Professor. Ohio State. screendance, digital humanities, performance studies. https://nitter.cf/t.co/9w0zbbQF8P https://nitter.cf/t.co/MrLEZuZXwE
Joined October 2008
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harmonybench retweeted
📢 Excited to announce Session 3 of our Early Career Mentorship Programme!
🎯 Topic: Your First Book Proposal & the Publication Process
📚 Led by Dr. Melissa Blanco Borelli
🗓 14 Jan 2025 | ⏰ 17:30–19:00 GMT | 💻 Free online event
🔗 Register ➡️digitalblkdance.org/get-invo…
harmonybench retweeted
Radical Accounting Visualizations open at the Whitney Museum of American Art
dance.osu.edu/news/radical-a…
@harmonybench
harmonybench retweeted
Join us for a virtual seminar in our #DigitalHistory series on Wed, 30 October, @ 5:00 pm (EDT). @harmonybench & @somethingmodern present, "Digital Histories of Alvin Ailey American #DanceTheater: Radical Accounting in Dance's Archives."
Register here: masshist.org/events/digital-…
harmonybench retweeted
Excited to present work in progress at the @MHS1791 Digital History Seminar with @somethingmodern on 10/30 at 5pm ET (online). @profwernimont responding. Digital Histories of Alvin Ailey American Dance Theater: Radical Accounting in Dance’s Archives. masshist.org/events/digital-…
harmonybench retweeted
An expansive understanding of motion data rooted in bodily archives can offer a fuller understanding of the past while also demanding that we sit with the ethical problems that arise when data is seemingly detachable from its human sources: visceralhistories.wordpress.… @harmonybench
ALT We understand motion data within an expanded register that encompasses physical demonstrations, memories and oral history, movement cues and codified terminology, film and video footage, motion capture, and other means of accessing embodied archives. Motion data is both individual and collective, shared across generations through deep bodily time.
harmonybench retweeted
Delighted to share @TiaMoniqueUzor's beautiful #dunhamsdata essay on Tidalectic Un/mapping and the Performance of African Diasporic Imagination in the Repertory of Katherine Dunham, now out in DRJ! @harmonybench @mavillard doi.org/10.1017/S01497677230…
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harmonybench retweeted
Join our working group on Big Histories: Experimental Methods for Tracking Change Across Bodies, Generations, and Geographies in Performance at
@ASTRtweets (November 14-17, 2024)!
@harmonybench astr.org/page/24_working_ses…
harmonybench retweeted
Thanks for the share @artscouncil_ie ✨ Apply for Open Futures at lightmoves.ie/open-futures-2…
OPEN CALL: Studio Light Moves-Open Futures
Open now, Open Futures is a @lightmovesfest initiative that invests in and nurtures creative process and inquiry in dance, technology and screen-based dance practices.
Deadline: 29 March
Learn more: lightmoves.ie/open-futures-2…
harmonybench retweeted
Techno-Futures: Collaborations in Performance, Technology, and Creative Scholarship: Join in person or live streamed via Zoom. Please visit ow.ly/FScP50QKstH for more information, schedule, and registration.
harmonybench retweeted
Since 2021, Studio Light Moves - Open Futures has welcomed 16 artists from across the globe to Limerick both in person and online.
👉 For info on previous OF residencies (artist biogs, video, photo & text documentation) visit lightmoves.ie/studio-light-m…
⏰ 2024 Deadline 29 March
harmonybench retweeted
The Department of Africana Studies, Center for Digital Scholarship, and Cogut Institute for the Humanities at Brown University invite applications for the 2024-2026 International Humanities Postdoctoral Fellowship in Black Digital Humanities. apply.interfolio.com/136664
harmonybench retweeted
Join us for an online interactive workshop with internationally acclaimed choreographer Abby Zbikowski ✨
She'll be exploring how to create rehearsal spaces that reclaim the brutal rigor used in hyperphysical movement
10 Oct, 1pm BST | FREE
Register now: danceumbrella.co.uk/event/ab…
harmonybench retweeted
Watch films from @SFdancefilmfest right from your couch with the SFDFF Festival Streaming Pass on ODC Connect. Make a one-time purchase to access all 5 San Francisco Dance Film Festival's streaming programs.
Now Available on ODC Connect until October 15. bit.ly/45h48jQ
harmonybench retweeted
This Friday at the @ArtlabHarvard, join artist-researchers @LinsDerry, @IlyaVidrin, @somethingmodern, @ShriyaSrinivas3, @KHFDANCE, Ioana Jucan, & Isabelle Edgar as they explore the lexical, methodological, & ethical intersections of #data and #dance. 🔗mlml.io/e/data-kinesthetics/
How can performance research help us make sense of abstract data? Gathering at the @ArtlabHarvard, artist-researchers will explore the question via lecture, a movement workshop, performance, and discussion. Curious to join? Reach out: buff.ly/3rnT0no
harmonybench retweeted
OSU Dance seeks a moving image specialist in dance with a demonstrated artistic practice and a vibrant and recognized body of work in Dance Film and Digital Technologies osu.wd1.myworkdayjobs.com/OS…
harmonybench retweeted
new Visceral Histories post on technical challenges @nicolaplant is finding while surfacing motion data from historical dance footage. This connects to our questions around embodied archives, consent, racialized data, and AI @harmonybench @TiaMoniqueUzor visceralhistories.wordpress.…
ALT Output of movement data extracted using MoveNet. Archival footage is Dunham Technique: Fall and recovery with body roll. Video. https://www.loc.gov/item/ihas.200003854/. Rachel Tavernier, teacher; demonstrated by Yasmine Lee with Adrienne Armstrong, Corey Baker, Yasmine Lee, Samuel Gerard LeSane, Nicole Chantal de Weever, and Keith Tyrone Williams. Mor Thiam and William Cepeda, drummers. Recorded in New York in October 2001.