sidelines — or out of the game altogether.
pbs.org/newshour/arts/how-th…
“The thing about the structural racism we’ve had in this system is that unless you carefully question it and dismantle it at every point, it just rebuilds itself even with progressively minded people.”
‘Gut-wrenching’ disparity seen in Portland area’s disproportionately wealthy, white vaccine rollout trib.al/GRXUXhq
Spent the last few mornings with this ~30min at a time, and it's hard to describe just how good it is nytimes.com/2021/04/13/opini…
bradley fields retweeted
All the Grids on your page. With color on the HTML badges to match the colors of the lines, so you can more easily see which is which. Plus, buttery smooth performance. Scroll all you want.
bradley fields retweeted
putting this out explicitly without the video is good and human
NO VIDEO IN STORY: Video shows Chicago police shooting 13-year-old Adam Toledo as he raised his hands: buff.ly/3wWnWZL
