Audio post & music. Latest: Jackass, Scary Movie, Paw Patrol, Caught Stealing. Soon: Street Fighter, Did Someone Happen To Mention Me. Opinions are mine. 🏳️🌈
Los Angeles, CA
Joined October 2010
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Finally getting a chance to see this today at AFI Fest. Sundance crowd has been raving since January. Let’s go!
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YCSE is fascinating because it’s been steadily revealing through discourse how the average-to-pseudo-intellectual moviegoer views documentaries: as journalism and vehicles for information (akin to an interview) first before they are allowed to explore the actual visual medium.
It's a testament to their colossal failure. Holmes went into this film as a symbol of the worst trends of our modern era of fraud, and exits as an ambiguous potential victim. She got what she wanted from Fielder.
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Essentially, this. True crime dominates nonfiction because the people consuming it are obsessed with Getting The Facts™️ which fabricates a brief sense of privilege; you can now give an informed opinion! YCSE is pointedly different, & is an all time great(er) film for it.
I think people are so caught up on their preconceived notion that Fielder is trying to unveil some hidden truth (ie. that Holmes is innocent actually) because they are so accustomed to documentaries unveiling some hidden truth about cases they are familiar with
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This tweet randomly showing up in A24 marketing and the NYT today but they omitted the best director line. I said what I said 😤
YOU CAN SEE EVERYTHING is easily the best film of the year for me, arguably on my best of the decade list. It turns from an uneasy as hell doc into something structurally, stylistically, and formally even more shocking. Like nothing I’ve ever seen. Best Director type shit 🫣
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Love Matt’s list - feels 80% there to me. My hesitations: I wouldn’t exactly love an Obsession BP nod (feels more cultural than pinnacle) but it feels inevitable. I’m also curious to see if Ink can hold ground for this long before it goes wide. January slots can be tough!
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Just got out of The Debut. Julianne Moore shaped nuke has detonated a LOT of these girls should be scared!!!!!!
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YOU CAN SEE EVERYTHING is easily the best film of the year for me, arguably on my best of the decade list. It turns from an uneasy as hell doc into something structurally, stylistically, and formally even more shocking. Like nothing I’ve ever seen. Best Director type shit 🫣
After a quick six hour drive it was very lovely to chat with @carriecoon and profess my love for that Beethoven Appassionata needle drop at the end of Fargo S3, which has been lodged in my brain for years!! Telluride best place on earth. Minotaur tonight!
What struck me most about this ending is how it shows that they CAN play together, but when Joe plays alone he incorporates stride, reharms, & more jazz techniques. it subjects the piano itself to the “more than 1 relationship with 1 person” idea. Brilliant stuff @oliviawilde
Still thinking about the ending of The Invite.
The way she just quietly joined him at the piano after everything… idk, that got me. Sometimes you don’t need a big speech to show that two people still mean something to each other. ❤️
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Being able to hear the breaths in between woodwind phrases on the Odyssey score is just magical, man.
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Wait til everyone finds out that his big scene in The Invite was entirely improvised by him with cameras capturing Olivia & Seth’s reactions hearing that story for the first time
Edward Norton had quietly become the early Oscar frontrunner in Supporting Actor.
This could be his 5th nomination & 1st win,early days though so we'll see who else will emerge in the 2nd half of the year.
For example next month Robert Pattinson (The Odyssey) could take over.
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Lovely way to spend a Saturday today in LA!
Just added! Penélope Cruz will now be joining Olivia Wilde for our post-film Q&A at the 4:15pm screening this Saturday, June 27th, of THE INVITE (schedules permitting). Tickets: buff.ly/114mdU3
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My score for Willie Simmons’s Sticks & Holler is out now on bandcamp. It was so fun to explore local sounds from the Appalachias. I’m grateful to have worked on projects like this, and for the support from my friends & colleagues. Listen/purchase here: eriknordgren.bandcamp.com/al…
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I looooove bleak week. Copped the Hanekes immediately. My boyfriend is going to see the Piano Teacher for the FIRST TIME in a packed Egyptian Theater with the legend herself. Impossibly special.
‘Isabelle Huppert: A Bleak Week Tribute’ 🩶 June 1st - 5th
🚨 Tickets on sale TODAY 12pm PST 🚨
As the centerpiece program of the 5th annual ‘Bleak Week,’ we’re honored to welcome incomparable French actor Isabelle Huppert for an in-person retrospective:
americancinematheque.com/ser…
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Haven’t been to drafthouse since they went phone only and that’s certainly not changing soon
The Absolute Hell of Watching a Movie at the Alamo Drafthouse in 2026 indiewire.com/features/comme…
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#LeeCroninsTheMummy is the real fuckin deal. Nasty, goopy, gory, and schlocky. Basically Lee Cronin’s Evil Dead Mummy, so if you dug his style on Rise you’ll love this take on Mummy. Laia Costa remains one of my favorite actresses and Natalie Grace steals every scene she’s in.
