Jvala Singh (@jvalaaa) header
Jvala Singh (@jvalaaa) profile picture

For latest and full posts see https://nitter.cf/t.co/TWe9bQDqMN Lecturer @ucberkeley, Creator https://nitter.cf/t.co/mj4nTAz3Hb - Author of 54 Punjabi Proverbs, and PhD from @ubc.

Berkeley, CA
Joined March 2011
Photo by Jvala Singh (@jvalaaa)Photo by Jvala Singh (@jvalaaa)Photo by Jvala Singh (@jvalaaa)Photo by Jvala Singh (@jvalaaa)Photo by Jvala Singh (@jvalaaa)Photo by Jvala Singh (@jvalaaa)Photo by Jvala Singh (@jvalaaa)Photo by Jvala Singh (@jvalaaa)Photo by Jvala Singh (@jvalaaa)Photo by Jvala Singh (@jvalaaa)
Got an advanced copy of @jvalaaa’s book. Looking forward to digging in
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Illustration depicting Baba Buddha. This artwork was kindly shared to me by gobindhari.13. They told me it was purchased at a local market in Baba Bakala in the 1950s.
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Western countries will never be forgiven for their role in the deliberate and mass starvation of innocent children, in front of our eyes, in the year 2025. Genocide.
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Congratulations to Gregory Maxwell Bruce on the publication of an this edition of The Picture Gallery @UChicagoSALC @UChicagoAHD
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Thank you for being part of this mission. Your support in Lebanon meant the world. We saw your impact — and so did they. 💛 #WeAreHumanitet #Give1Percent
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The Maharaja of Nabha, Ripudaman Singh shortly after he was exiled and deposed by the British for his anti-British activities (1929). Nabha and Patiala were neighbouring states each ruled by a Maharaja but under the close Governorship of the British....
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Trying my best to sharpen/clean-up this early 20th century photograph of a painting of Baba Mohan handing over the pothis to Guru Arjan Dev Ji. The original is left and the result of my touch-up is right. Seems a lot more visible now!
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Jvala Singh retweeted
54 Panjabi Proverbs boom is back in stock on Ramblings' store! Use code: BEANT10 for 10% off ramblingsofasikh.co.uk/produ…
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Ran into an interesting passage in Dasam Bani which mentions Kiratpur as a place for last rites. We can speculate that this tradition was at least around in the late 1600s. ਤਾ ਤੇ ਹੌ ਹਰਿ ਰਾਇ ਕੇ ਜਰਤ ਕੀਰਤਿ ਪੁਰ ਜਾਇ ॥ “Now I will go to the Kiratpur of Guru Har Rai and self immolate”.
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Jvala Singh retweeted
#WATCH | Anandpur Sahib, Punjab: Nihang Sikhs perform stunts on horses, as they enthral a large number of devotees gathered to celebrate the three-day-long Sikh festival Hola Mohalla, from March 14 to 16.
