Pinned Tweet
Replying to @itsLaycon
Great! Now that I have your attention
👇🏾
Innoson, let’s change my car !
@innosonvehicles
3 MOMENTS BEFORE 33
DAY 24/33
Who Is Laycon?
I started working on Who Is Laycon? in 2019. In fact, the entire year was spent creating and putting the project together.
At some point, we had so many songs that we practically had three different five-track EPs. We eventually started mixing and matching songs from the different selections until we arrived at the project we wanted.
But the title, Who Is Laycon?, came from a rather interesting experience.
In 2019, I released Fierce, and the song started getting a lot of attention. People knew the song, but they didn’t necessarily know me.
Whenever I went out to perform at events, people would hear Fierce and ask me, “Who sang this song?” I’d tell them, “Laycon.” And they’d look at me like, “What? You’re the one who sang this?”
It happened so often that it became a funny but interesting situation. I was an upcoming artist, so I would usually be placed near the beginning of event line-ups. But once the DJ played Fierce, and people realised I was the person behind the song, they’d tell the organisers, “Ah, na you sing this song? You no go perform yet o. You go wait!”
They would move me closer to the end of the show because people wanted to see the person behind the record. And the funny thing was that people knew Fierce word for word.
Here was a song getting attention, even making it onto MTV Base, but the person behind it was still introducing himself to people. So the question became: who is this guy?
And that was how Who Is Laycon? got its name.
For the project, I worked with producers including Echo, Que , Tytanium and Miraculous. Echo produced Come With Me, Hip Hop and Who Is Laycon?; Miraqulous produced Motivation; while Tytanium produced Narcos and Accolades. I also worked with Gomey and Kabarn on the intro and some of the interludes.
The project featured YKB, Tinu, Chinko Ekun, Reminisce and Deshinor. It was a body of work I was genuinely excited about.
There’s also a funny story behind the artwork. The picture we eventually used was actually the last picture we took on set. We’d gone through all the outfits and taken all the pictures. I was just about to leave when I thought, “Let me take one final picture.”
I picked up the turtleneck, pulled it over my face, and took the picture. That was it. That ended up being the artwork for the project.
Looking back, the timing made the picture even more interesting. This was during the COVID period, when people were covering their noses and faces with masks. So the image of me covering my face took on an entirely different meaning in that context. It wasn’t something we had planned around COVID. It was simply the last picture I decided to take that day, but it ended up fitting the moment in a way none of us could have anticipated.
The EP eventually dropped in April 2020, right in the middle of the COVID lockdown. And I remember how much I wanted to push this project. I’d put it together with the same kind of intention I had when making YBAG, but this time, I felt I needed to go even harder with the promotion.
My plan was to take the project to UNILAG and do a lot of physical promotion, just as I’d been doing throughout 2019. I had ideas for the kind of activities I wanted to organise and how I wanted people to experience the music.
Then lockdown happened.
Suddenly, the plans I had made were no longer possible. I had to find another way to get the music out there. I was already creating videos and promoting my music online, using platforms like TikTok, which was just beginning to gain attention, and Triller.
I kept asking myself: what else can I do? How else can I get this project in front of more people?
Then I came across a link.
I thought about how everybody would be at home, watching television, following what was happening. I saw the Big Brother application and thought, “People will be at home watching this thing now. Let me apply and see if I can promote this EP on Big Brother.”
And that was it.
But that’s a story for another day.
…I’M READING POOR DAD RICH KID
MY FATHER HMMM
DIDN’T HAVE ALOT OF DOUGH
BUT HE LIVED BY MANY QUOTES
NEVER RAT ON CATS FOR THE CHEESE
THATS THE BRO CODE
NEVER RAISE YOUR HANDS ON A CHICK
THATS A NO NO
NEVER LOSE YOUR FRIENDS FOR SOME PUSSY
THATS A LOW BLOW
33 MOMENTS BEFORE 33
DAY 20/33
My Dad 🤍
My first memory of my dad is running into his arms and having him throw me up into the sky. I remember watching Indian action movies with him and movies like Commando and Rambo. Back then, he was the person I ran to, the person who encouraged me.
