π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake) profile picture

51.125904, 7.875406

51.125904, 7.875406
Joined April 2009
Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)Photo by π–ƒπ–”π–π–π–Žπ–Ž (@flowsnake)
π–ƒπ–”π–π–π–Žπ–Ž retweeted
Geotechnics πŸœƒ @verse_works Nov 4th All digital editions come with a 60-page, A5 artist’s zine, which includes a hand-typed instruction card. Mailed to collectors πŸ”—β†“
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ruined.calc()
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_calc(c-ty.recog)
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7___472__7744___2
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π–ƒπ–”π–π–π–Žπ–Ž retweeted
I am so happy with how this setup is coming along. It's built from lines and a small set of flat colors. There is no complex shading. The depth comes from line density, overlap (intersection is a sin), and the folds of the underlying cloth simulation.
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π–ƒπ–”π–π–π–Žπ–Ž retweeted
dance little numbers, dance
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CLM-1533 Physical prints for sale Link in bio ↑
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π™³πš’πšπš‘πšŽπš› β–ͺοΈβ–«οΈβ—»οΈβ—ΌοΈπŸ”²πŸ”³
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No terrestrial language identified : Semantic reconstruction redirected to xenopoetic inference. : Decoding initialised…......
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❉
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π–ƒπ–”π–π–π–Žπ–Ž retweeted
After 17.5M views, 61K likes and hundreds of messages, I’m releasing a limited edition of 15 signed prints of The Last Library. 60 Γ— 90 cm Museum-grade HahnemΓΌhle paper Archival pigment print Several are already reserved. DM to secure yours or use the PayPal link below.
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π–ƒπ–”π–π–π–Žπ–Ž retweeted
Now with CRT shader ^_^ made with about 15KB of hand written 100% artisanal code #genartclub
More adventures in SDF land
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I have just collected "Subversive Curves" by @luizandregama on @objktcom
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possibility spaces
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π–ƒπ–”π–π–π–Žπ–Ž retweeted
1969: "Bell Labs have processed information from a 60-square-mile area in East New Jersey, generating a real-time computer display of the variations within a rainstorm." Clip of Freeny's Picture of Thunderstorm (1968) from The Image of the City by Charles and Ray Eames, 1969.
One of the earliest examples of computer animated data visualization, the 1968 film is based on data from a 1966 thunderstorm β€” transmitted from sensor array (over telephone lines), then reinterpreted by Bell Labs' IBM 7090 & SC-4020 into 10x11 pixel representations.
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β£·/β£·/β£·/
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IBM in 1975: "Another possibility is working with abstract images. The results, or patterns, obtained as computer output... obviously differ depending on whether stochastic structures (the laws of chance) or ordered β€” that is, predetermined β€” structures are used." Below: Abstractions ColorΓ©es by Herbet W. Franke, 1973, as published in IBM Informatique, No. 13, 1975.
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GM!
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