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ABSOLUTE CHAOS IN MONTREAL! 🔥 Brady Tkachuk and Sam Bennett now drop the gloves—back-to-back tilts to start this one! 😳🥊 🎙️- @MantarBhandal & @GurpGill13 #4Nations | @OMNITelevision
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Just published my inaugural essay for #FrontierDharma, titled "The Hindu Case Against "Hinduism": A Reflection on Dharma in the Diaspora", linked in the tweet below. I guess now's an appropriate time to explain what Frontier Dharma is, and why I started it. For those of you have followed me here for a while, you'll know that my primary interest has always been the question of Hindu identity, particularly in the diaspora. My interest in the topic led me down the rabbit hole of @HindooHistory, where I've been researching the historical antecedents of contemporary representations of "Hinduism" in American culture and politics. The findings have vindicated the view that these representations exhibit a striking continuity with missionary literature published across the country from the late 18th to early 20th centuries. Though the Church has been supplanted by the University and the Missionary by the Academic/Activist, the basic contours remain the same. Where we once saw fear of "heathenism" contaminating America's body politic, "hindutva" now plays an analogous role. The effect of this fear mongering— which is deliberately vague and recalls the sort of “dual-loyalty” smears that have been a staple of anti-immigrant discourse for centuries— has been to generally cast a pall of suspicion on the Hindu American diaspora. And while this sort of rhetoric has generally been concentrated among activist circles embedded within the progressive establishment, they have an outsized influence on media and culture and we can see how their views metastasize into the mainstream during the recent H1-B fracas, with certain sections of the right echoing similar arguments (e.g., Indian immigrants are disloyal, are casteist and generally culturally regressive, etc.). This is all to say that given attacks from both the left and right, the question of self-representation is of critical importance. But self-representation requires more than simply and repeatedly pointing out the biases of others, a discursive pattern illustrated by the emergence of "Hinduphobia" as a key term in recent years. Instead, what's required is a positive articulation of what "Hindu" identity actually is. And in this regard, I've found myself dissatisfied, both spiritually and intellectually. While we can agree that the prevailing view of Hinduism in the public sphere may be prejudicial, is there a consensus on what "Hinduism" actually is? The lack of such a consensus (or even an institution invested with the authority to make such a determination) is often held up as a product of Hinduism's "tolerance" or "diversity", but I think it's better explained as a product of a particular set of historical and intellectual dynamics that shaped the native Indian appropriation and adaptation of "religion" during the colonial era. It was during this period that Indians began thinking of their variegated spiritual traditions as part of the religion of "Hinduism" in the way we understand it today, and in the context of that adaptation, both reformist and orthodox factions emerged, each with their own vision of what "Hinduism" is. The dialectic between these two groups from the late 18th to early 20th centuries is primarily responsible for Hinduism's present conceptual structure, which is defined by an uneasy juxtaposition of radical universalism (I call it "inclusivism") and culturally-bound ritual praxis. I believe it's time to critically examine this conceptual inheritance, and understanding the historical process that shaped it is the first step. This dovetails into another point that I made the other day, which is that a sustainable Hindu identity in the diaspora needs to carve out a trajectory that is independent from India. This is not just a political necessity, but a personal one, for as the diaspora further integrates into American culture, we will become increasingly distant from traditional Hindu praxis, which emerges from a distinctly Indic firmament. This has already happened among second generation Hindu Americans (my cohort). The motivation behind Frontier Dharma is to carve out a new discursive space to explore questions of Hindu/dharmic revival in a way that is both universalist in spirit and relevant to diasporic conditions of western modernity. In that spirit, this inaugural essay isn't meant to provide all the answers, but to open up new avenues for discussion and exploration free from the constraints of the prevailing discourse. Please read and share! And subscribe to Frontier Dharma (it's free)!
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Pandit Gulab Singh in Bhavrasamrit describes 4 types of people: 1. Uttam (Noble) - Sacrifices own Sukh for others. 2. Neutral (Fair) - Balances own and others' Sukh. 3. Raakhshash (Demonic) - Harms others for own Sukh. 4. Neech (Vile) - Harms others without gain.
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From 1912, via @HindooHistory. Remarkable continuity.
