Guiding New Yorkers to the best cinema has to offer since 1935. (#NYFCC).
New York, NY
Joined June 2009
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New York Film Critics Circle retweeted
Netflix has spent the last 10 years trying to render movie theaters obsolete. i wrote about why they failed, why they gave up, and why abandoning their holy war on exhibition could save the struggling company from becoming obsolete itself.
indiewire.com/features/comme…
New York Film Critics Circle retweeted
Lance Hammer's new feature, Queen at Sea, with extraordinary performances by Tom Courtenay and Anna Calder-Marshall, is far clearer and deeper on conflicts of family life and civic power than the wrongly acclaimed
Fjord:
newyorker.com/culture/the-fr…
New York Film Critics Circle retweeted
You Can See Everything is an astonishing film of Elizabeth Holmes and her sustaining certainties, of the surprising emotional power arising from this round of Nathan Fielder's interventions:
newyorker.com/magazine/2026/…
New York Film Critics Circle retweeted
Some thoughts on Los Javis’ LA BOLA NEGRA, its at times interesting ruptures, and its one damning audacity. slantmagazine.com/film/la-bo…
New York Film Critics Circle retweeted
How can an ultimately despairing film be so funny? ARTIFICIAL pulls it off. time.com/article/2026/10/06/…
New York Film Critics Circle retweeted
Good night, sweet enigma. Some words on Elsinore, Simon Stone’s biopic of Scottish actor Ian Charleson. slantmagazine.com/film/elsin…
New York Film Critics Circle retweeted
Artificial: i'd prefer if Luca Guadagnino went back to movies about the flesh, but this dark & semi-campy Social Network sequel has some doomed fun skewering how stupid the road to superintelligence has been. demonic Andrew Garfield heel turn.
my review: indiewire.com/criticism/movi…
New York Film Critics Circle retweeted
Sue me, I kind of liked THE SOCIAL RECKONING, which is like pure uncut Aaron Sorkin straight to the vein. (Your mileage may vary.) Gift link to my review: vulture.com/article/review-t…
New York Film Critics Circle retweeted
"Cameron Winter at Carnegie Hall," directed by Paul Thomas Anderson, is a rapturous solo concert movie built around the songs — and haunting sound — of Cameron Winter. The Geese frontman excels away from his band, in a show that casts a soaring spell. My review from #NYFF64 bit.ly/4rFEGBe
New York Film Critics Circle retweeted
"You Can See Everything" (@TheNYFF) is not just the film of the year—it’s a documentary that stands shoulder-to-shoulder with the form’s all-time greats.
thedailybeast.com/obsessed/y…
New York Film Critics Circle retweeted
Carlos Reygadas’s mesmerizing HEIL JUPITER! tosses viewers into a series of briny tempests without a life preserver. Read Keith Uhlich's #NYFF64 review. bit.ly/3TD5nKh
New York Film Critics Circle retweeted
REVIEW: “Tom Cruise’s “Digger” wants to be the “Dr. Strangelove” of climate change. But instead of laughs, it has in-your-face overacting and a didactic disaster scenario:
“The movie cost north of $125 million to make, and that figure is not only too big to probably justify itself; it’s a testament to the arrogance of the filmmakers, to the assumption that we’ll turn out in droves for this ponderous absurdist lecture,” writes Variety’s @OwenGleiberman.
wp.me/pc8uak-1lHN31
New York Film Critics Circle retweeted
Alejandro Gonzàlez Iñàrritu’s new film ‘Digger,’ starring Tom Cruise, is a brazen act of self-sabotage. vulture.com/article/review-d…
New York Film Critics Circle retweeted
DIGGER is a purported cri de coeur against our wealth-and-resources-hoovering overlords, but somehow it still manages to be a shameless Tom Cruise ego stroke. Read Keith Uhlich's review. slantmagazine.com/film/digge…
New York Film Critics Circle retweeted
What to say about DIGGER? Alejandro G. Iñárritu and Tom Cruise feed each other's worst showboating instincts in a gratingly unpleasant and leadenly unfunny climate crisis satire. I did not dig it. My @THR review.
hollywoodreporter.com/movies…
New York Film Critics Circle retweeted
Godzilla Minus Zero: better than Godzilla Minus One in almost every way (especially re: thematic coherence & special fx). another classic melodrama with occasional monsters, now with bone-shaking IMAX spectacle and Ghidorah being a HUGE asshole
my review: indiewire.com/criticism/movi…
New York Film Critics Circle retweeted
Word on some extraordinary films from the first week of @TheNYFF (which starts tonight), including a world première that's also a belated début:
newyorker.com/culture/the-fr…
New York Film Critics Circle retweeted
18 days. 113 films. This year’s New York Film Festival lineup is so invitingly rich that you’ll actually want to see everything. tinyurl.com/4hzcefby
New York Film Critics Circle retweeted
Brad Pitt Is a veteran stranded with his combat dog in #HeartOfTheBeast, David Ayer’s stirringly crafted survival-in-the-wild saga. bit.ly/4xDk0LG
New York Film Critics Circle retweeted
The History of Concrete is both fun and substantial; it both resembles How To with John Wilson and is very different—he looks at its subject head-on, and its whimsy has philosophical heft: newyorker.com/culture/the-fr…
