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typography consultant. project director. CJK-Latin expert. trilingual. PhD @ University of Reading. ムサビ基礎デ非常勤講師. opinions are my own and not tied to my clients.

Tokyo, for now
Joined December 2017
Photo by Min Kim 💎 (@mintoming)Photo by Min Kim 💎 (@mintoming)Photo by Min Kim 💎 (@mintoming)Photo by Min Kim 💎 (@mintoming)Photo by Min Kim 💎 (@mintoming)Photo by Min Kim 💎 (@mintoming)Photo by Min Kim 💎 (@mintoming)Photo by Min Kim 💎 (@mintoming)Photo by Min Kim 💎 (@mintoming)
「韓国は絶対敬語で日本は相対敬語だから〜」とかまた聞いたことない意味わからん論調出てきてるが、日本でも等しくタメ口は下品で無礼なので、友達でもないのにタメ口言ってくる人は自分で自身が学の無い人って宣伝しているようなものだと思えばよろし◯
사실 일본 정부는 경어를 어떻게 써야 하는지, 외국인에게는 어떻게 말해야 하는지까지 이미 지침으로 정해 두었다. 문화청의 「경어의 지침(敬語の指針)」(2007)은 경어가 "사람과 사람 사이의 상호 존중을 기반으로 해야 한다"고 말한다. 그리고 "경어를 써야 할 자리에서 쓰지 않으면 상대에게 예를 잃을 수 있다"고 분명히 적어 두었다. 심지어 외국인을 상대로 한 지침도 있다. 출입국재류관리청과 문화청이 낸 「재류 지원을 위한 쉬운 일본어 가이드라인」(2020)은 다음과 같이 규정한다. "문장 끝은 'です', 'ます'로 통일한다. 존경어와 겸양어는 쓰지 않고, 경어는 정중어만 쓴다." 그러니 이걸로 싸울 필요가 없다. 일본은 룰을 최우선시하는 사회다. 처음 보는 당신에게 반말을 하는 일본인이 있다면, 룰을 알려주면 된다.
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まじでいろんな理由つけて絶対にガイジンに敬語使いたくない・無礼な自分らに免罪符与えたい日本人多すぎるが、低俗すぎて話にならん。まぁ日本は患者にタメ口使う医者が蔓延っているので対人関係で勝手に上下付けて対応してくる悪習慣が身についているのかもしれない。
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つーか相手が嫌だっつってんだから謝ってやめればいいのに、死んでも謝ることはできず嫌がってることを続ける自体がもはや頭のおかしい言動であることがわからんのんか?嫌だやめろっつったらやめろや
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すべて強く同感。特に、「他人の心情や意見を受け入れない癖に自分の心情と意見を受け入れろって人も多いし」。絶対に謝れない人もあまりにも多い。
思考を育てる教育をしてないからだと思う。学校でも家庭でも。ディベートもできないし。 他者との意見交換や対話は冷笑と論破、同調が当たり前。他者の意見を認めることができない、否定をしないができない。 他人の心情や意見を受け入れない癖に自分の心情と意見を受け入れろって人も多いし。
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Min Kim 💎 retweeted
I’m an English teacher but half my job is teaching Japanese people cultural things about other countries. Like yes we also have four seasons why do we have the names for them if not?
A Japanese guy asked me if people got hay fever in America, too, and I said yes. He then asked why. I was so dumbfounded I couldn’t answer. After a long silence and me staring in disbelief, someone said, “…they have trees and flowers in America, too.”
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The truly interesting aspect is not that "Japan has suddenly turned bad," but rather that the national image—meticulously cultivated over decades since the war—is now being dismantled, piece by piece, by the Japanese themselves. In the postwar, Japan successfully executed a long-term rebranding of its national image: It transformed itself from an aggressor, a colonizer, and a defeated nation into an "exemplary Asian state"—synonymous with peace, politeness, order, anime, technology, and shokunin kishitsu (artisan spirit). Through anime, video games, automobiles, electronics, and tourism campaigns, Japan consistently projected an image that was entirely depoliticized and stripped of any association with war. A key reason this image held up for so long was that the Japan the outside world perceived was the very version of itself that Japan chose to export. Social media has fundamentally altered this dynamic. It is no longer just diplomats, NHK, or animation studios speaking on Japan's behalf; ordinary Japanese citizens are now speaking for themselves. They tell Muslims to "get out," spout colonialist rhetoric directed at China, South Korea, or Southeast Asia, openly whitewash fascist war crimes, and insult the victims of those wars—all while framing their xenophobia as "protecting Japanese culture." Consequently, the elements once obscured by cultural exports have been laid bare. Two other variables are also critical: long-term economic stagnation in Japan, coupled with the rise of China. The former has eroded the confidence of a nation that once saw itself as a "success story," while the latter has shattered Japan's long-held self-perception as the "only successful modernized nation in Asia." As a result, Japanese identity politics has increasingly come to rely on a sense of historical superiority, ethnic purity, and outward hostility—a way to compensate for a profound sense of loss in the present reality. The greatest irony is this: For eighty years, Japan has told the world, "We are no longer that Japan." Yet, every single day on social media, the Japanese themselves are proving: "That Japan never went away." And as for a nation's image—it may take decades to build, but it can be destroyed with startling speed. In the past, people from other countries might have come to know Japan through Hayao Miyazaki, Sony, Toyota, or Kyoto. More and more people are encountering Japanese political discourse for the first time, only to be met with sentiments like: “No Muslims.” “Get out, Chinese people.” “There was nothing wrong with colonizing Asia.” “Japanese militarism is something to be proud of.” In a way, this does more damage to Japan's soft power than any so-called "anti-Japanese propaganda" from abroad ever could. After all, the hardest form of propaganda to refute is never what others say about you. It is what you say yourself.