If this is your religion, you aren’t welcome in the West
Readers added context they thought people might want to know
This depicts Kali, a Hindu goddess of power and transformation, often shown destroying evil; the post misrepresents her and fosters cultural misunderstanding. en.m.wikipedia.org/wiki/Kali learnreligions.com/kali-the-dark-… mythologyvault.com/mythologies-by…
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🎙️ New Podcast Episode Coming Soon! In this latest podcast, I’m joined once again by @jvalaaa and this time we’re diving into his exciting new education platform: StudySikhi.com! 🎓✨ Here’s a sneak peek of what we discuss: 🔹 What inspired the creation of StudySikhi? 🔹 Insights into traditional Sikh schools of knowledge. 🔹 Balancing oral sources with diverse interpretations. 🔹 Unique features of the introductory course. 🔹 The value StudySikhi offers and what’s next! 📅 Early Access: Available NOW for Level 2 Members & above. 🌍 Public Release: 6 PM UK time, 28th December 2024. If you love what we do, here’s how you can support: ✔️ Subscribe to our YouTube channel (search Ramblings of a Sikh or click the link in bio). ✔️ Become a paid YouTube Member for early access to future videos. Let us know in the comments: What are you most excited to learn about on StudySikhi.com? 📝👇 #StudySikhi #Podcast #SikhHistory #SikhEducation #RamblingsofaSikh
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🎨 A Janamsakhi mural from the Ram Rai Darbar in Dehradun depicting the great fish (Matsyavatara) episode from Guru Nanak’s life. I’m currently working on adding b-roll to a podcast I recently recorded with @jvalaaa about his upcoming platform @studysikhi During the podcast, Jvala mentioned a fascinating reference to Vishnu coming to Earth to pay respects to Sri Guru Nanak Dev Ji—an idea echoed in Gurbani. While searching for related b-roll, I came across a stunning Janamsakhi mural painting that depicts this scene from Guru Nanak’s life, specifically the Matsyavatara (great fish) episode, at the Ram Rai Darbar complex in Dehradun. The meeting between Matsyavatara (Vishnu’s great fish incarnation) and Guru Nanak Dev Ji symbolizes the divine acknowledgment of Guru Nanak’s spiritual authority and universal mission. Matsyavatara, one of Vishnu’s ten primary incarnations (Dashavatara), takes the form of a great fish (Matsya) to save the Vedas and humanity from a catastrophic flood. The mural itself is part of the Ram Rai Darbar, established by Ram Rai, the eldest son of Guru Har Rai Ji. Despite being excommunicated from the Sikh tradition, Ram Rai’s Darbar evolved into a hub for spiritual and cultural art. The murals here showcase a unique blend of Pahari and Mughal influences, featuring vibrant colors and intricate details that beautifully capture the richness of the tradition. The mural shows that the Janamsakhi story was embraced not only by mainstream Sikh groups but also by those considered heretical, highlighting its significance as it was deemed important enough to be commissioned and depicted on the walls of the newly established Darbar. 🔗 We explore a whole host of questions in relation to Jvalas upcoming and much anticipated platform, so if you're interested to find out more make sure to subscribe to my YouTube channel here - youtube.com/ramblingsofaSikh 🎨 Guru Nanak and the Matsyavatara, from a Janam Sakhi manuscript (c. 1755–1770).
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I'm extremely honored by President Trump's nomination to assist with our nation's civil rights agenda. It has been my dream to be able to serve our great country, and I am so excited to be part of an incredible team of lawyers led by @PamBondi. I cannot wait to get to work! I would not be here today without my amazing mother and brother's support, and my beloved father Tejpal and husband Sarv, who did not live to see this day. I hope I will honor their memories, with God's grace.
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no intro needed. ਪਟਿਆਲ਼ਾ ਜੋੜ ਮੇਲਾ ‘੨੪
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Jvala Singh retweeted
The talk explored my reconstruction of Punjabi Folklore in particular Modern Mirza & Ranjha and to what extent the postmodern style was characterised by pastiche, intertextuality and nostalgia. Thanks for inviting us down @jvalaaa
Very fortunate to have @RafSaperra & @Bobby_Kang_ join both Intro & Intermediate Punjabi classes at Berkeley today. They spoke about their engagement with folk Punjabi songs & storytelling - flavours which take form in their music & filmography, videos coming soon!
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EXTREMELY PROUD of my brothers first EP Launch Inspired by the Suraj Parkash stories of the 10th Master receiving the head of his guru and father to their gurgaddi and first marriage, it takes you on a beautiful, spiritual journey 🌹⚔️ Have a listen! open.spotify.com/album/1JAnE…
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