Peter Giles (@epetergiles) header
Peter Giles (@epetergiles) profile picture

🎭🗣🎙🇨🇦🇺🇸🇮🇪

Venice, CA
Joined November 2008
Photo by Peter Giles (@epetergiles)Photo by Peter Giles (@epetergiles)Photo by Peter Giles (@epetergiles)Photo by Peter Giles (@epetergiles)Photo by Peter Giles (@epetergiles)Photo by Peter Giles (@epetergiles)Photo by Peter Giles (@epetergiles)Photo by Peter Giles (@epetergiles)Photo by Peter Giles (@epetergiles)
Dude. How sweet 🥰
Replying to @SammyHain
This guy is one of the truly scariest horror villains I've come across
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Sonnet 116. Patrick's favourite. Take one minute out of your day to hear the bard's words spoken by someone who lived by them.
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Peter Giles retweeted
If you make this the last thing you listen to tonight before you go to bed I promise you won’t regret it
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Peter Giles retweeted
Just heartbreaking news. The Late Late Show has had some powerful duets through the years… Finbar Furey & Christy Dignam, Christy Moore & Shane McGowan… but I still think this is my favourite. Such pure passion and raw emotion from Glen and Imelda #glenhansard
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JAJAJA, un hincha argentino PIERDE LA BILLETERA, arman una canción con el nombre del dueño, lo encuentran y pasa esto. MOMENTAZO TOTAL. 😅🇦🇷
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定期的に見たくなる日本代表vs小学生100人
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Peter Giles retweeted
The stage is set for the biggest FIFA World Cup ever. USA vs. Paraguay, Friday @ 9PM ET 📺: Watch on FOX / Stream on TUBI
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we’ve gone from Tim to Tom to Fred. new web series premieres July 1 on Youtube! More details coming soon.
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This is my favorite scene from The Bible.
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Alfonso Cuarón on how this continuous shot in "Children of Men" (2006) was clinched in the final attempt & the "Miracle" that occurred while filming: "Interviewer: When Theo runs into a hollowed-out bus in that shot, blood splatters on the camera lens. Can you tell me how that happened? Cuarón: Initially, there was going to be blood splatter on the lens when they ki!!ed Julianne Moore. We were going to add that digitally. But long story short — or long story long — is that for [the refugee camp] shot, we had like 14 days to shoot the whole set piece, except by day 12 we hadn’t rolled cameras yet. As you can guess, by day three that you don’t shoot camera, they send a production guy from the studio to visit you. By the sixth day that you haven’t done it, the creative executive comes to visit you. Well, by the time that you reach the 11th day, the head of the studio is there. That kind of stuff. And the problem is that we had only two shots a day to do the thing. The morning, then you have to reset the explosions, the screams, the whole thing. Five hours to reset. So you only have another shot right before the light goes away. And the problem is that, we could not extend it to the 15th day, because there was already a commitment with the army or something, one of those things. So we are in the 13th day, and in the afternoon, we do our first shot. Then after a minute and a half, it just was wrong. So we had to reset for the next day. The next morning we do the first take, and everything is perfect, and we’re about to reach the end. We were running towards getting inside the building, when [camera operator] George [Richardson] tripped, and so the camera fell. So we only had one more shot for one more before we have to move out. It was the end of my career. Interviewer: Were you panicking at that point? Cuarón: You know, at that point, you’re just focusing. Interviewer: Okay, so you get to the final attempt at the shot. Cuarón: And when we arrived at the bus, the camera goes in, and blood splatters the lens. With my little monitor, I see that I cannot see anything. I yell, “Cut!” But an explosion happens at the same time, so nobody hears me. And that gives me time to think, “Look, I have to roll to the end.” So we kept on going. When we said, “Cut,” Chivo [Emmanuel Lubezki] starts dancing like crazy. And I was like, “No, it didn’t work! There’s blood!” And Chivo turns to me and says, “You stupid! That was a miracle! The blood goes here, not with Julianne Moore!” Yeah, that was supposed to go in the other scene, but it happened here." ("The Vulture Transcript: Alfonso Cuarón on Children of Men", Abraham Josephine Riesman, Vulture, 2017)
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Director Robert Altman breaks down how he crafted an 8-minute "oner" with no cuts to start THE PLAYER (1992). They filmed 15 takes using 11 microphones to nail the choreography and blocking in this shot. The dialog was completely improvised.
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The haircut hurt but the comments finished the job.
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I've never sen anything more accurate
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Yesterday was Ivy Day. I watched several of these videos. This was my favorite. Congratulations to this young lady and her family...
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Train Dreams might not have won any awards last night. But this film is like an antidote to our dopamine-addicted world. Slow down your scroll for a moment and just sit with this for a moment. Here’s to the slow work of beauty in transforming the human heart.
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