Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson) header
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I think I'm going to delete this account.

Nowhere
Joined March 2009
Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)Photo by Patrick (AKA Jackie Daytona AKA Chad Farthaus) (@patrickbjohnson)
How do we tell brands about accessibility concerns with out creating liability for those brands? Better yet, how do we prevent risk of lawsuit for brands in e-commerce?
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
I’ve waited ten years for someone to say this about Donald Trump.
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The fastest way to a mass surveillance state is being okay with surveillance. And everyone creating content is accepting it.
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
OH HE ATE HIM UP SO BAD LMFAOOO😭😭😭
what's the nastiest read you've ever seen someone give😭
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Leave it to white guys to over complicate everything.
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
Girl. You done got me fired up 🔥
I believe this will be considered one of the most important videos in US history from this time.
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Most ecosystems exist so you can do this differently or because the platform cannot provide those features. Half of the apps on Shopify exist because the platform is slow, shit or just plan out bad at something
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There was a convo i had a while back with @peterkang34 about basketball facilities. I want to revist that as the Brooklyn Sports & Entertainment Group. Just acquired a company that owned 3 facilities so they got paiddddd
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I definitely judge people who have perfectly white veneers.
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Anytime I see a brand owner turn a marketing/advertising/paid media consultant I just assume they are bad.
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I finally have a "good idea" i wanna build.
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
How to Ask for Help If you're a junior designer, I want to share a few things that will help you ask for help more effectively, be it wanting a portfolio review, introductions, advice, or anything really. 1. Be direct. Most of the people you want help from are busy people. It is *greatly* preferred when you are upfront and direct about what you want. There are only so many hours in the day, and I'd rather know exactly what you want and how I can help. 2. Be specific There are very few people in the world who ever want to 'catch up' or 'get their brain picked' when you don't know someone and it's ambiguous what they want. If you want feedback on your portfolio, ask for that. If you want ideas on how to reposition yourself, ask for that. If you aren't specific, you'll either get no response, or get generic response. My general feedback on every portfolio will always be: show your work upfront; remove half the words then remove more again, and spend 10x the time refining the work shown vs the design of the portfolio itself. 3. Be concise Everyone is busy, so be respectful of their time and be as concise as possible with your ask. 4. Follow up If you don't hear back from someone, the most likely answer is they either missed your message or forgot. Platforms like X have, somehow still, terrible DM's that always seem to be buggy, so just follow up respectfully. I don't find it annoying; rather I appreciate the persistence and reminder. 5. Follow through If someone takes the time to help you, and gives you advice or suggestions, you should follow through on them. I love hearing about how things went or the updates someone made, but I'd guess less than 3% of the time I hear back from someone. Want to know an easy way to start to build a relationship? Follow through. Those who follow up I am more likely to want to continue helping and building into. So what does this look like in practice? Instead of "Here's my portfolio, let me know if you have thoughts!" say "I'm updating my portfolio as I look for a full time role at a startup. Would you mind letting me know 1) if this would pass your first 5 second screen, and 2) do you think the work examples I have selected seem credible to an early stage founder?" Instead of "I'd love to meet if you're ever down", say "I have a few first round interviews coming up in a few weeks. Would you be open to doing a 30m practice portfolio presentation with me? I'll show up at any time that works for you this week or next." I have generally found our industry is full of people who want to help others, so I hope this is helps you better ask for help!
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
In some very exciting news, Express Checkout has been scooped up by Morning Brew! We're so excited to join the Morning Brew family and keep growing this thing! adweek.com/dealroom/morning-…
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
Show me one engineer who writes better code than an llm.
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If I'm the owner of an under utilized storage space...I'd turn them into small, rentable content studios for creators. Basically a flop house motel style but for these desparate creators.
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
Refreshing to see this no b.s. purpose statement from Peak Design.
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
No way I'm ever going to say lime-lemon instead of lemon-lime
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
White dudes pls get back in your bag
25 years ago, System of a Down released "Chop Suey!"
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Patrick (AKA Jackie Daytona AKA Chad Farthaus) retweeted
25 years ago today, N*E*R*D releases In Search Of. It drops only in Europe as a test due to Kelis' debut Kaleidoscope charting better in the UK than in the US in 1999. It features all electronic production. In 2002, it would get a US release rerecorded w/ all live instruments.
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