As I grew older, especially when I became a teenager and got into university, we weren’t as close. But there are things I learnt about him later that made me look at our relationship differently.
My mum once told me that when I was younger, I would walk around with my headphones on, rapping to myself. People in the neighbourhood would ask my dad why his son was always talking to himself on the road. And he would tell them, “No, he’s rapping. That’s what he’s doing.”
He never even had that conversation with me. He didn’t need to. He understood what I was doing, and he defended it to other people.
In 2012, my dad had an accident and had a fracture in his leg. His recovery took almost a year, and that was around the time I got my university admission. I would go to check on him, and those were some of the moments we shared.
Then, in 2016, he fell ill. He didn’t really tell people much about what was going on, and by late 2017, things had become serious.
I was serving at the Lagos State Ministry of Information and Strategy at the time. I remember going to see him on a Wednesday evening and leaving on Thursday morning. That was the last time I saw my dad alive.
When he saw me that morning, he tried to speak. I remember praying with my brother for him. I remember him crying. I was scared, and everything was happening so quickly that I don’t think I fully understood what I was witnessing.
I was supposed to visit him again on Saturday. Around four am that day, my brother called me. Before he even said anything, I knew.
“Hello, Lekan. Popsy don die.” Those were his words
I went home. Because he was Muslim, he was buried that same day. I was there when they bathed him. I helped carry him, dress him and bury him. I put sand on him, and I cried.
There was one thing he asked me to do before he died that I didn’t do. He wanted me to perform for some boys in our neighbourhood, and I said no. I don’t live with that as a regret, because I know I didn’t understand what I understand now. But sometimes, I wish I had done it. I wish I had known that it would be one of the last things he asked of me.
Years later, when I started working on Káshìmaawòó, I began hearing more stories about my dad from other people. I learnt things about him that I hadn’t known before. I got to see more of the person he was, how intelligent he was, and the parts of him I had only caught glimpses of while he was alive.
And somewhere in all those stories, I began to realise something: I am him.
A lot of the traits I have came from my dad. Some of the things I admire about him are in me, and some of the things I didn’t like about him are things I’m still working on in myself.
It’s made me understand that this isn’t about trying not to become my father. I already am my father. The work is in becoming a better version of him. Becoming the person I believe he could have become, taking the things he passed down to me and doing more with them.
Because if I can become my father, then my son can become me.
And perhaps that’s part of what it means to carry someone forward. Not to pretend they were perfect, not to erase their shortcomings, but to recognise what they gave you and take responsibility for what comes next.
I miss my dad. There are conversations I wish we could have now, questions I wish I could ask him, and things I wish he could see. But I’m still learning about him, even in his absence. And I’m learning about myself in the process.
I guess a part of growing up is realising that our parents were people too, still figuring things out, with their own strengths, flaws and unrealised possibilities.
And now, some of that work belongs to us.
Laycon retweeted
Laycon is super intelligent, i bet a lot of people here would fail this.
Just look at the lady 😭😭
33 MOMENTS BEFORE 33
DAY 23/33
Gomey and Scarlet
I met @temigomez in 2014, and I met @thescarletgomez around 2015/2016, when I was finishing up my YBAG mixtape. I wanted Gomey to help me with an interlude, so I sent him the entire project to listen to. Somewhere along the way, Scarlet heard Success with Deshinor and loved it. That was how I met her, and from there, our relationship grew.
Over the years, Gomey became someone I could learn from, professionally and personally. When I wanted to get signed, I knew I needed someone who understood the industry, so I introduced Jackson Fierce to him. That connection eventually grew into something bigger, and we started working together more closely. He also helped me secure a management role at the studio I worked at before my life changed.
When I got the call to enter Big Brother Naija, they knew they would be part of the journey. I went into the house to do my thing, only to come out and discover how much Scarlet had held things down behind the scenes. What she did during that period meant so much to me. She’s one of the best people I could have had in my corner.
Today, seeing Scarlet become one of Nigeria’s biggest actresses, leading major productions and starring in the highest-grossing Nollywood film, makes me genuinely happy. I’ve watched these two build their lives and careers, and I’m grateful to have witnessed and experienced a part of that journey.
