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#JanhviKapoor On #PEDDI Controversy: ‘IN THE SOUTH, THERE’S VERY RARELY A BOUND SCRIPT... AND VERY RARELY IN THOSE SCRIPTS YOU SEE WHERE THE CAMERA ANGLES ARE... BUT HAVING SAID THAT... I ALSO NEED TO TAKE RESPONSIBILITY FOR MY HALF OF IT’ “The reason I was so apprehensive to talk about it was that many people worked hard on that film, and I really didn’t know what to say or if there was anything really to even say because it’s important that I take ownership from my half of…whatever that fiasco was because it weighs heavily on my conscience the sort of negative impact and a narrative like that can have on our society, specific to my gender. I think that shame I will always carry with me. Could have I done more? Could have I been more vigilant? Could have I made a bigger scene? A hundred percent, yes. Was it problematic? Was it extreme objectification? Did it even propagate sexual assault narratively? Yes. The only thing that I can do is to ensure that it doesn’t happen again. I went through the beats of really beating myself up of ‘I should have been more vigilant. I should have made a bigger scene.’ Again, I don’t like saying this because it sounds like I am shifting blame but you know how it’s like, ‘Yes, whatever the director says, you have to be professional, you have to listen to the director.’ So, I was really navigating how to make things less problematic as best I thought, as and when information was becoming available to me, because in the South, there’s very rarely a bound script, and very rarely in those scripts you see, where the camera angles are but having said that I also need to take responsibility for my half of it. I do come from a place of privilege, I should have taken advantage of that because I am going to get the sh*t for being privilege anyway. So, I might as well may have leveraged it. I really get so conscious when I speak about this because I don’t want to sound like that I am trying to be the victim here. It was a violating experience in a way. The good thing that came out of all this, is that maybe tomorrow someone else will think twice before they present a lead actress this way.” © Koffee with Karan - Jio Hotstar

#JanhviKapoor On #PEDDI Controversy: ‘IN THE SOUTH, THERE’S VERY RARELY A BOUND SCRIPT... AND VERY RARELY IN THOSE SCRIPTS YOU SEE WHERE THE CAMERA ANGLES ARE... BUT HAVING SAID THAT... I ALSO NEED TO TAKE RESPONSIBILITY FOR MY HALF OF IT’ “The reason I was so apprehensive to talk about it was that many people worked hard on that film, and I really didn’t know what to say or if there was anything really to even say because it’s important that I take ownership from my half of…whatever that fiasco was because it weighs heavily on my conscience the sort of negative impact and a narrative like that can have on our society, specific to my gender. I think that shame I will always carry with me. Could have I done more? Could have I been more vigilant? Could have I made a bigger scene? A hundred percent, yes. Was it problematic? Was it extreme objectification? Did it even propagate sexual assault narratively? Yes. The only thing that I can do is to ensure that it doesn’t happen again. I went through the beats of really beating myself up of ‘I should have been more vigilant. I should have made a bigger scene.’ Again, I don’t like saying this because it sounds like I am shifting blame but you know how it’s like, ‘Yes, whatever the director says, you have to be professional, you have to listen to the director.’ So, I was really navigating how to make things less problematic as best I thought, as and when information was becoming available to me, because in the South, there’s very rarely a bound script, and very rarely in those scripts you see, where the camera angles are but having said that I also need to take responsibility for my half of it. I do come from a place of privilege, I should have taken advantage of that because I am going to get the sh*t for being privilege anyway. So, I might as well may have leveraged it. I really get so conscious when I speak about this because I don’t want to sound like that I am trying to be the victim here. It was a violating experience in a way. The good thing that came out of all this, is that maybe tomorrow someone else will think twice before they present a lead actress this way.” © Koffee with Karan - Jio Hotstar

TFI paruvu teesav kada ra @AlwaysRamCharan 🤡🤦🏻

#Exclusive #ChiruOdela has been officially shelved. Director #SrikanthOdela is now working on a love story set against the backdrop of Telangana. #Chiaranjeevi

This scene and OST from RRR is better than whole BS Ramayan movie and Mulla soundtrack. This particular ost was later released as a rock song by the T-series, that is available on YT, that version is shit. Listen to this original. youtube.com/watch?v=dEniTURL…

Mari #Vettaiyan #TheParadise #Vivegam #Thangamagan #Agnyathavasi #LIK #Madharasi #KingDom Ivi anni Ndhuku Hit Kaledhu Mari Ani A Ga Music Director

Drop ur fav boss template

Mari vettayan, paradise ivanni emaiyyayi.

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I can't believe Mammoka is 75 😭. Damn, Did this man stop ageing at 35. #Mammootty

75 വയസ്സുള്ള യുവാവ് 71 വയസ്സ് പ്രായമുള്ള വയോധികനെ എഴുന്നേൽക്കാൻ സഹായിക്കുന്നു. #Mammootty @mammukka