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Been a minute, hello again! :) took some time making physical artworks, exhibiting in Malaysia & Indonesia, as well as experimenting at OKVideo’s lab/electronic music showcases w/ Electronox in Jakarta. Back to 3D fun, channeling Massive Attack & Prodigy energy 😆 Let’s goo #NFT
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Awakening
new auction on @salvor_io for 3 days ༊࿐ ͎. 。˚ ° ⊹ ˚. starting price 0.5 avax
| link below
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Disenchantment
*ੈ˚ ༘ ೀ⋆。✩‧₊˚ new 1/1 on @objktcom 20tez
| link below
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Just collected 'Chaotic_spring.mp4' 1/25 by Lisanne Haack @paranoidhill on @objktcom 🔥
Reimagine Sandro Botticelli’s Primavera... Not a destruction, but a rebirth—an eternal spring reshaped by tradition and innovation.
Exhibited at Primavera Digitale 🩷
Animated version 🔗👇
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After the rain, look under the pine tree
𖥔 ݁ ˖✧˖°.✶₊ ⊹ ⋆˚☆˖° open edition on @objktcom 3tez for 2 days!
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Edén
my first piece on RARE Gallery for @accomparts ⋆⭒˚.⋆
5ed. 10tez | link below
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Sora showcase: Synthetic Youth by Emi Kusano
Thank you @OpenAI
The project was inspired by the Takenoko-zoku, a fashion group from the 1980s.
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And another copy is now in the hands of @RudolfBoogerman ! Thanks so much!
Only two left for a sold out 🔥🔥
∴ S L O W W H I T E F A D E ∴
Julia Vale x No Faith
11 ed. | 11 xtz |
on @objktcom
"And there is nothing left. Nothing but white dust between my fingers"
➕
@JuliaVale_Art / @no_faith_left / #TEZOSTUESDAY
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In conversation with Fakewhale, @kimasendorf unpacks the algorithmic nuance behind his pixel-sorting techniques, exploring digital aesthetics as both process and artifact in an era of generative expression.
Read excerpts from the interview ↓
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▪️ DISPLAYS ▪️
[Beetle] by Adriana Ramić, at David Peter Francis, New York, NY, USA, 26/02/2025 – 22/03/2025
At the center of the exhibition is With respect to the body skeleton (2024), a two-channel video projection featuring footage of leaf beetles crawling over white ginger lilies, filmed by the artist. The projection is contained within dark glass chambers, reminiscent of the vitrines used in natural history museums to display pinned beetle specimens. Ramić, however, inverts this logic: rather than preserving the beetles in death, these vitrines become containers of suspended life.
Learn more about the exhibition ↓
#FWDSP


































