jamie retweeted
Politicians pushing conscription to fight in foreign wars should be forced to the front of the queue.
jamie retweeted
Fin septembre 1976 - tel un savant fou, Giorgio Moroder compose I Feel Love.
La matrice a cinquante ans.
Il enchaînera avec la BO de Midnight Express où la basse continue de précéder la mélodie.
jamie retweeted
Diana Ross & Donald McKayle - Soulful Strut (The Hollywood Palace, 1969)
24 year-old Diana Ross in an iconic dance routine with (at Diana's specific request) the legendary choreographer Donald McKayle, the first black man to direct and choreograph major Broadway musicals. Class!
jamie retweeted
Four Tops - If I Were a Carpenter (1968)
Some nice footage of the group on tour in this video clip accompanying their classic Motown cover version of Tim Hardin's folk original. Top 20 hit on both the US pop & soul charts and went top 10 in the UK. From the Reach Out album.
jamie retweeted
One of the smoothest Hip-Hop records EVER made… no debate. 🔥
A Tribe Called Quest — “Electric Relaxation” (1993)
That beat. That flow. That vibe. 🎶
They just can’t stop lying
The study found nothing of the sort
NEW: An independent study by @QMUL has found that after the ULEZ was introduced, children’s lungs grew faster in central London, and have now caught up with children outside of the capital.
Incredible news 💚
theguardian.com/environment/…
jamie retweeted
They haven't lost a step! They look beautiful, and the harmonies are great! Love Bananarama!! 😂 👏 ❤️
jamie retweeted
"Friday I'm in Love" remains the perfect track for those who need a dose of simple joy at the end of the week. A song that proves that even though The Cure is known for deeper lyrics and dense atmospheres, Robert Smith also knew how to write about the sheer pleasure of being alive on a Friday.
jamie retweeted
The Prodigy – Smack My Bitch Up
On 27 September 1997, The Prodigy delivered one of the most legendary performances of their career at the Ballantine’s Urban High Festival in Moscow. Playing free of charge on Manege Square, just steps from the Kremlin and Red Square, the band performed to an enormous crowd estimated between 200,000 and 250,000 people.
The concert remains one of the most iconic moments in Russian electronic music history — a raw, chaotic and unforgettable night that captured the explosive energy of late-1990s rave culture on an unprecedented scale.