Art Lover🎙️CoFounder C32 Comms Agency 📸 Banner by @_deafbeef. Rarely on DMs
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Joined March 2012
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Barbara Mahe retweeted
Excited to share my latest short film, Prémonition.
Filmed in the Peruvian Andes in 2024, it documents the beginning of my mountaineering journey and the intimate connection between physical endurance and my art.
A glimpse into the challenges and experiences behind my work.
Barbara Mahe retweeted
Good day
@LACMA acquires 10 Yatreda artworks
The museum now holds a full set of Andromeda of Aethiopia, Vol II, in their permanent collection
We thank Kevo Abbra & Sylvia Owalla, our collaborators in Lamu, Kenya. We thank @showsupnaked @fellowshiptrust for this generous gift
Barbara Mahe retweeted
Congratulations to all the artists whose work is now part of @LACMA’s permanent collection.
Through the LACMA Digital Leaders Collection, Fellowship co-founder Neil Hutchinson has gifted 34 artworks from 13 artists, helping preserve these works of digital art and ideally bringing them into a broader art historical conversation. Congratulations again to everyone who contributed to this acquisition. To read the full press release, visit: lacma.org/press/landmark-gif…
●Maya Man, FAKE IT TILL YOU MAKE IT #404 (2022)
●Rafaël Rozendaal, Homage #93 (2022)
●Diego Trujillo Pisanty, Blind Camera #20 and #91 (2024)
●EKO33, Latent Ink #074 (2024)
●Linda Dounia, Once Upon a Garden, F3-GNS03 First to Fifth Generation, tokens 96-100 (2024), 5 works
●Trevor Paglen, Evolved Hallucinations: FACECAP; The Purification of Lust #7 (Corpus: Terraces of Purgatory); Shadow #14 (Corpus: Things That Exist Negatively) (2024)
●Sofia Crespo, Critically Extant: Acilacris Furcatus (2021)
●Zach Lieberman, 100 Sunsets #52 (2022)
●Vera Molnár, Themes and Variations #92 (2023)
●Operator, Human Unreadable #76 (2023)
●Lauren Lee McCarthy, Seeing Voices #45 and #53 (2024)
●Sarah Meyohas, Infinite Petals 1x1 #11, 2x2 #1688, 3x3 #1414, 5x5 #20440, 10x10 #400 (2025)
●Yatreda (Kiya Tadele), Andromeda of Aethiopia, Volume II (2022), 10 works: Dalion #10/75, Avléos #54/75, Sadéos #38/75, Princess Andromeda #17/50, Queen Cassiopeia #3/50, Kérichos #3/75, Cetus #3/25, King Cepheus #10/50, Perseus #4/25, Andromeda - Constellation #2/13
@mayaonthenet @newrafael @dtpisanty @Eko3316 @LindaDouniaR @trevorpaglen @soficrespo91 @zachlieberman @operator_______ @SarahMeyohas @yatreda
Rafaël Rozendaal, Homage #93 (2022)
Trevor Paglen, Evolved Hallucinations: FACECAP; The Purification of Lust #7 (2024)
Maya Man, FAKE IT TILL YOU MAKE IT #404 (2022)
*Gift of Neil Hutchinson and Fellowship, founding member of LACMA Digital Leaders.
Barbara Mahe retweeted
Opening event last night in Paris at @Danae__io !
It's been such a pleasure to show an artwork of ours with such a great team and to exhibit alongside such great artists!
Building on the curatorial project initiated by @marlenecorbun at Hôtel Le Bristol Paris, the Heterotopies exhibition explores the relationships between place, image, and presence, bringing together works that inhabit spaces both real and imagined.
On view until December 30, 2026
'Resilience'
226 cm x 127 cm (89 × 50 inches)
Barbara Mahe retweeted
Released from their duty, the seraphim come down to the world they once watched from above. They linger in forests and familiar rooms, and bear witness to the intimate and the catastrophic alike. (2/9)
Barbara Mahe retweeted
Lovely couple of days in Paris :) So much to see, and I only managed a tiny fraction of it. Paris really is THE art centre imo (yes London and NYC, I think Paris just does it better) with so much amazing stuff happening. Gutted I only got to see a bit of it!
Congrats to everyone who’s been working so hard opening exhibitions, setting up shows and hosting. Such a buzz!
Here are a few pics from ArtVerse’s beautiful space in the Marais (just a 5-minute walk from Oscar’s show at DZ), William’s gorgeous studio, hosted by him and the wonderful @hugopouch, as well as more of Offscreen, because it was just stunning and the more pictures the better!
Barbara Mahe retweeted
Every artist who has ever sat behind a screen wondering if their pixels, code, or digital canvasses held the same weight as paint and stone—this is the answer.
This moment isn’t just a personal triumph for the late @vera_molnar_official ; it’s a seismic shift. Congrats @V_and_A
Barbara Mahe retweeted
'Degrees of Disruption' opens at @V_and_A this Friday with over 50 works.
Vera Molnar was making art with algorithms in the 1960s, long before 'generative art' had a name.
The show explores how these early experiments still resonate with digital art today, ft @REAS, @Licia_He, @harmvddorpel and @williamapan!
Barbara Mahe retweeted
Bonjour 👋
I’ve been working on something new following a visit to the @V_and_A with @mattdesl.
We were introduced to the museum's collection by the curators, and I found myself thinking about how artists have used computation to explore form, colour and space.
Those conversations became the starting point for a new work, created with @avant_arte for the V&A's Digital Art Season and the upcoming Vera Molnar exhibition.
Also, biggest kudos to @proofofgail ♥️
→ For updates: avantarte.co/va-williammapan
Barbara Mahe retweeted
Absolutely wicked to be back at Paris Photo for the 4th time, now led by Marco De Mutiis, who was on the jury that gave us the Lumen Prize for best booth. Can't wait to show @summergwagner's solo booth ❤️
“we no longer ‘see’ through the prism of optics alone”
Ivy Street, 2026
Barbara Mahe retweeted
Something new: Canon Weekly
One exceptional artwork, each week.
Read the first entry and join now: canonart.co/weekly
Barbara Mahe retweeted
I’m honestly blown away by the reaction to my first YouTube video. Starting something new is always a little scary, so I’m so grateful to everyone who connected with it.
If you haven’t seen it yet, I’d love for you to watch it. It holds a very special message for me:
Barbara Mahe retweeted
good morning from a room waiting to be read. will give a guided tour today at 3pm.
pls join me if you're in town. will read with + for you ❤️
