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Follies and nonsense, whims and inconsistencies do divert me, I own, and I laugh at them whenever I can (Pride & Prejudice, Jane Austen) - this is why I am here. Kindly ignore if yll cant make sense of my plain agenda โจ๐ฅฐ
happiest birthday my OGiest Desi older counterpart of Dashwood sibilings aka sowmya (by the ever gorgeous Tabu) ๐ฅฐ๐ฅฐ
chai - but mostly chei ๐ retweeted
shout out to tea. for real. like. so many varieties. so many flavors. incredible.
chai - but mostly chei ๐ retweeted
Grief is such a weird concept. One moment, you are perfectly fine & at peace. Then the next moment, a random conversation triggers a random memory, a wave of sadness hits you & you can't stop tearing up. And then you are just living these moments on loop.
regardless of the film by itself, the way #Dorothy has laid scopes & templates for the number of writeups, art works and edits beyond music in one language is absolutely a lovely phenomenon. This is too good and the โXโ is the cherry on top of this art <3
chai - but mostly chei ๐ retweeted
There is something so divine about the music and the chorus and it gets me every time.
chai - but mostly chei ๐ retweeted
The reason Muthumani hits everytime is mainly bcz of the editing @thecutsmaker ๐
The swift cuts, motion blurs, bokehs and freeze frames...they all make the "Love trance" Karthi is in visually so clear and highly contagious. The editing pattern makes sure we get the same high.
chai - but mostly chei ๐ retweeted
This is the only scene where blood was shed but not for violence, rather for one's self-acceptance of their identity. Following this scene, there's a narration of irony regarding the facade of toxic masculinity in men. Whistle Veerayya's illusion of being impenetrable was shattered, as he reduced himself to beg Subbu to stop her transformation. It shows that prideful men are cowards at heart, unable to face anything bravely although they claimed themselves as otherwise.

