اليابان لها 70 سنة تحاول تنشر صورة اليابان اللطيفة بكل العالم و مسوين انميات وبرامج بالمليارات الترجمة التلقائية باسبوع قلبت العالم كلها ضدهم
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冷笑とかダサい 時代は激怒
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Min Kim 💎 retweeted
全ての犬が愛されてぬくぬくと誰も怖がらず傷つけずに生きられますように
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これも日本人の他者や他国、あらゆることへの興味関心のなさだと思う。 海外でアジア人がどう扱われるのか、私は気になって仕方なかったからいろんなことを調べたしたくさんの体験談も読んだ。人種問わず"あなたがあった人種差別体験"を質問したりした。 私は『平和ボケ』という言葉を彼女に教えた。
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私は「知らないんだよ」と教えた。 日本人ママ達はそういう人種差別方法があること自体を知らない。もし知っていたとしても揉め事が嫌いだからなんでも受け入れる。あるいは無視するだけ。日本人の考え方はこれが非常に多い。ただ店の指示に従うだけ。NOが言えないんだよ。 と教えた。
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Min Kim 💎 retweeted
Oh my God lol. A Japanese poster basically tweeted: why are there so few booze options in Korea So a Korean poster replied: Wow this gives me the same vibe as hearing a Japanese person in Chongqing (China) asking why there are so few historical sites I looked into it and the reason is because the Japanese bombed substantial parts of Chongqings historic and urban areas and in Korea Japan's colonial administration systematically disrupted the foundations of Korea's traditional alcohol culture by systemically suppressing much of household brewing which almost wiped out hundreds of regional liquor traditions 😭
중국 충칭 여행을 갔을 때 "왜 여기는 역사 유적이 하나도 없냐" 라고 칭얼대는 일본인을 본 적이 있음 이 글을 볼 때랑 비슷한 기분이 들었음
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Min Kim 💎 retweeted
「100日の嘘」皆さん本当に日本語がお上手なのだけど、いやしかしいつも日帝モノを観るたびに、かつて国を侵略し言語を奪い日本語を強制した国の人間としては、韓国俳優の日本語のレベルを評価すること自体やはり傲慢というか、グロテスクな気がしてしまって…こういう思いが消えることはないだろうな
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Min Kim 💎 retweeted
工藤君が来社したので秘蔵のポスターを開陳。“exhibition vou 1968” ポスター/版下と仕上がり:デザイン清原悦志 清原が生涯デザインしたポスターのうち確認できているものは2点で、もう1点は「角館」観光ポスター。ポスター全盛の時代にあってこの少なさは、いかにも清原らしい。
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🪵:ひとくちだけ
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私はランニングすると汗だくだくになるのでこの季節はすぐにタオルで拭かないと汗が冷えて寒くなるし、直ちに家帰ってすぐシャワー浴びないといけないくらいなんだが、世の中のランナーたちはランニング後にカフェ行ったりご飯食べたり電車乗ったりしてて、どういうことなん??私が多汗なの??
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みんなゾーン2運動してるのかと思いきや1kmあたり5‘30“〜6’30“なので私とタイムさほど変わらないのに…私が走り方下手でゾーン2になってないだけなの??
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知らない人のため:ゾーン2運動とは自身の最大心拍の60〜70%心拍数で留める、「会話をしながら走れる・できる運動」のことです。最大心拍数もゾーン2も人によって異なるけど、ゾーン2はだいたい心拍120〜140くらい。ちな私は走る時165〜170くらいで走ります。
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このかたの気持ちがとてもわかってしまって、つらい。今。 #無関心でも無関係ではいられない #高市内閣総辞職を要求する #緊急事態条項は独裁条項
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韓国来たついでに病院ツアー中なのだが、日本の医療本当に遅れすぎてるというか、誤診多すぎて話にならん。今までの処方とか誤診がかなり見つかった。
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