Beyond everything they’ve done for me, I admire the relationship they’ve built together. I don’t believe any couple is perfect, but there’s something about what they share that I value and hope to carry into my own relationship someday.
In my 33 years, Gomey and Scarlet are two people who have influenced me in ways I will always cherish. I love them, I’m grateful for them, and I don’t take their place in my story for granted.
33 DAYS BEFORE 33
Day 22/33
COVID 19: The Lockdown
In December 2019, I moved into a new place. I was preparing to release Who Is Laycon, and the beginning of 2020 was pretty normal for me. Weekends were for football at the UNILAG Sports Centre with my friends at Moronfolu Street, in Pko. I remember @Munacorleone , @Pryme_Official , Charles, @BiggByson , @ibkife1 , @yungaceorin and the rest of my guys. I was in a relationship and enjoying my life.
Then the lockdown happened.
Suddenly, everybody had to stay home. The usual hangouts stopped, and for the most part, it was just me by myself. I spent my time having fun, being goofy and doing whatever I could to promote Who Is Laycon, which dropped around April.
Looking back, I realise something about that period. It was the last time I experienced being alone without feeling lonely, until this current season of my life.
I wasn’t waiting for anything or trying to figure out what my life was supposed to look like. I was just living, taking each day as it came, and enjoying my own company.
I didn’t know it then, but the lockdown would become one of the most life-changing periods of my life. Somewhere in that season, I made a decision that would change my direction completely.
At the time, I couldn’t have known what that decision would mean for me. I was simply living my life, one day at a time.
And now, years later, I find myself in a season that feels strangely familiar. Alone, but not lonely. Creating space for myself, experiencing life as it comes, with that same feeling that something is taking shape, even if I can’t fully see it yet.
Maybe that’s what makes me look back at 2020 differently now. I didn’t understand the significance of that season while I was living it. I only knew how it felt to be in it.
And somehow, I’m here again.
33 MOMENTS BEFORE 33
DAY 21/33
Knight House 🎙️
I started going to Knight House in 2014, and for the next six years, it became a second home. I recorded roughly 80% of my music there, including much of YBAG and Who is Laycon, and met people who would become important to my journey.
It was where MVP introduced me to @echotheguru , Echo connected me to @temigomez , and Gomey eventually introduced me to Gidi Mob. From making music to the friendships and connections formed along the way, Knight House was a huge part of my early career.
Six years, countless sessions, and memories I’ll always carry. Grateful for Knight House and everyone who made those years what they were.
Cheers @33exportnigeria 🍻
#33MomentsBefore33 #33ExportLager #TasteThatUnites
33 MOMENTS BEFORE 33
DAY 20/33
My Dad 🤍
My first memory of my dad is running into his arms and having him throw me up into the sky. I remember watching Indian action movies with him and movies like Commando and Rambo. Back then, he was the person I ran to, the person who encouraged me.
As I grew older, especially when I became a teenager and got into university, we weren’t as close. But there are things I learnt about him later that made me look at our relationship differently.
My mum once told me that when I was younger, I would walk around with my headphones on, rapping to myself. People in the neighbourhood would ask my dad why his son was always talking to himself on the road. And he would tell them, “No, he’s rapping. That’s what he’s doing.”
He never even had that conversation with me. He didn’t need to. He understood what I was doing, and he defended it to other people.
In 2012, my dad had an accident and had a fracture in his leg. His recovery took almost a year, and that was around the time I got my university admission. I would go to check on him, and those were some of the moments we shared.
Then, in 2016, he fell ill. He didn’t really tell people much about what was going on, and by late 2017, things had become serious.
I was serving at the Lagos State Ministry of Information and Strategy at the time. I remember going to see him on a Wednesday evening and leaving on Thursday morning. That was the last time I saw my dad alive.
When he saw me that morning, he tried to speak. I remember praying with my brother for him. I remember him crying. I was scared, and everything was happening so quickly that I don’t think I fully understood what I was witnessing.
I was supposed to visit him again on Saturday. Around four am that day, my brother called me. Before he even said anything, I knew.
“Hello, Lekan. Popsy don die.” Those were his words
I went home. Because he was Muslim, he was buried that same day. I was there when they bathed him. I helped carry him, dress him and bury him. I put sand on him, and I cried.
There was one thing he asked me to do before he died that I didn’t do. He wanted me to perform for some boys in our neighbourhood, and I said no. I don’t live with that as a regret, because I know I didn’t understand what I understand now. But sometimes, I wish I had done it. I wish I had known that it would be one of the last things he asked of me.
Years later, when I started working on Káshìmaawòó, I began hearing more stories about my dad from other people. I learnt things about him that I hadn’t known before. I got to see more of the person he was, how intelligent he was, and the parts of him I had only caught glimpses of while he was alive.
And somewhere in all those stories, I began to realise something: I am him.
A lot of the traits I have came from my dad. Some of the things I admire about him are in me, and some of the things I didn’t like about him are things I’m still working on in myself.
It’s made me understand that this isn’t about trying not to become my father. I already am my father. The work is in becoming a better version of him. Becoming the person I believe he could have become, taking the things he passed down to me and doing more with them.
Because if I can become my father, then my son can become me.
And perhaps that’s part of what it means to carry someone forward. Not to pretend they were perfect, not to erase their shortcomings, but to recognise what they gave you and take responsibility for what comes next.
I miss my dad. There are conversations I wish we could have now, questions I wish I could ask him, and things I wish he could see. But I’m still learning about him, even in his absence. And I’m learning about myself in the process.
I guess a part of growing up is realising that our parents were people too, still figuring things out, with their own strengths, flaws and unrealised possibilities.
And now, some of that work belongs to us.
Laycon retweeted
Replying to @basket_mouth
Currently listening to Uburu
BTW, @itsLaycon and @falzthebahdguy delivered on this. 🔥
33 MOMENTS BEFORE 33
DAY 19/33
My NYSC Years
I started my NYSC journey in 2017, and I was genuinely looking forward to it.
I was posted to Lagos camp, a place I already had memories of from when I won a phone there. But this time, I wasn’t going as a visitor. I was going as a corps member, ready to experience camp for myself.
And honestly, camp was an experience.
I was pretty chilled, but I still found my way into a few things. I led my platoon during the march past, calling the commands and learning how to march properly. I joined one of the language classes, performed at a Beat FM event, and even won a rap competition organised by Indomie. Before long, people in camp were getting to know me for the music.
Around that same period, I was also participating in the MTV Base Lip Sync Battle challenge, where I made the top ten finalists. I had to get permission to leave camp for the finalists’ event, which I think was held at Quilox. That was where I met Pinkie Debbie and Jand. Looking back, it’s interesting how many different experiences were happening at once.
By the time I completed NYSC in 2018, I was stepping towards another chapter. Around that period, I met Jackson Fierce, who would eventually sign me. I couldn’t have known exactly what was coming next, but I was moving forward, carrying everything that experience had taught me.
When I look back at my NYSC years, I remember the fun, the performances, the people I met, the work, and the opportunities that came my way. I also remember how much I was dealing with behind the scenes. It was a year of highs and lows, and somehow, I made it through.
After camp, I began my Place of Primary Assignment at Best Man Games Limited, a company that created games like Monopoly and jigsaw puzzles. My work involved creating games and liaising with the outlets that sold them. The company was owned by Mrs. Nimi Akinkungbe, Nigerian former ambassador to Greece. I spent about two months there before moving to the Lagos State Ministry of Information and Strategy, where I worked as a personal assistant to a director in the HR department.
Those days, I travelled from my godmother’s house to Alausa for work. Life was moving, and I was figuring things out, just as everyone else was.
But away from the activities, the competitions and the new experiences, that period was also difficult for me personally. I lost my dad in 2017, and around that same time, my mum was dealing with an illness of her own. There was a lot happening at once, and trying to navigate everything wasn’t easy.
Still, life kept moving.



























